By Dan Cox
HOLLYWOOD (Variety) - Call it dueling shutterbugs.
Two projects about the real-life ``Bang Bang Club'' -- a group of four
daredevil war photographers in South Africa -- are currently in development
and racing to go into production.
Not so strangely, both are titled ``The Bang Bang Club.'' But a major rights
fight is expected between Emilio Estevez's Avatar Entertainment and the
producing team of A.J. Barber and Jo Jo Marr's Arrival Entertainment.
The squabble raises the thorny issue of distinguishing rights. In a story
about four separate individuals, does buying the rights to one provide access
to all four?
Estevez is planning to direct and star in his version, which is expected to
start shooting April 6, 1998. Robert Orr wrote the script.
Rivals Barber and Marr have signed South African indie helmer Michael
Oblowitz (''This World, Then the Fireworks'') to direct their version of the
international political drama. The pair has a script penned by Barber and
Pete Riesenberg, but it has no financing in place yet.
The dueling pictures are both based on the actual Bang Bang Club, a fearsome
foursome that thrived on dodging bullets, ''getting the shots'' and covering
wars. One of them, Ken Oosterbroek, was killed by a stray bullet from
peacekeeping forces in South Africa on the eve of the country's first free
elections. Another, Kevin Carter, committed suicide.
The remaining two survivors, Greg Marinovich and Joao Silva, sold the rights
to their story to Barber and Marr and are consultants on the project.
Estevez, meanwhile, nabbed rights from Oosterbroek's wife and Carter's
family. Sources close to Estevez said that in his version Marinovich and
Silva are fictionalized characters.
``He has no rights at all,'' Marr said of the Estevez project. ``It's got our
characters.''
Estevez's reps counter that much of the story of the foursome is in the
public domain, having been chronicled heavily by the news media.
``We're under the impression that there is no real rights issue,'' said Peter
Richards, Estevez's attorney. ``Most of it is in the public domain and two of
the main characters are dead.''
Sources said that Estevez and Barber-Marr had discussions late last year
about teaming up on the project, but couldn't come to an understanding.
Reuters/Variety
07:53 11-26-97