| David Plante
W H A T G I V E S
P L E A S U R E
Roger's father,
a captain in the American Navy, was stationed at the American Naval Base
in Greece. The captain, his wife and Roger lived in an apartment
in Athens. Roger was seventeen. He had never lived in the States.
Every summer,
Roger and his mother went to the island of Hydra. By hydrofoil, it
wasn't far from Piraeus, the port of Athens, so the captain could come
for weekends. They rented a small house with a courtyard high up
in the steep town. Just walking along the quay, Roger met his friends,
Americans, English, French, Germans, and Greeks too, from the summers before,
and among them were always new friends. All together, they took a
caique around to the other side of the island to a beach.
Among the group
of old friends he met standing around on the quay outside a cafe there
was a girl he'd never seen before. Her name was Daphni Papadiamandis,
or, as Roger knew that family names in Greek changed according to sex,
Daphni Papadiamandi. She wore a beige halter, so her midriff was
bare, and shorts of the same fine cotton and sandals with thin soles and
thin straps of leather, and when she smiled at him as she said hello she
tilted her head back. Stuck into the end of her long single plait
was a bunch of camomile blossoms. The plait swung when she tilted
her head. Her irises and pupils were entirely black. Her face
shone with a film of sun lotion.
She was just
the kind of girl Roger was a little frightened of. He knew a lot
of foreigners, or, he supposed, a lot of European natives, because he was
the foreigner here, and until he got to know them he felt they were more
knowledgeable about politics and books than he was, and even spoke better
English than he did. This was mostly true of the girls, and he could
tell just by looking at her that it was especially true of Daphne.
When the group
moved off, Roger, talking with an English friend, followed behind Daphni,
who for a while was as if walking alone in the midst of the group.
She carried a white beach bag, and she seemed to be walking more slowly
than anyone else, though she couldn't have been. Her sandals were
made of leather so thin the straps looked as though they'd snap and the
soles wear out within five steps over the stone quay. And there was
always something about the clothes these girls wore: clean, ironed, they
floated a little out from the body, which itself seemed very clean, the
fingernails clear and pink, fine strands of hair loose only where they
were left loose, at the temples or nape. The bunch of camomile blossoms
bounced against Daphni's back, above the halter.
Roger also knew
about these girls that they complained, though quietly. They couldn't
walk any more, their feet were swelling (their feet always looked all right
to him); they didn't want to go to that beach, it was dirty (he'd never
thought about the drain pipe); they couldn't sit at that table in the cafe,
there was a draught (he never, ever considered the dangers of draughts).
They were always just a little tired. And the whole European group
would stop for a while so the swelling of her feet would go down, they'd
go to another beach, they'd change tables at a cafe. No one seemed
to get annoyed that she was a little tired, just tired enough to make her
body supple.
The Greek boy
ahead of Daphni in the group said something to her in Greek, and she laughed,
and, jumping, joined him. He had long, tangled hair, was unshaven,
and wore a torn tee shirt and paint-stained canvas trousers, and the counters
of his jogging shoes were trammelled down by his heels. That was
another strange thing about these Greek girls: their boyfriends were such
slobs you'd think they'd never have anything to do with them. His
name was Manolis, and sometimes he and Daphne spoke to one another in English.
He was the son of a conservative politician.
Manolis said
to Daphne, "I thought you might like him."
"Whom do you
mean?" she asked.
Because of their
complicated grammar, the Greeks knew the difference between who and whom.
Manolis arranged
for a caique with the owner, who held it, swaying and bumping, to the quay
side. As the group got in, Roger, who wanted to be near her and imagined
she knew he did and would think he was coming on too strong too soon, went
to the opposite end of the blue, green and red boat from Daphne, to the
prow. The English boy, Paul, sat next to her in the stern.
The boat smelled of diesal oil.
Roger said to
himself: All right, we've got the whole day ahead of us.
The vibrations
of the engine made his body shudder.
The other two
in the group were a couple, Joseph and Erica. They were Germans,
and they had been a couple for a few years both summer and winter -- winters
in Frankfurt, where they lived. Together, they leaned over the side
and looked at the waves of the boat spread over the green water.
They spoke to one another in German. Their bare, tanned arms, with
blond hair, touched at the shoulders.
Manolis came
to the prow to be with Roger in the shuddering boat.
"Do you think
you'll miss Greece?" he asked.
"I'll miss the
summers."
"Everyone always
misses the summers."
"The lucky ones
do," Roger said.
Manolis laughed.
