Materials
Traditional materials include bronze, stone, wood, ivory, whatever will
carve! Some people have gotten good results with fir and pine. Be wary
of Chinese stones, they do contain silica and other toxic materials,
these are what they call soft stones. In English this term is normally
applied to soapstone and alabaster and the like so it can be a bit
confusing. The Chinese use soapstone as well though its less common, I
highly recommend soapstone instead of these if you make your own
blanks. I found a good link that describes the actual materials of
Chinese seals in English, it's also a good reason to use soapstone
since these have free silica and sometimes cinnabar! They are also a
bit harder, though I think this is not very noticeable, at least the
few I've carved using Chinese blanks seemed no different in any serious
way.
Traditional
Chinese seal materials links, excellent!!!
Soapstone and Safety
I
am not an expert on this subject, you must make sure whatever methods
you use are safe. Thanks to some modern books on the
subject I think I know what needs to be done for safe soapstone cutting
and carving. Of course, you don't know if I'm a nut case, so you should
investigate on your own as well if you plan to do this! For all
you know, I could still be using white lead as a lubricant and asbestos
hot pads.
Asbestos
It's possible that some soapstones have asbestos in them, if they do,
they are supposed to have a fibrous look to them. The instant your soap
stone looks fibrous, toss it! One unlucky asbestos exposure can have
bad effects.
Since you can buy
soapstone from reputable companies that guarantee their soap stone is
asbestos free, I recommend going that route.
Silicosis
Apparently the risk of this is very low with soapstone, it
doesn't have a lot of free silica and what it has is embedded in the
talcs which rips up long before you refracture the silica. Using a
hacksaw, the dust just fell to the floor, I didn't notice any on my
blue-black apron or on my glasses, nor did I see anything drifting
through the sunlight. Using rasps and files, nothing seem to get above
waist level once again. I'm just carving up enough for seals, so a day
will probably let you finish up 20-30 blanks! I would recommend working
outside unless you want to spill a can of baby powder in your
workplace. Luckily the actual seal carving is not the messy, you can do
this indoors. You probably only need a good dust mask if even that for
the cutting and smoothing, it's less dangerous than sawdust.
Now here is a question. What about
silicosis? I gave up rock
carving
because I was warned about silicosis.
Most of the soapstones are asbestos free with low or nonexistent silica
content, see the OSHA links. If you need a mask, a dust mask won't cut
it. However I will note that there are children's classes that use
soapstone.
A comment from Bob, sorry I forgot
the last name!
Silicosis is an easy infirmity to
avoid by using a properly fitting
type CE abrasive-blasting respirator. Check your local hardware store
for them. Or you can contact one of the many manufacturers of them
North and 3M are two that I've had dealings with in the past but I'm
sure you could do a Google search and come up with plenty of other
companies. But for your needs depending on the type of tools you are
using you may only need a dust mask to filter out what you chip away.
But good respiratory protection is important.
OSHA info on soapstone :
OSHA
Soapstone Info link #1
OSHA
Soapstone info link #2
Types of Soapstone
There are two types of soapstone, talc and steatite. Steatite is black,
talc comes in many colors and patterns. Also there are translucent and
opaque soapstones. Use what you like, they both carve well. Some rock
samples from the local lapidary store:

Soapstone comes in a wide variety of colors and patterns, I have had
the best luck carving the translucent stones that show no apparent
layering. Some soapstones have very pronounced layers, these have a
tendency to split along the layers, you cannot use powerful cutting
strokes when using these stones.
Some soapstone has a crumbly texture, I don't recommend this type for
seal carving. Try the stone before buying a large amount of it.
I don't use power tools for
carving and I don't recommend using them
for amateur stone or woodworking for that matter! Power sanders and
other goodies like that can generate huge amounts of very fine dust,
not good for the in home studio. I have now bought soapstone in
quantity and slabbed it. I don't mind paying out some money for the
polished blanks, but they are a bit expensive and others on the list
may have trouble finding a source for them. In addition you can make
shapes and sizes that are not readily available when you make your own
blanks. The vast majority of the dust will be talc, as in talcum
powder! During actual carving with a knife unless you cut yourself,
it's probably very safe
since the chips are big and visible.
