| Vincent Louis Carrella
THE SERPENT BOX &
THE POISON JAR
Charles Flint had for some time been in the habit of consuming lethal
doses of strychnine and lye. He learned it from the Bowsky brothers, several
years back, under a patched canvas circus tent in the hills of north Georgia.
They attracted huge crowds, daring folks to bring their own poison and
offering it up to any who didn't believe. Flint had once watched a young
skeptic taste a small drop of lye and run screaming from the tent. The
man had ripped off his shirt, stuffed it into his mouth and had nearly
torn the tent down looking for the flap.
The first time Flint tried it himself, he
mixed half a teaspoon in a tall glass of water and sipped it like wine
to see what it would do. He fell over and broke the glass in a panic and
heaved up his recent meal before eating grass in the yard like a dog. After
that he decided to wait for a sign before trying again to consume poison.
He fasted for five days and set the whole family praying. On the sixth
day he sent the boy down to Larson's store for a fresh bottle of
Red Devil drain cleaner, a bottle untainted by a fool's hand he said. He
told the boy to say that they had a hair clog in the drain which required
the strongest stuff available.
Charles Flint sprinkled enough lye in a glass
full of water to turn it cloudy. He told the boy to dip the end of his
pinkie into the glass and lick the very tip to test its strength. The water
had a strong acrid smell to it and the boy closed his eyes as he
touched the tip of his long tongue to the end of his small finger. It felt
like he stuck a straight pin into his mouth and he scraped his tongue
with the back of his teeth and spat. His lips and the tip of his tongue
felt like they were trying to tear themselves free from his face
and he sat on the floor pressing his hands to his mouth to keep them from
doing so. Charles Flint, satisfied with the potency of his elixir, consumed
the entire contents of the glass with both Rebecca and Magdalene looking
on in horror. The liquid dripped from the corners of his mouth and down
his neck, falling in drops onto his wool shirt. He placed the glass down
and waited in a silence broken only by his family's prayers
and the sharp knocking of the mantel clock. Charles Flint smiled. The poison
tasted like lemonade. He felt no ill effects despite the fact that the
lye had eaten several round holes as sharp and crisp as cigarette
burns in the front of the heavy wool shirt. He screwed the top of the jar
on tight and fell to his knees in prayer, where he remained for several
hours with the boy at his side reciting prayers of his own.
*
The boy had been named Jacob. He had a head like a warped pumpkin and
a lazy left eye. The child, malformed as he was, walked bent and stood
crooked. His lazy eye had a habit of rolling back and looking upwards.
His small one opened wide. But he was a smart boy despite all that was
said about him. He's a toad, he's a dwarf, he's a carnival freak.
Lock him in the root cellar, put a sack on his head, make him wear a blind
man's glasses and ride in a pushcart with a blanket over his legs. Send
him to the State, drown him in the mill pond, leave him in the woods. But
his daddy knew more then his neighbors did. The boy had the mark of the
Lord on him and he knew that one day he'd do great things with those awkward
hands. The hands with the nails all bit down to the roots. The hands
that had not yet held a serpent. The hands with those flat hammer-thumbs.
And that eye. That big roving eye. People would laugh and ask him, "can
you see out of that thing ?" And he'd answer the same way every time,
he'd say, "I see you the same way that God does." And they'd stop laughing.
The bible room was a screened in corner of
the patio with a hook-latch on a creaky wooden door. Jacob had been forbidden
to go inside but he often stared through the mesh of the screen at the
serpent box balanced high on the portable pulpit. Standing up on his toes
he stuck his tongue through the door crack and tasted the metallic ping
of the rusty latch that kept the door from swinging open when the
wind blew. Sometimes he'd stand there all day and watch the box. He would
pray over it, waiting for the day that he'd take it up himself like his
daddy did on Sundays at the Holiness Church in Jesus' Name in Leatherwood.
People came from all over Tennessee to watch his father handle snakes.
Some were believers. Some were not. His daddy said that soon he'd take
up serpents himself.