Roger wondered
why he became aware of himself, of his sweatshirt with the name of the
college he was going to go to in America on it, his khaki shorts, his loafers.
He even became aware, reflected and magnified on the inside lenses of his
sunglasses, of the corners of his blue eyes and his short, military side
burns. He was neat and serious.
Manolis said,
"You've never lived in America, am I right?"
"Never," Roger
said.
But he didn't
want to talk about America, where Manolis had spent more time than he had,
in places where he'd never been, like Illinois. When he thought about
it, the name "Illinois" sounded strange to him, much stranger than, say,
"Pelloponese." And what about "North and South Dakota"?
The caique turned
into a small bay and passed an anchored sailing boat. A naked man
was drawing up buckets of water from the sea and splashing them over the
deck of the boat.
The six friends
jumped from the side of the caique into the low surf. Manolis asked
the owner of the caique to come back for them in three hours, and the friends,
up to their calves in the foam, watched him leave the bay, his wake making
the sail boat rock, so the naked sailor had to hold onto the mast.
There were other
people, small groups of them, on the beach, gathered about piles of their
cast off clothes.
Joseph and Erica
ran up onto an empty part of the beach, pulled off their similar tee shirts
and threw them down, unzipped their jeans and, the gaping flies revealing
pale tufts of hair and smooth, in-curving skin, let them fall down around
their feet and stepped out of them and ran back into the sea and lunged,
with splashes that rose high and bright about their bodies, into the sun-laced
water, where, submerged, they swam far out.
Roger didn't
like to go naked. He knew that no one would care if he did or didn't.
Paul went, and so did Manolis. Roger kept on his boxer bathing suit,
which he'd been wearing under his shorts, and he sat on the sand.
Daphne lifted her halter over her head, revealing her small round breasts
with large nipples, but beneath her shorts, which she unbuttoned at the
side and slid down her long, lean legs, she was wearing a bikini, and she
kept this on. From her bag she took a towel and spread it on the
sand and sat on it to pin her plait up on top of her head. Walking
side by side, their buttocks white, Manolis and Paul went to swim.
Roger dug his
toes into the sand.
"I never saw
you before on Hydra," he said to Daphni.
Her arms raised,
still pinning her hair, she turned to him, her chin up, and smiled, as
if surprised that he was speaking to her. She said, "This is my first
summer in Greece."
She lowered her
arms, but kept her chin up so her neck was long and curved down inwardly
and then outwardly to the space between her breasts. She sat with
her back straight, her knees spread open and her ankles crossed.
"Where will you
go?" she asked.
"The States."
"Oh," she said,
implying, Oh yes, she should have known that.
"Where've you
been spending your summers?" he asked.
She laughed.
"In the States."
"That is funny."
"My father is
in the Corps Diplomatique."
"I thought it
might be something like that."
"And you?"
"My father?"
"Yes."
"He's a captain
in the American Navy." Roger asked, "Why're you spending the summer
on Hydra?"
"My parents thought
I should come to stay with Greek friends of theirs, to be among Greeks."
"The parents
of Manolis?"
"Yes," Daphne
said.
"It's not exactly
a typical Greek place, Hydra. I'll bet there're more foreigners here
than Greeks."
"Thank God."
Daphne stretched out on her side, raised herself on an elbow, and faced
him. Her breasts fell sideways a little, just a little, because they
were so firm. She said, "My parents want me to meet good Greek boys
from good families. I'm sorry for them, but I'm going to be very
difficult."
Roger lay back
on his elbows in the warm sand. "You're not interested in Greek boys
from good families?"
She looked at
him for a moment, unblinking, then she smiled.
He rolled towards
her, to face her as she did him. He put a hand over his stomach,
inserting his baby finger under the waist band of his bathing suit.
"You prefer American boys to Greek?"
Her smile widened
slowly. It seemed to him her smile was forming a ring around them,
and that, within that ring, they could say, they could do, anything they
wanted. He smiled, too. The ring closed about them, and there
was no one else in the world.
In a low voice,
a voice so low he imagined it was someone else in him speaking, not him,
he said, "I was looking at you."
"So was I at
you."
"I didn't notice."
"I have a way
of doing it so no one notices."
His pulse was
beating so fast, he felt, as on the boat, that he was shuddering.
At the same time he was very, very calm.
