Rostirea - The Voice Icon Writer Foundation
Romanian-American
Culture Magazine
Vol. I No. 1 - June/Iunie 2004

Dear Friend/Draga Prietene,

English: Welcome to the first bilingual issue of the on-line magazine The Voice, edited by Alex Ionescu and sponsored by IconWriter.Com™. Please click on icon images to enlarge.

Romanian: Bine ati venit la primul numar bilingv al magazinului electronic Rostirea, editat de Alex Ionescu si sponsorizat de IconWriter.Com™. Pentru a mari imaginile de icoane, apasati pe ele.

In this issue: / In acest numar:
  • Famous Romanian Icons - The Wonderworking Mother of God Icon from Neamt Monastery
  • Icon Painting Masters and the Orthodoxy Today - Theophanes the Cretan
  • IconWriter.Com Creations - Saint John the Forerunner (January 7)

  • Famous Romanian Icons - The Wonderworking Mother of God Icon from Neamt Monastery

    The Wonderworking Mother of God Icon from Neamt Monastery is the oldest documented icon in Romania, and considered the most valuable, from a historical and spiritual point of view. The icon was donated to the Moldovan King Alexander the Good in year 1401 by the Byzantine Emperor Manuel Paleologu. For over 600 years this icon strenghtened the Christian Orthodox faith of monks, kings and people throughout Romania.

    Commissioned by Saint Ghermanos in the year 665 in Lida, it is a copy of an icon of the Mother of God from year 35. On the reverse side it features an icon of the Military Saint George, born in Lida. It was brought to Constantinople by Saint Ghermanos when he became Patriarch, and given as a gift to the Heleopatra Monastery. At the begining of the iconoclast persecution of the Byzantine Emperor Leo the Armenian, in 714, the icon was hidden, and in 716 was secretly sent by Saint Ghermanos to Rome to Pope Gregory the III-rd.

    The Wonderworking Mother of God Icon was in the Saint Peter's Basilica in Rome for 106 years. After the victory of Orthodoxy in the East, and the end of the iconoclastic persecutions, the Pope Sergius the II-nd returned the icon to Constantinople. Empress Theodora, Saint Methodius, the Patriarch of Constantinople and the people of the Byzantine Empire welcomed the icon and it stayed in the Heleopatra Monastery for 555 years.

    In 1401 Emperor Manuel Paleologu sent as gifts that showed the strength of the alliance between the Byzantine Empire and the Moldovan kingdom three icons:

    • one for the King Alexander the Good - now The Wonderworking Icon of Saint Ana from Bistritza Monastery, Romania,
    • one for his wife Queen Ana - now The Wonderworking Icon of the Mother of God from Agapia Monastery, Romania,
    • and one for the Moldovan Metropolitan Iosif Mushat - The Wonderworking Mother of God Icon from Neamt Monastery, Romania - first gifted by Saint Ghermanos to Heleopatra Monastery in Constantinople.
    The icon stayed in the Saint George Orthodox Church in Mirautzi-Suceava for 14 years, close to the court of the Moldovan kings. In 1415 it was brought to Neamt Monastery, where it stayed ever since.

    During an Ottoman Empire invasion in June 1821, the icon was hidden underground in Rusu Mountains, until October 1822. Today there is a small skete called "The Icon" in the Rusu Mountains on the site where valuable Christian documents and sacred objects were safely hidden in 1821.

    The icon is 1mx1.2m (3'4"x4') in size, and is protected by a gilded silver panel since 1853. The Wonderworking Mother of God Icon from Neamt Monastery is very well preserved, given the 1339 years since it was commissioned.

    (Translated from Romanian - excerpt from: Arhim. Ioanichie Balan, Holy Wonderworking Icons from Romania, Roman Episcopate, Romania 1999)


    Icon Painting Masters and the Orthodoxy Today - Theophanes the Cretan

    by Alex Ionescu

    Theophanes the Cretan's influence spans continents and centuries. The sixteenth-century painter and Christian Orthodox monk Theophanes Strelitzas Bathas (1527-1559), was born into a family of artists who fled from southern Greece to the safety of Venetian-occupied Crete after Constantinople fell in 1453. He worked on icons and murals at monasteries on Mount Athos from 1535 until 1546. "The presence of the Cretan painter Theophanes was a turning point in the history of art on the Holy Mountain." (Titos Papamastorakis, p.98 'Icons of the Holy Monastery of Pantocrator', Mount Athos, 1988.)

    The multi-national monastic environment on Mount Athos received and spread artistic influences to and from all corners of the Orthodox world. The Orthodox Christian art also influenced Western Europe; western artists created valuable works of art in the so-called "maniera greca" (the Greek manner - Giorgio Vasari, 16-th century).

    Theophanes the Cretan's life, his teaching and his wondrous icons and murals sparked an increase in the quality and quantity of Orthodox sacred art in Southern and Eastern Europe in the second half of the 16-th century, from Greece to Romania and Russia - strengthening Christian Orthodox peoples' spiritual resistance to the invading Islamic armies of the Ottoman Empire. After the fall of Constantinople, the cultural and military center of the Orthodox world a hundred years earlier, there was an increase in the resistance and resolve to live free for the Orthodox people in the rest of the Orthodox world. Theophanes the Cretan used art to help counter violence in a peaceful way.