When the time comes. But Jacob couldn't
wait. He felt the spirit inside of him, and the signs were already there.
Folks said that he'd brought old Hoochie Pap Horton back from death last
winter. Jacob sat by his bedside all night and wiped the sweat off that
big bald head with his bare little hands. He prayed hard for a miracle
that came the next morning. Hoochie Pap Horton spat up a bloody red demon
into a Mason jar that Jacob buried under an apple tree that died in the
spring. After that day, he felt ready for serpents.
*
"Daddy says you can't even look." Magdalene stood behind him. 12 years
old to his 10. She had the good looks of his mother. He had his daddy's
gift.
"I'm not lookin'. I'm prayin'."
"Daddy says it's the temptation that'll do
us in."
"Daddy says a lot of things."
Magdalene pressed her cheek against the screen
and looked inside at the box. She could see the snake coiled up like a
garden hose. Jacob prayed softly with his eyes closed, the house graveyard
quiet but for the ticking of the mantel clock and the distant baying of
Baxter Dawe's coon hound. Magdalene dragged her nails down the screen.
It made a sharp zipper sound. Jacob opened his eyes. The snake moved in
its box.
"Why don't you open it then?" she said. Jacob
stepped back and sighed.
"Cause I don't want to."
"You're scared," she said and she turned to
him with a smile that spoke of wickedness to come.
"I'm as good as any of them, " he said.
"If that was true, then you'd have nothing
to be scared of."
She pulled a bobby-pin out of her glossy black
hair. She straightened the pin and smiled at Jacob. His good little eye
watched her pop the hook latch. His big lazy one saw the bible open and
a thousand years of history flip by in
an instant no longer than the beat of an insect wing. The door to the
bible room swung open slowly with a loud squeal and the serpent stirred
in its pine box. Without thinking, without knowing, he was there, at the
pulpit with his hands on the cold tin lid. Punctured all over with holes
for air, it had hinges at the center and it opened from either end like
the wings of a butterfly. On each end his daddy had installed hasps secured
with brass locks whose combinations were set to Bible verses. It had words
burnt into the wood around it. Jesus Saves on one side. Lord Jesus on the
other. His father lined the bottom with linoleum tiles ripped from the
kitchen floor. Curled on top of the tiles was the big trap-jaw water moccasin
that Baxter Dawes brought in from the woods just yesterday. It had yet
to be handled.
The serpent lay still and Jacob prayed out
loud while his flat-headed thumbs turned the lock tumblers. 1616, from
Mark. "He that believath not shall be damned," he said as he raised the
lid. Magdalene stood at the door with the bobby-pin in her hand. Her jaw
hung open as he reached inside and placed his hands around the serpent.
The flesh of the thing was not slimy but smooth and cool. He felt
it move. The long undulating muscles beneath its skin twitched. He felt
the life and the power inside of it. The head of the cottonmouth cocked
robotically as he raised it up out of the box, spitting forth its tongue
like a spark. It stiffened in his grasp and hissed with its mouth agape,
bearing scimitar fangs and showing its insides snowy white. That's when
Magdalene sucked in air and the bobby-pin hit the ground. The screen door
squealed and clattered shut. The big cottonmouth struck him like a shotgun
blast.
*
Magdalene waited by the side of the bed during his three day coma and
was there with his father and mother when he opened his eyes. His
left cheek itched terribly and when he reached to scratch it he found that
his hands were restrained by strips of torn burlap jute. Their eyes were
closed and they prayed quietly with their mouths moving fast.
"Momma, can I have a drink of water ?" he
said. Their eyes popped open and they looked at each other before his
mother began to cry.
"Thank you Jesus, of course you can," she
said and she sent Magdalene after it. She wiped his brow and untied his
hands and his Daddy closed the bible, laying it on his son's chest. Charles
Flint was a narrow man with burning black eyes. The eyes of a mad prophet.
Eyes which never blinked. He had a thin crooked smile that stayed
crooked all the time and he spoke in a song-like manner as if his words
had been chosen by a higher power.