Tools for Making Soapstone Seal Blanks
Rough soapstone is fairly cheap, you can get a goodly supply for about
$30
dollars. You can make a great number of smaller blanks from this
amount.
You can also make unusual sizes and shapes easily and you are not stuck
with the standard square blanks. For cutting the blanks I used a coarse
hacksaw blade, followed by a
wood rasp and then coarse and fine metal files. The metal files left
the stones pretty flat, a few minutes with 1000, 1500 and 2000 grit wet
or dry used with water put a nice polish on them. I then used a good
paste wax on the stone to help bring out the colors. A small square, a
brass file brush, a piece of glass and a homemade bench hook is all you
need for cutting up the stone. The glass is used as backing for the wet
or dry sandpaper which I recommend using with water to keep the dust
down.
Tools for making rough blanks
Tools from left to right:
- Optional files, large mill bastard, large flat bastard, Nicholson
or
other high quality source
- Four in one rasp, third form the left, Nicholson or other high
quality source
- Brass file cleaning brush, do not use the steel ones!!!
- Coarse, medium and fine wet or dry sandpaper, I often don't
bother
with polishing the blanks
stone tools
- Hacksaw with coarse blade, blade manufacturer not critical
- Bench hook to hold stone off the bench and steady while cutting
- Small, cheap square, great precision is not required, I often
just
eyeball it!
Alternative Materials

If you can't find the stone blanks, you can use linoleum, the seal
shown above was done this way many years ago. Also any hard wood that
will last a
long time, apple wood and other fruit woods are a good choice. Use
linoleum or wood carving tools. You can also use brass, one of the
plastic ivory substitutes
or tagua nuts. I've played with all of the above for making seals.
Carving Stone
The
craft is not hard, the hard part is figuring out what to carve. If you
look on the web, you can find a fair number of seal examples but if you
want a book on lettering styles, I've never seen one in English.
For stones, you can use a 1/8" square lathe bit stuck in a handle and
sharpened to a point.
You can often find cheap stone carving tools in various lapidary and
Chinese stationary stores. Before you start carving, check your blank
for flaws and possible weak
spots. I give any suspicious spot a quick bend to see if the seal will
break. It's better that it break now than when you are pushing on it
with a sharp knife!
For the actual carving I played with several small carving tools I had
kicking around, they all worked fairly well, so use any carving knife
you feel comfortable with. A friend of mine brought back a set
of carving tools from China for me. The cutting angle of the tools was
about 35 degrees, which is slightly blunter than your average plane or
chisel blade. One of the local art stores has a bigger set available
for like $20, check out lapidary stores as well. I use some inexpensive
diamond files to sharpen them, it takes a minute or so each with the
diamond! Give them a good stropping with leather after this and they
will be more than sharp enough.
For proofing your seals, I recommend testing them first with a
non-toxic stamp pad ink so you can make any final corrections without
the presence of cinnabar. In addition to stamping it, you can also use
fine rice flour or the like to smooth over the stone and verify your
cuts. Leveling off the flour with a chopstick is the traditional way to
perform this check.
Tools for Carving

- Just about any kind of knife, cutting angle should
be in the 30-40 degree range
- Your favorite sharpening stones, I use
diamond hones and a leather strop
- Metal scribe or Sharpie marking pens, coarse,
medium and fine for marking out.
- Acetone for cleaning sharpie off
stones (optional) a non-toxic substance called A-BEN-A-QUI or other
graffiti remover may work for this
- Rice flour or pastry flour
- Chopstick or a piece of stiff paper
- Toothbrush, used to clean stone after
carving
- Stamp pad with ink, any color but
I suggest red
- Seal ink
What to Carve
Now comes the tough part, knowing what to carve. Following is some poor
examples, you can find much better ones on period paintings. Once
you've carved a seal, you have to buy seal ink as well, which is far
more toxic! It's usually a mercury compound, cinnabar. Note that the
Chinese like seals to look beat up and old for art purposes, older is
better!