The calmness
was everything, so when Joseph and Erica, shaking water drops from their
heads and arms, came up to them and said together in heavy German accents,
"You have to go in the sea, you have to, it is so beautiful, you have to
go," Roger stood and said, "All right," and without looking at Daphni or
expecting her to follow, walked, with a rolling motion of his hips, down
to the water and dived in, rose, dived in and swam, rose, dived in and
swam.
When he got back
to Joseph and Erica, and Manolis too, all sprawled on the sand that adhered
to their wet bodies, he asked, "Where's Daphni?"
Manolis said,
"She and Paul have gone to the little bar for soda water."
Roger looked
towards the bar, a whitewashed cinder block building among the bare rocks.
He didn't see anyone.
At the same time
he felt that what was happening was so ordinary it meant nothing, really,
he felt that nothing stranger had ever happened to him.
He asked the
others, "Does anyone want something from the bar?"
Manolis said
no. Joseph and Erica wanted soda water, but Paul had said he'd bring
it for them.
"I want some,
too," Roger said. His bathing suit dripping and hanging at a slant
over his hips, the pull cord dangling below one of the legs, he walked
among the naked sunbathers to the bar, which was, in Greek, MPAP.
An Italian father,
lying on the sand, was letting his little naked daughter ride his naked
thigh.
A towel wrapped
about his waist, Paul was paying for the cans of soda, which Daphni held
in her arms. She was wearing Roger's sweatshirt. Sand covered
the smooth cement floor of the bar in drifts. She said to Roger,
"I got one for you, too." He looked at her in his sweatshirt.
"Let me pay," he said. Paul said, "You don't look as though you have a
drachma anywhere on you." Roger said, "Then let me carry some of
the cans." He took them from Daphni's arms. Paul, who yanked
off the towel as soon as they got out onto the beach, walked ahead of Roger
and Daphne, his hairy buttocks now pink. Roger and Daphne walked
slowly. She pushed the sleeves of the sweatshirt up to her elbows.
The bottom of it fell just below her blue bikini.
When the caique
owner came round the rocks, the six friends put on their clothes.
As Daphne was lifting the sweatshirt, revealing her belly button, Roger
said to her, "Keep it on, you may be cold on the boat," and she asked,
"What about you?" and he said, "I'll be all right."
In fact, Roger
didn't like to go even bare chested, and when they arrived at the town,
he felt embarrassed walking along the quay without a shirt on. He
stayed close to Daphni, his reason for being half naked.
They stopped
where they'd met, before the cafe.
Manolis said
to Daphni, "We'd better get home and rest before this evening."
There was no
way, Roger knew, he could enter into the plans of a Greek family.
You had to be a relative to do that. He said to Daphni, "Keep the
shirt."
She didn't say
no, as a Greek would normally do, no three times, and then yes, she said,
"College students do that in America, they give one another their sweat
shirts, don't they?"
"I don't know."
"You'll find
out."
Manolis said
something in Greek to Daphni, and they left.
Paul, Joseph
and Erica asked Roger if he'd like to stop at the cafe for a frappé,
and he said no. He wanted to get home and put on a shirt. Then,
as he watched them leave he felt lonely and he hurried after them to join
them.
In the shade
of the awning of the outside cafe, Roger felt little draughts about his
naked back, chest, under his arms.
Paul talked about
his first year at Cambridge. He was going to join a society.
"What society?"
Roger asked.
Paul smiled in
a sly way. "A very conservative society. Women are allowed, but only
as honorary men. So Miss Daphni Papadiamanti would always be addressed
as Daphni Papadiamandis."
"How can you
join such a society, Paul?" Joseph asked. "How can you?"
Erica said, "I'm
not sure I will speak to you, Paul, if you belong to such a society."
Roger stood and,
dropping some drachma notes on the table, said he had to go.
"You're being
moody," Paul said.
"I'm just a little
chilly," Roger said, but he wanted to be alone, because being with his
friends he felt lonelier than not.
His mother was
sitting in the little courtyard when he got back to the house. Red
bougainvillaea blossoms, falling from the thick vine overhead, covered
the marble topped table, in the midst of which was her white coffee cup.
She was in a night gown, and had woken up from her nap just a short time
before. Roger sat at the table across from her.
She asked, "Did
you have a good time?"
He looked at
the red blossoms all over the marble table.
"Yes," he said.
"Did you see
Manolis?"
"He came to the
beach with us."
"I saw his parents
in the newspaper shop. They've invited us to dinner tonight.
Did Manolis mention it?"