"You're one lucky boy. The Lord is truly in
you, for that was a bite from the devil himself," he said and he sat on
the bed.
"I'm sorry daddy. He called me."
"Well he almost took you. That was a foolish
thing you did and there will be punishment. But that'll wait. I want you
to read the chapter I marked for you and get some rest."
He rose and walked to the door where Magdalene
stood with a full glass of water. She looked up at her father and he allowed
her to pass in front of him. He turned and watched Jacob drink the water.
It was the worst bite he'd seen in all his years and he'd seen plenty.
Including the one that took his older brother Paul. He swelled up and
turned yellow and then brown like rotting fruit. He'd died the morning
after. They never called a doctor just as they hadn't called one for Jacob.
God would heal them if they had faith.
"Daddy?" Jacob said. Charles did not turn."Where
is it?"
"Baxter put him in the church freezer with
Paul's rattler and the other demon snakes that bit folks. Now you get some
rest", his father said.
*
The sky looked like gun metal and the air felt thick as smoke.
Some stars still twinkled above him as he walked on the dirt road through
the hollow which led to the house of Baxter Dawes. Jacob knew his daddy
sent him to the snake hunter to help him with the fear of it. Making him
face the serpent now was a way of telling him that he was meant for the
life. Destined to be a sign follower. To take up reptiles and consume deadly
things in a show of faith that would prove to his future congregations
that Jesus was alive and among us.
Jacob walked a dark and overgrown path to
Baxter's house. He hurled stones at the trunks of twisted oaks and he
hit them all. The dawn broke quiet in the woods and he ate stale cornbread
from the pocket of his red and black hunting coat. The bread had small
pieces of lint stuck to it. It made his mouth feel dry, but Baxter would
let him drink coffee out of the speckled tin cup he hung from a nail above
the stove and that made him feel like a man.
A black and copper coon hound came galloping
down the road before the house came into view. It was Spider. Baxter's
best and now only dog. A black bear took one of his ears off and he was
the lucky one. The bear killed all three of his brothers before Baxter
shot him through the neck with a deer slug. He had carried Spider home
in his arms that day and bought him a T-Bone steak. The dog had problems
with its hearing after that, but it could still smell snake. Spider sniffed
Jacob up and down and licked his face where the snake had bit him. Together
they walked into the yard, passing the hulks of the rusty Chevrolets which
Baxter would one day consolidate into a single functioning pick-up
that would take them both up to Lost Lake where Baxter said the bass grow
big as lap dogs.
Jacob came around the bend with Spider beside
him and saw the home of the snake hunter peering through gnarled
trees. The house was ancient. It had been cobbled together from scrap lumber
and corrugated tin by five generations of Dawes'. It sat on posts and had
a drunken lean to it. The front door was always open and Jacob could
smell bacon and coffee. It made his stomach gurgle. He stepped inside to
the sound of a gospel radio show and Baxter came out from the back
room bare chested. He pointed to a chair. He was a man whose face showed
the harshness of mountain living, with deeply creased skin. His eyes sat
far back in his skull but they were crowned with thick salt and pepper
eyebrows that swooped upwards, blending in with his wild hair.
"Sit," he said and Jacob sat on an empty lard
bucket turned upside down. The walls were covered in old newspapers.
"Eat," said Baxter and he slid a dirty plate
under the boy's face. The boy hesitated but the food smelled good. Fried
eggs, slab bacon, a biscuit and gravy. Baxter sat and poured thick coffee
into the tin cup and slid it towards the boy. He stared at him and
winced at the wound on his face.
"He got you good," he said. Jacob ate.
"A real devil that one was. Found him under
a Spanish oak bush at Owl Holler. Bit my boot clean through. That's where
we're goin' today, so hurry on up and finish before the sun comes up."
Jacob soaked up the last of the gravy with
his biscuit and slugged down the bitter coffee and they walked into the
woods with Spider loping beside them. They walked to the snake place through
a low and narrow path cut through thick brambles. They crossed dry creeks
and climbed over fallen oaks. They walked quietly through the woods, led
by the coon dog Spider who'd disappear in the brush ahead of them for long
periods of time only to return panting hard and smiling up at them the
way dogs do when they're at the job they love. Baxter never spoke a word.
