ASSUMING COMMAND
Emilio Estevez Cashes In His Mighty Duck Chips To Direct His Dad, Martin Sheen
Emilio Estevez is awfully sorry. He is 15 minutes late for brunch at the
Broadway Deli in Santa Monica, and while it would be nice if he could say this
sort of thing never happens, he can't. The fact is, this sort of thing does
happen from time to time. And not just because the 34-year-old actor is
stopped on the street by pint-size fans seeking counsel from the chief Mighty
Duck. No, today Estevez is tardy for one reason: he chooses not to wear a
watch--or ornamentation of any kind. "I tried wearing a ring for two years,"
he ruefully says, "and that didn't work."
No sense pushing the point. Estevez was not, he will politely tell you, one of
the 160 well-wishers who watched last month as his ex-wife Paula Abdul married
husband No. 2. Other than that, husband No. 1 has nothing to say on the
matter.
He and Abdul have had little contact since divorcing in 1994 after two years
of marriage. There's no ill will, he insists. Life just moves on. "She knows I
wish her well," he says.
In any case, Estevez has more pressing matters on his mind. On Nov. 22, his
movie The War at Home opens in limited release. He has a lot riding on the
tale of a 22-year-old soldier (played by Estevez) who returns from the war in
Vietnam only to face another battleground in the middle-class home of his
parents (played by his father, Martin Sheen, and Oscar-winner Kathy Bates).
War is the first film Estevez has simultaneously directed, produced and
starred in. He has a financial stake in the movie, which Disney agreed to help
finance as an enticement for him to sign on for this year's D3: The Mighty
Ducks. But the studio has yet to give War a big promotional push. "It's not a
commercial film," says Sheen, 56. "The studio is reluctant to put money or
interest into it, which is very disappointing for Emilio."
Money is not a prime concern for Estevez, whose trio of Mighty Ducks films has
grossed some $115 million and paid him about $3 million each. What is on the
line for Estevez now is pride. His directorial debut--1986's Wisdom, in which
he starred with his then fiancee Demi Moore--barely broke even and was ravaged
by critics. And 1990's Men at Work, a comedy he wrote and directed about two
garbage-men (played by Estevez and his brother Charlie Sheen), didn't fare
much better. "I was young and ego-driven," he says. "I didn't listen to
anybody."
This time he kept his ego in check. "Emilio was pretty quiet-spoken," says
Bates. "He'd come over and ask a question or say, 'What do you think?' "
Indeed, in one scene that calls for him to curse Bates and tell her to "shut
up, old woman," it was all he could do to get through his lines. "He felt
horrible having to do that," says Bates. "It's an ugly moment, regardless of
whether it's real or it's Memorex."
"After every take I'd hug Kathy and say, 'Are you okay?' " Estevez recalls.
"She'd say, 'I'm okay. Do your work.'"
But nothing was as demanding as directing his father. Estevez saw Sheen's
character as complex and troubled; Sheen saw him as a good guy. Where father
saw a small, throw-away scene, son wanted intense emotion. The director may
have won out, but both were exhausted by the feelings they wound up tapping.
"You know each other's secrets," says Sheen. "You have to take care not to
expose some raw wound."
The eldest son of Janet and Martin Sheen (born Ramon Estevez, the actor
changed his name more than 30 years ago), Emilio was born in Manhattan. After
his father filmed 1970's Catch 22, the family--including Ramon, now 33,
Charlie, 31, and Renee, 29, all actors--moved to L.A. Emilio and his siblings
often went with Sheen on location--but not always happily. In 1976, when Sheen
took him to the Philippines for Apocalypse Now, Emilio grew irritated: "I was
going into ninth grade. I had a life that was important to me."
Sheen promised he would be home in time to start classes. But September came
and went, and while the thought of hanging out in Manila getting drunk with a
buddy ("for the most part I was unsupervised," says Estevez) might appeal to
some 14-year-old boys, Emilio wanted to be at Santa Monica High, studying,
writing for the paper, playing sports. The confrontation with his father was
inevitable. "I took a swing at him," admits Estevez. "A week later I was on a
plane."
"I didn't want him to go home," says Sheen of their first and only brawl, "but
he was demanding his freedom. It's the story of all fathers and sons."
Back then, Estevez did most of his fighting with his brother Charlie. "We're
good friends now," says Estevez with a laugh, "[but] we beat the crap out of
each other growing up." Fortunately, most of Emilio's energy was directed
toward the stage. In high school he acted in his first play, a drama he
cowrote about Vietnam called Echoes of an Era. After graduating, he landed
roles on various TV shows and films--most notably in 1984's Repo Man--and
became a bona fide member of the Hollywood brat pack, making his mark in such
mid-'80s coming-of-age hits as The Breakfast Club.
One thing he had not intended was to make his mark as a father. But in 1984,
when he was 22, his then girlfriend, model Carey Salley, gave birth to their
son Taylor. "I was still a kid," says Estevez. "It was tough to assume that
responsibility." Two years later they had a daughter, Paloma, but soon
afterward the relationship fell apart. Although the kids live with Salley,
Estevez remains, he says, extremely involved, calling the children "the light
of my life." Since then, he has had romances with Demi Moore (they split in
1987), makeup artist Sheryl Berkoff (she married his buddy, actor Rob Lowe, in
1991) and, of course, Abdul.
So he treads gingerly on the topic of his current flame, Julie Briggs, 24, an
assistant in a film-production company. Dating since the spring, the two walk
on the Malibu beach in front of Estevez's $3 million, four-bedroom Spanish-
style home, drink wine and watch movies. "She's very low-maintenance," he
says, "which is great. I've had a history of having high-maintenance mates."
Not that Estevez isn't happy to shower Briggs with loving attention. "It's
just nice," he says with a grin, "to have it reciprocated."
Article written by Karen S. Schneider and John Hannah for People Weekly. Article contributed by Vonne for PRESENTING..EMILIO