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Sonny Confronts Mike at Kelly's, 1995 Scene: The morning after Sonny and Mike came face to face at Luke's, Sonny sought his father out at Kelly's.
Mike: Will you be joining me? Sonny: Just for a minute. Ruby: Can I get you something? Sonny: No, no thanks. This won't take long. Ruby: Well, if you change your mind let me know. (Sonny sits down) Sonny: OK, you got what
you wanted. Then again, you always manage that. (fade to black) Mike: Tell me, what you want; I'll do my best. Sonny: The truth...what..why are you really here? (Mike is silent) Sonny: Oh come on! Don't
tell you don't got some answer already thought up and ready to go?
Mike: Do I get to say
something now? Of course I'm broke; Sonny: Well, you wouldn't turn it down. Mike: Actually I would. I came here because I wanted to square a few things with you. Sonny: Why? And why now? Mike: I went to a funeral
a few months back. A guy named Bernie Lang. We served in Nam together.
Sonny: (upset) Yeah, well, that makes about three of us. Mike: Listen, about Adela... Sonny: Don't! (shakes his head) Mike: All I'm saying... Sonny: Do not mention my mother's name again! Mike: All right. But we're the only thing that's left. You're my only son. We're the only family we've got! Sonny: And all of a sudden, what, that matters to you? Mike: It always mattered
to me. Maybe I couldn't express it... Sonny: Hey, well...OK, accepted, understood. And don't think you have to blemish your spotless record. Mike: (shrugs) I just wanted to give it a shot, Sonny. Sonny: And how do you
choose to do it? Mike: Figured it couldn't hurt to have a foot in the door. Sonny: Well that's a change in direction. Mike: Yeah, I guess it is. Unless, you shove me out. So what's it gonna be son...you shoving me out? (fade to black)
Sonny: (stands) You
slay me. You show up here with some lame story about funerals, immortality,
Mike: You want me to go? Sonny: I don't give a
damn what you do. This has no bearing on me. I have nothing invested
here. (he pauses, and then turns and leaves a shaken Mike) (End of scene) |