Jacob had only been on one snake hunt before. It was in a dark icebox canyon
without a name. Baxter had said the spot had been snaked out for years
but wanted to show him the kinds of places to look and to teach him the
elusive ways of reptiles in their natural habitat. They turned over rocks
and fallen trees and found a black coach whip snake about four feet long.
Baxter showed him how to pin it down with a special pole he made for the
purpose and then bag the creature. The coach whip snake didn't put
up much of a struggle. Apart from shitting down Jacob's arm he caused
no trouble at all. The stink of the snake shit stuck on him like skunk
for days and the memory of it was with him now as they walked together
towards Baxter's new spot.
Baxter had found what he called a motherlode
of snake high up on the Double Fork, a dry creek once fed by a spring that
stopped flowing the day of the earthquake in 1916. He'd been watching one
particular spot for two nights and knew for sure that a large queen
diamondback had herself a den below a flat rock at the top of an
avalanche pile. He carried a burlap sack, a crow-bar and a long wooden
rod with a steel hook on one end. It had words carved into its shaft
and he called it a Judas-Pole. He fashioned it from a single locust branch
and the woodshined black like ebony from long use and the oil from his
hands. He burned the opening line of Mark 16:18 near the top, and he mumbled
it over and over like a mantra as they walked along.
They shall take up serpents. They shall take
up serpents.
They had walked for two hours when Baxter
stopped near a tangled deadfall and debris pile pushed down the creek
when it had flooded years ago. A mudslide had plowed up a mound of boulders
and trees into a foreboding organic mass twenty feet high. The seemingly
impossible configuration of earth, stone and stump took on the surreal
aspect of a mud sculpture scraped together with one quick stroke of a giant's
hand. There was no telling what manner of creature could be dwelling within
it's folds and crags. Baxter turned to Jacob and held his index finger
to his lips. Its tip was missing. He lost the whole top knuckle, nail and
all, to a snap-jaw panther trap he fell into as a boy. Baxter made a strange
shaking movement with his other hand and Spider dropped to a sit.
"Stay quiet and hold the bag," he said. He
threw the sack at the boy and sprung up onto the debris pile. He stepped
carefully from boulder to boulder. He moved slow like he was walking a
minefield and tested each rock with the tip of his toe before putting the
whole of his weight on it. He held the Judas pole out in front like a wire-walker
and tilted it from side to side for balance. He stopped near a flat-top
rock and squatted down in front of a hole beneath it that had an orange
day-lily growing from inside. Baxter leaned his ear into the hole and listened.
He sniffed the air like a hound and he turned his head towards the
boy. He nodded twice and laid the pole to the side. He inserted the
end of the crow bar into a spot beneath the rock. Several days earlier
he had tested the rock's weight while the snake was on the hunt,
he knew just where to put the crowbar. With a rapid motion of the bar and
his body, he flipped the rock over. The bar dropped to the side and clattered
like a cow bell on the boulders below. Baxter's arm shot into the hole
quick, and he pulled out a twisting rattler as thick around as husk of
sweet corn and long as a bull whip. It coiled around his arm and
shook its rattle but Baxter had its neck closed tight in the vise of his
hand. He walked back down to the ground and stood in front of the
boy. Jacob opened the sack. Baxter's arm had turned tomato red and
swollen. The big rattler, clenched up in a death squeeze, cut off his circulation.
It had a flat black head, as big as a cat's. It opened its mouth
and showed its fangs and pink flesh to the both of them.
"You're gonna have to help me," Baxter said
and the boy's lazy eye rolled in confusion. The wound on his face
throbbed. Sweat broke out on his back, and he prayed.
"C'mon boy, take hold of him. Peel him off."
He looked up at Baxter Dawes and saw fear
in his eyes. The snake tightened itself suddenly and Baxter sucked in air.
"Peel him up now, like you was skinning a
deer."