Seals
Some of my seals, the newest are in the upper left hand corner. Note
the images are not to scale, my largest seal is 2 1/2" x 1 3/4", the
smallest a little less than 3/8" square.





The small round one in the lower right was carved from the end of a
round brass rod.
Questions about seals
I continue to research Japanese
seals/kao for the purpose of signing
official Baronial scrolls and have not been able to find anything on
how to design one's kao. I can find things discussing them but nothing
(so far) about how to do your own. Does anybody have any ideas or
leads?
If you can find reproductions of documents from the period your
interested in that will give you a good start. That will show you the
typical script styles used, etc. If you already know what modern
characters you want carved, I have friends with character dictionaries
for the various seal scripts. For signatures (kaou) almost anything
goes.
I'm not sure about Japanese seals, but in China, the seals usually
consisted of one's name written in great seal characters...we had a
seal carved for Phillip in Hong Kong a number of years back and the
carver converted his name into characters that sounded like Phillip's
name, thence into great seal characters. I also know that historically,
the great seal characters were used to carve seals, and these seals
were used to seal documents, including an indication of ownership of
scrolls.
Later on Japan followed these forms as well, but I'm not sure how far
back it goes. Sengoku for sure. Probably Heian-jidai as well but I
would need to look at my art sources. During Edo even commoners were
using them. You are not limited to seal characters though for art
usage.
Books
Note that NONE of the books I have found so far show actual carving
techniques. They just show placement and character shapes along with
some theory if you are lucky. I recommend checking out wood carving
books for carving techniques, these are probably as close as you can
get.
Books in English:
Chinese Seals by T. C. Lai,
Seattle : University of Washington Press,
1976. ISBN 0295955171
Shows a very wide variety of seals styles and patterns, highly
recommended, especially since it is one of the few books in English on
the subject!
Chinese Seals, The Collection of
Ralph C. Lee by Na Chih-liang Shows a
very wide variety of seals styles and patterns, recommended, it is one
of the few books in English on the subject!
Chinese Seal Gallery, Shanghai
Museum Nice pictures but the price
charged in the US for this is silly. Go to Shanghai and see the real
seals and buy the book for $3 US.
I have seen several other books in English but I have not seen a copy
of them so I don't have a clue if they are worth buying.
Books in Chinese:
Zhuanke Xinshi Meixue De Zhankai
ISBN 7-80517-898-4 A weird book on the
theory of teaching seal carving, it doesn't cover techniques but it has
many seal pictures. Since it's $6 US, it is worth buying just for them.
Available at Shanghai Museum and the Art Book Store near City of Books
in Shanghai.
There's a series that was originally published in Japan in the 90's for
calligraphy and seals that have been republished in China, they are
individually boxed and they are a pale yellow gold in color. Prices are
$6-7 US, the ISBN for the one that shows the actual seal for a given
seal character is 7-5305-2496-8. Available at Shanghai Museum and the
Art Book Store near City of Books in Shanghai. There are multiple books
in this series, if you are interested in calligraphy, they are well
worth picking up.
The quality of Mainland Chinese publications has increased
tremendously, the colors and the paper used for art books is very good
and the prices are very reasonable. I brought over 90 lbs of books back
China and didn't spend a lot of money. It might be possible to mail
order some of these but I suspect you have to be fluent in Mandarin to
do so!
Books in Japanese:
There are a fair number of books on seal carving available in Japanese
according to Amazon Japan. The problem is they are expensive and I
don't know what they contain. Since many range in the $50+ range before
you add in shipping, I think I will wait until my next trip to Japan.
I have not purchased any of the Japanese language versions of these
books, but I have some of the Chinese reprints of some of their earlier
books.
Nigensha - Japanese
Art and Calligraphy books
Links
Chinese
Seal Engraving - Absolutely great website!
Origin of
Chinese symbol/calligraphy -
ancient Chinese Calligraphy history
Seal
Carving page
Books
on Seal Script and Chops/Seal Carving
Various seal
links