Roger looked
at his mother, who was, he thought, very beautiful, then said, "No, he
didn't." He leaned his naked shoulders against the edge of the table
and lay his head sideways on it. His mother got up and lightly pinched
the muscles on either side of his neck and ran her hands all the way down
his spine. He moaned.
His mother said,
"They said they've got a girl staying with them."
"I've met her,"
Roger said.
"And?"
"I guess she's
all right."
His mother tickled
him under the armpits, and he jolted upright.
(There's no other
reason for continuing this story except for the pleasure of it, if pleasure
is in it.)
The taverna where
Manolis' parents -- Mr and Mrs Pandelidis -- had invited Roger and his
mother to dinner was in a garden, with a ceiling of dry reeds overhead
and electric bulbs and painted gourds hanging from the reeds. The
cement floor was painted with white circles. The owner had to put
three tables together, for Roger and his mother weren't the only ones invited.
There were also a married couple and their little daughter and their son,
none of whom spoke English. Roger and his mother Claire were the only non-Greeks.
The tables were covered with different patterned sheets of plastic, one
blue with bamboos, one green with white check, one pink with yellow roses.
Daphni was placed at the other end of the table from Roger, sitting next
to Manolis. Slouched, Manolis sat turned away from her, as if they
had had a fight which she, sitting straight with her head held high, had
won. She was wearing Roger's sweatshirt.
A loudspeaker
started to blast bouzouki music, and Daphni frowned and put her hands to
her ears and said something like, "Apesio." Mr Pandelidis
immediately called out to the owner to turn down the music, which he did.
But he turned it up again when people got up to dance within a big white
circle at the centre of the cement floor.
Mr Pandelidis
asked Daphni when she frowned, "Don't you want to dance?"
"I don't know
how," she answered.
"You don't know
how?" he said in a Greek accent. He was a large man and had a large
nose with a mole on one nostril. "This is shocking. This is
truly shocking. Manoli, show her how to dance. Go on, now.
I insist. I know you know how. Show her." Manolis hung
his head. "What's the matter with you, that you don't want to show
a beautiful girl how to dance?" Manolis hung his head lower.
Mr Pandelidis looked towards Roger and said, "Roger, you know how to dance."
"Not Greek dancing."
"This is too
shocking," Mr Pandelidis said. "What can I do, what can I do, but
show you how?" He held out a hand to Roger's mother. "Claire,
please, you can't say you don't know how. Together, we'll show them.
We'll make them marvel at us."
Shaking her head
so her long hair would fall into place, Roger's mother slid back from the
table and went to Mr Pandelidis, who, standing, had his hand held out to
her, his body a little inclined towards her. Everyone at the table
watched them dance, moving towards and back from one another, their arms
held out, light, light on their feet. Manolis started to clap in
rhythm to the music, and his mother, Penelope, did too, and then the other
couple and their son and daughter did. And what Daphni started to
clap in rhythm, so did Roger.
Mr Pandelidis
made a gesture with both hands that everyone should come to dance.
The only three
people left at the table, with plates of half finished beans and greens
and fried potatoes, the tynes of their forks resting on the rims, were
Daphni, Manolis, and Roger. Looking at Manolis, Roger thought:
He's better looking than I am. When Roger looked at Daphni, he found
she was staring at him. He waited for her to say something, but before
she did the father of Manolis called from the dance floor, "Elate, pedhia
mou, elate," and the three had to get up to dance with the others.
Manolis did know
how, but it was true about Daphni and Roger, they didn't know how to dance
to the bouzouki music. In the midst of everyone else dancing, the
father of Manolis took the hands of Daphne and Roger to bring them to the
center of the white circle to show them, one on each side of him, a few
of the delicate, skipping steps.
"Now," Mr Pandelidis
said, "swing your right foot out a little, as I do -- "
Hand in hand,
Daphne and Roger, laughing, did as they were told.
"You see," Manolis
said, "you see, you're doing it, you're dancing."
DAVID PLANTE was
born in Providence, Rhode Island. As a young man, he went to Europe,
where he has lived since, dividing his time between London, Italy and Greece.
His first novel, The Ghost of Henry James, appeared in 1970.
Since then, he has published many more novels, including the renowned Francoeur
Trilogy, as well as essays and short fiction in Grand Street, The
New Yorker, Ploughshares,
Tri-Quarterly, etc. He is a
regular contributor to The New Yorker. He has received grants and
prizes from The Guggenheim Foundation and The American Academy of Arts
and Letters. Plante is now a Professor of Creative Writing
at Columbia University. His most recent novel is The
Age of Terror. |