He looked at the old man and he looked at
the snake. He felt the stab of its fangs on his face. He felt the poison
burn, eating slowly through him. He watched the eyes of the thing gleam
unblinking and ancient. He stared into the pits on its head, tiny
black holes which knew only heat in the form of food and danger. It was
a magnificent machine, streamlined for stealth and stripped down to its
barest components. An elongated muscle with a mouth and an ass and
a chemical weapon to bring the rest of the world down to its size.
Jacob worked his fingers beneath the belly
of the animal, wedging them between its scales and Baxter's arm. This snake
was cold and big around the middle. He pried and pulled until it came loose
then picked the sack up off the ground as the snake hung from Baxter's
arm. It rattled and hissed as it fell into the darkness of the bag. Baxter
cinched the top closed with a strip of rawhide and dropped the bag on the
ground and then he went back up to the overturned flat rock to retrieve
the Judas pole and crow bar. The bag lay at Jacob's feet, the snake thrashing
inside. The dog pranced around it and barked. He sniffed it and let
out a long, wailing howl. Baxter called down from the rock above
and told the dog to shut up. And he did.
*
Rebecca Flint rolled over in her bed. She stared up at the ceiling listening
to the deep tocking of the mantel clock.
"He's too young Charles", she said. Her husband
did not stir.
"It's locked up tight in the box," he said.
Rebecca sat up. She cupped a hand around her ear and she listened. "It's
got to have a bad effect, with that thing down there under him," she said.
"Go to sleep. It'll make him strong", he said.
"He's already strong."
"That's why I put it there."
The darkness lay thick around them. Charles
liked all the shutters closed and the shades drawn. Rebecca laid with
her eyes open. When she closed them she couldn't tell the difference. She
thought she heard a scraping sound down the hall. She sat up again and
listened. It could have been the trees on the roof. She turned and held
her husband.
*
Jacob felt it there below him. His hands still registered the cool and
tactile feel of the thing. He could smell it on his fingers. The
stink of snake. Like wet sulfur. Musky, dank, bitter. He knew its ways
now. It woke at night to hunt.
But inside the box there was no prey. So it
lay there, coiled in the dark, flicking its tongue to taste the air and
feel what hot meal might be lurking nearby. It lay waiting while he laid
asleep and it woke him often, with the cratchy rasp of its rattle
bringing him back to the night. He prayed above the snake, and did not
sleep.
The serpent box came out for prayer meetings
during the day and went back under his bed at night. He became its
caretaker. He carried it out to the revivals, holding it against his chest
with his two stunted arms intertwined around it. He carried it all
over Tennessee. To ramshackle churches and private homes and clearings
in cornfields. They spread the word of God through the snake, conducting
sermons beneath brush arbors cut fresh from local trees. They made makeshift
temples with roofs of cut branches. Simple pine benches, saw dust scattered
on the ground, the smell of the cut pine lingering on like incense and
myrh.
People came from all over to see the snake
man. Believers and non-believers alike. The faithful and the faithless.
The hecklers and rowdies. Some seeking salvation. Others looking to watch
a man die slow from snake poison. They crowded into the small meeting
places in the woods. They stood around the pulpit five and six deep as
Charles Flint read the scriptures and spoke to them in strange tongues,
waiting for the anointment of God, the coming of the Holy Ghost itself,
to protect him from the deadly things he drank and handled. Those nights
were always still and hot, alive with murmuring onlookers and cricket songs.
Hot oil torches burned around the outsides of the arbor. Flickering pulses
of amber and orange bounced off the faces of the onlookers in golden waves.
The meetings had the feel of an ancient ritual. Sooty black smoke hung
above their heads. Charles Flint would stare at the crowd with red-rimmed
eyes that narrowed and expanded like apertures as he read the scripture.
His eyes held his power. They gleamed and they never closed. They
had an unnatural wetness about them. Amphibian. Nocturnal. Ageless. When
they fell upon a man, that man became a believer.Some said that the Holy
Spirit himself was in his eyes.