    The direct adversity of the Islamic Ottoman Empire toward religious freedom from 1350 to 1918 ended up strengthening the faith of the Christians in the Southern and Eastern parts of Europe, so they continued to maintain their Orthodoxy throughout centuries. Meanwhile, the Western world felt free to change its Christian beliefs in response to internal pressures over time. The direct adversity of the atheist Iron Curtain toward religious freedom in Central and Eastern Europe from 1918 and 1945 to 1989, also ended up increasing Orthodox peoples' spirituality and the resilience of their faith.

    Early Christians practiced their faith literally underground, in Catacombs in Rome, or in entire underground cities in Cappadocia. Christians under the Iron Curtain tried to practice their faith in ways that made it possible to survive under the military occupation of dictatorial regimes. For their faith, some people were killed, imprisoned or forced to do hard labor in inhumane conditions; some people fled the country or were forced to leave, while others took refuge in the wilderness when the atheist oppression intensified - but most people in Central and Eastern Europe had to find a way to live under the Marxist dictatorships of the 20-th century.

    The religious freedom gained in democratic countries allows the _expression of all cultures, sometimes in a way that makes them all seem irrelevant, with all values relative and almost everything negotiable. Educating people about their own culture increases their respect for culture in general, and the respect of other cultures. A better, more peaceful life is possible through balanced education of the young generations.

    Critical thinking and art education, ("street smarts" combined with "book smarts") allow the individual to be less easily deceived in the "gray areas" between good and evil. It has been said that "you know trees by their fruit" and people by the results of their actions. While direct aggression and oppression make it easier to recognize evil by its actions, it is harder to make choices when any choice seems equally good in a free society. The Christian way of countering the good with good, and also countering the bad with good only, makes it easier to live - since one only has to do good regardless of circumstances.

    Since religiosity is not Orthodoxy, Orthodox Christian education is necessary both when there is freedom of religion and when Orthodoxy is oppressed. Given the variety of messages exchanged in a free society both on the big screen and on the TV screen, it is worthy to add the Orthodox message in the style that it has used so effectively for thousands of years. Today's rapidly advancing tools and technologies present challenges and opportunities for creative artists and communications professionals.

    It has been said that "the pen is mightier than the sword". Since "a picture tells a thousand words", the painter's brush is thousands of times stronger than words alone in making peace. Theophanes the Cretan made the most of the tools, techniques and materials of his time, creating sacred art objects and murals that have lasted hundreds of years already. Today's high resolution photographic cameras, high definition video recording equipment, or special effects computer systems seem that much more powerful visual communication tools, compared to words or single images alone. But how can photos, motion pictures or special effects show "images of the invisible", or "open windows on the Kingdom of Heaven", like humble wood, glass or fresco icons and murals have done so far for centuries?

    Using "animated icons" or combining live actors and computer-generated special effects to create theologically correct Orthodox materials is entirely possible nowadays. Using today's digital visual media tools and techniques to communicate Orthodox Christianity's message of peace is a worthy research and development topic.

    IconWriter.ComTM will continue to use traditional techniques and materials, while exploring the use of new tools and materials. For example, IconWriter.ComTM replaced woodcarver's chisel with the router bit to create the raised edges on solid hardwood icon panels, increasing the speed of delivery while keeping the high quality needed for traditional icon panels.

    IconWriter.ComTM projects such as a "virtual reality" navigable model of a 16-th century Romanian Orthodox church with full-mural (inside and outside) Christian Orthodox iconography, or a 3D "digital Orthodox icon" of the Transfiguration of Our Lord Jesus Christ (celebrated each year on August 6), are positioning IconWriter.ComTM for spiritual and technological growth in today's Digital Age.

    Theophanes the Cretan used the visual arts of his time to communicate clearly and concisely Orthodox theological truths. Theophanes' achievements in icon and mural painting in monasteries on the Holy Mountain inspired countless other artists to increase the quality of their Christian Orthodox sacred works of art. His icons and murals continue to educate believers and to encourage Orthodox Christian artists to produce high quality works.


    IconWriter.Com Creations - Saint John the Forerunner (January 7)

    Hand-painted Acrylic on wood with genuine Gold Leaf halo. Summer of 2002.

    Properly framed giclee prints available from the artist, Alex Ionescu - at 586-759-0676 and on-line at IconWriter.Com ™.


    American-Romanian Art Appreciation Day at the Troy Public Library

    Monday, June 21, 2004 at 6:30pm

    You are invited to join us for Romanian music, hors d'oeuvres & the presentation of the works of six Romanian-American artists that exhibit at the Troy Public Library during the month of June 2004:

    The Troy Public Library is at 510 West Big Beaver Road, Troy, MI 48084.

    • Gabriela Orza - Acrylic on Canvas Painting,
    • Mircea Orza - Bronze Sculpture,
    • Gabriel Ban - Oil on Canvas Painting,
    • Vasile Hulpoi-Deac - Reverse-Glass Icon Painting,
    • Alex Ionescu - Acrylic on Wood Icon Painting,
    • Cristina Van Bladel - Hand-Painted Furniture.

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