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PHOTOGRAPHY BOOK AWARDS 1985-2002 |
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WILLIAM HENFY FOX TALBOT: CLOISTERS,
LACOCK ABBEY, 1843
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The Kraszna-Krausz Book Awards are made to encourage and recognise outstanding achievements in the publishing and writing of books on the art, practice and technology of photography and the moving image. Awards for books on the moving image (film, television and video) alternate annually with those for books on still photography. No awards were made for 1989-1991 and 1986-1987.
| 2002 | Photography | Larry J. Schaaf | The Photographic Art of William Henry Fox Talbot |
| 2002 | Photography | Peter Hamilton, Roger Hargreaves | The Beautiful and the Damnes: The Creation of Identity in Nineteenth Century Photography |
| 2001 | Moving Image | Pearl Bowser, Louise Spence | Writing Himself into History: Oscar Micheaux, His Silent Films and Audiences |
| 2001 | Moving Image | Richard Rickitt | Special Effects: The History and Technique |
| 2000 | Photography | Boris Mikhailov | Case History |
| 2000 | Photography | Sidney F. Ray | Scientific Photography and Applied Imaging |
| 1999 | Moving Image | James Naremore | More than Night: Film Noir in its Contexts |
| 1999 | Moving Image | R.W. Burns | Television: An International History of the Formative Years |
| 1998 | Photography | Herbert Molderings | Umbo: Otto Umbehr, 1902-1980 |
| 1997 | Moving Image | Richard Taylor | The Encyclopedia of Animation Techniques |
| 1997 | Moving Image | Ruth Vasey | The World According to Hollywood, 1918-1939 |
| 1996 | Photography | Eve Arnold | In Retrospect |
| 1996 | Photography | Larry J. Schaaf | Records of the Dawn of Photography: Talbot's Notebooks
P & Q |
| 1995 | Moving Image | Mark Litwak | Dealmaking in the Film & Television Industry: From Negotiations to Final Contracts |
| 1995 | Moving Image | Nicholas Negroponte | Being Digital |
| 1995 | Moving Image | Robert Sklar | Film: An International History of the Medium |
| 1994 | Photography | Jack H. Coote | The Illustrated History of Colour Photography |
| 1994 | Photography | Giles Mora, John T. Hill | Walker Evans: The Hungry Eye |
| 1994 | Photography | Eugene Richards | Cocaine True, Cocaine Blue |
| 1993 | Moving Image | John Belton | Widescreen Cinema |
| 1993 | Moving Image | Ian Jarvie | Hollywood's Overseas Campaign |
| 1993 | Moving Image | Russell Merritt, J.B. Kaufman | Waly in Wonderland: The Silent Films of Walt Disney |
| 1992 | Photography | Jeannine Fielder | Photography at the Bauhaus |
| 1992 | Photography | Larry J. Schaaf | Out of the Shadows: Herschel, Talbot and the Invention of Photography |
| 1992 | Photography | John P. Vetter | Biomedical Photography |
| 1988 | Photography | Paul Barkshire | Paul Barkshire's Unexplored London |
| 1985 | Photography | Ben Maddow | Let Truth Be the Prejudice: W. Eugene Smith, His Life and Photography |
| 1985 | Photography | Lennart Nilsson, Stig Nordfeldt, Kjell Lindqvist | Kroppen Forsvar/ Human Body's Defence |
| 1985 | Photography | Bernard F. Stehle | Incurably Romantic |
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