When he spoke, the crowd was not unmoved.
Faithful and cynic alike sat frozen and willing. His words completed
the task his eyes had begun. The becalming and the kneading of the soul.
The preparation for transcendence.
"When you feel the spirit inside you brothers
and sisters, there is no greater bliss. Mere words cannot describe
it, so I will not attempt what is impossible."
Ladies fanned themselves with prayer booklets,
the gallery stood still. Torches sputtered and spit orange specks that
arced like miniature fireworks. "I can only show you the glory of
God through acts of faith, not magic mind you, but faith. For when you
live the clean life, the good life, as prescribed by God, the Holy Spirit
will find in you a home to reside, a place to dwell, and when you have
him there, when you're anointed by the Holy Spirit, a joy of indescribable
dimension overtakes you and you can perform miracles of faith as told by
Jesus to the apostles. You can give God's gift to the world, you can deliver
true faith to the lonely and the sick."
His eyes lit up and his feet began to shuffle.
He began to dance. He teetered from side to side and shook himself like
a dog come out of a lake. He held up his bible and chanted and he smiled.
Folks in the front row began to stand and sway and a small group of regulars
began to hop and bounce around like Indians trying to coax rain down from
the heavens. People standing around the outside began to stir as well.
Some snickered and turned to each other whispering with their hands
held to their mouths. Those people did not dance. They did not chant or
move. They showed no sign of emotion until the boy came down the aisle
with the box in his hands. The boy teetering on crooked legs. The
boy with the lazy eye and the pumpkin head. Jacob parted the crowd at the
back of the arbor holding the big awkward box out in front of him with
both hands. People moved back. Some shouted. The box wobbled in his arms.
It was alive. Jacob put it on a small table near his father and unlatched
the lid. Charles Flint swayed in a trance before it, blind to his son but
aware of the box. He raised the hammered tin lid and the crowd gasped.
Charles Flint blindly placed his arms inside and withdrew a knotted mass
of serpent. The thing raised its head and opened its mouth and it let out
a sound like a punctured tire. Chairs crashed over, and people stumbled
back as he held the snake over his head. It rattled its little corn cob
tail and Charles Flint began to dance with it. The snake's flat stupid
head bobbed, its tongue flitted towards the crowd and a woman near the
front row fainted. She pitched forward over a chair and crashed to Flint's
feet at the foot of the pulpit. Nobody touched her or tried to help.
"It's a fake." Someone yelled from the back.
"It's fixed, he trains them snakes." Two young men stepped through the
crowd. Big corn fed boys with flat topped hair and mongoloid eyes. They
held before them a wooden dynamite box with rope handles on each side.
Charles Flint was oblivious to them. He danced with the snake as they dropped
the box in front of him and kicked it for effect. There came a rattle from
inside. The crowd stepped back. The men began to laugh and Charles Flint
smiled. He put his snake back into its box and went to the other one. He
opened the lid as Jacob closed his eyes and began to pray. The congregation
murmured as he reached inside and grabbed hold of the strange new serpent
brought in by the unbelievers. It was a huge, black snake, a flat-nosed
rattler. Thick and long. A slash of darkness, like a crevice in rock. Charles
Flint pulled the snake from the box and held it near his face. A wind of
fear ran through the crowd and they fell over themselves around the outside
to flee. The men who brought the snake stood in the back jeering. "Bite
'em, " they said. "Give 'em a kiss."
The faithful prayed with their eyes closed,
chanting from the bible. Charles Flint shook the big black snake, taunting
it. He pulled it apart like bread dough. But the creature remained calm.
Jacob was still holding the serpent box when he felt a rush of bliss and
joy wash over his body like rain. He shivered and he smiled. He opened
the box and stared down at the snake inside. It stared back at him, head
bobbing, eyes alight, and Jacob felt his hands around the reptile and he
felt it rising up, hovering above the box. It wrapped around his arm, and
he danced with it.
Strange words came from his mouth and his
flesh felt alive with the surge of the spirit.
*
"You've got the light in you. That's for sure." Charles Flint bent over
his son and pulled the blanket up around his neck. He tucked him in. He
kneeled down by his side and whispered to him.
"Remember this, it takes more than divine
light and faith to be a good man." He looked into the eyes of the boy and
swept the hair from his forehead.
"Only through the purest of hearts will he
protect us," he said. Moonlight shined in through the trees outside the
window and cast broken shadows on the wall above Jacob's bed. The shadows
danced across an oil portrait of Jesus. A suffering Jesus, with the crown
of thorns pulled down around his head, rivulets of blood running from his
scalp and a pained expression on his face. Jacob never liked the picture.
He found himself both drawn and repulsed by it and he avoided its gaze.
"Why didn't the snake bite me?" he asked.
Charles Flint stood looking into the acrylic eyes of Jesus.
"That's the Lord speaking to you. Telling
you that the path is narrow. That each day is its own and that pride goes
before destruction. Today was the first test of many. You're young yet.
One day you'll understand. Now go to sleep and pray, give thanks for what
you've learned."
Charles Flint left his son to ponder in the dark
and the boy did not sleep. He laid awake above the serpent box and below
the crying eyes of Jesus and felt upon him a weight and an ignorance beyond
both his tolerance and comprehension.
*
Night had not yet turned itself into morning. The darkness lay
thick and quiet around him like smoke. Jacob licked his lips and thought
he tasted lye. The mantel clock clucked like a metronome. He turned all
his thoughts to the serpent box and stared up at the portrait of Jesus.
A golden nimbus of holy light radiated from the Lord's head. A large crimson
heart hung from a golden chain around his neck. He held his porcelain right
hand up in a gesture of faith, index finger bent. He held his left hand
over his bosom and no matter where in the room he stood, Jesus stared into
his eyes. He felt that stare everywhere he went. He could not escape its
pleading gaze. He lay small and scared beneath it. He spoke to it in his
time of need. He whispered to Jesus in the darkness, and often, from the
depths of the night, Jesus spoke back.
"I'm not afraid of you anymore," the boy said
and he felt his heart beating in his chest. He felt it would explode. Jesus
stared down at him in the cold silence of the house and under his bed he
heard the faint scuffle of the rattler.
He knelt, and mattress springs popped beneath
him. He stared into the soulful eyes of the painting. He turned it around
so that it faced the wall. It hung there like a tombstone, a stained label
glued to the back, curled at the edges and brown. It read, H. Rorcher
and Sons, NY.
Jacob moved through the house like a ghost.
He walked downstairs to the mantel clock and watched the brass pendulum
pass through the vacuum of time. He moved to the kitchen, the icy tile
beneath his feet. The faucet dripped water into a glass. He watched the
ripples made by the dying droplets and listened to their hollow plunks.
He took the glass and filled it with fresh
water from the tap. He reached under the sink and found the poison jar.
It bore the grinning face of a bright red cartoon Satan on the label. He
unscrewed the cap and shook a large quantity of the powder into the glass.
It fell through the water like a blizzard of flakes in a souvenir snow
globe. He stirred it with a spoon and watched the frosty vortex swirl.
He raised the glass to his lips and he closed his eyes.
"Lemonade," he said. "Lemonade." He
gulped down the poison in one large swallow and waited there at the table
for God.
VINCENT LOUIS CARRELLA is a short story author, as
well as a writer and designer of interactive entertainment for the Internet.
He wrote, directed and designed Bad Mojo, an award winning adventure
game based loosely on Kafka`s Metamorphosis. Born and
raised on Long Island, he now lives in foggy San Francisco with his wife,
his baby daughter, an Australian Shepard and two cats. His
story,
"Dinghy"
appeared in the Spring 2000 issue of Linnaean Street.
In April, 2000, Carrella won the prestigious Sixth Annual Literal
Latte
Short Story Contest with "The Serpent Box and the Poison
Jar," reprinted above by permission.
Photo by Sister Mary Kate Williams, from "How
Can I Find a Nice Church Where They Handle Snakes?" by Brother Randall |