Life Drawing, Art 250, 350, 450

Portland State University Art Department

Instructor: Barbara Branham

e-mail:  branham at pdx dot edu

© Barbara Branham (may not be reproduced without written permission from the artist)

My work

"We see nothing truly until we understand it." John Constable

"A would-be artist may have the most profound visions, feelings and insights, but without skill there is no art." Stephen Nachmanovitch"

"Drawing is the discipline by which I constantly rediscover the world. I have learned that what I have not drawn, I have never really seen, and that when I start drawing an ordinary thing I realize how extraordinary it is, sheer miracle." Frederick Franck

 

"All our knowledge has its origins in our perceptions." Leonardo da Vinci                        

Summer Life Drawing 250 syllabus and supply list click here

(includes list of recommended books) 

Outside assignments click here

(to be announced) 

Richer's Anatomy on line: http://tinyurl.com/dy34b5  

"The human foot is a masterpiece of engineering and a work of art.” Leonardo da Vinci

List of recommended books click here

Exam & Portfolio Instructions click here

(to be announced)

 


click here Student Work


click here Pathologies of Drawing

Common problems in drawing the figure

Class notes on the skeleton:

Human Anatomy for the Artist: The Skeleton

Skeletal Proportions

The Shoulder and Pelvic Girdles

The Arm, Forearm and Hand

The Thigh, Leg and Foot

The Skull

Illustrations

click here Front and side views of skeleton showing the Richer 7 1/2 head proportional system

click here Side view of male and female figure torsos showing difference in pelvic tilt, back line, etc;  front view of male and female pelvis

click here The Shoulder Girdle

click here Diagramming the Pelvis

click here Male/Female comparison of shoulder & pelvic girdle

click here Male & Female Pelvis comparison

click here Diagrams of bones of arm & forearm

 Illustrations of thigh, leg, foot

  Illustrations of the arm, forearm, wrist, hand

click here  Sketches of the foot

 Skull structure, front view. and drawing the eye

 Drawing the eye

 The lips

 The nose and ear


Class Notes on the muscular system:

Review: Human Anatomy for the Artist & the Muscles of the Trunk

Muscles of the Hip and Shoulder

The Muscles of the Arm, Forearm & Hand

click here The Muscles of the Thigh and Leg

 


Fun Links:

click here Dancing skeleton

click here  Drawing a woman from the inside out.

Brotron Robots - clever variations on the human body using recycled parts from household appliances - by Southern Californian artist: Greg Brotherton

 


click here Hipbone Studio

for further work with the human figure "Hipbone Studio" is a great place to continue your study or just get in more practice

click here Posemaniacs

This is a fun site where you can view (and draw) virtual poses from many different angles. It is not a substitutes for drawing from life since it is a two-dimensional image but it gives you look a the various "shape states" of the body (or parts of the body) when there is foreshortening or when looking at the body from unusual viewpoints.


Further study -- Links:

Lyme Academy of Art

New York School of Figurative Art

The Art Renewal Center

The Art Student's League Of New York

The Gage Academy of Art (Seattle)


A Career in Scientific/Medical Illustration:

The Association of Medical Illustrators

Graphic Pulse, Inc.

John Hopkins University, School of Medicine

The Medical College of Georgia

The University of Michigan

The University of Texas: Southwestern Medical Center at Dallas

click here University of Georgia Lamar Dodd School of Art

The University of Toronto

Portfolio of Wm. Keith Harrison, Medical/Scientific Illustrator

Portfolio of Gale Mueller, Medical/Scientific Illustrator

  Rigor Vitae - an artist's blog


Andreae Vesalius's "De Humani Corporis Fabrica"

100 Years of Medical/Scientific Illustration


Various figurative art sites in no particular order:

Julie Shelton Smith

Olga Filatieff-Lomnovsky

New York Academy of Art

Basic Life Drawing Lessons


Portrait_of_woman_reduc.jpg (16611 bytes)

© Barbara Branham (may not be reproduced without written permission from the artist)

"...shifting to a greater emphasis on personal expression has too often had the effect of lessening the concern with mastering an understanding of universal visual qualities that have always been present in the art of every culture, in every era. These qualities issue from basic human requirements and we look for them in all spheres of activity. Among them is the need for balance and unity, the self evident values of economy, clarity and consistency, the mastery of craft, and the integration of the means and meanings in the images we create. Such qualities do not rise and fall with changing tastes in art. Their presence in all works of art is a fundamental human necessity.

"...in the best drawings, meaning (content) has even more to do with the life of the elements than with the depiction. In such a drawing, meaning is to be found mainly in its being -- in its design strategy, in its dynamic life, and in its expressive character as revealed by the behavior of the visual elements, rather than its representational theme . . . in any form of art it is more important for a work to be than to tell. (underlines mine, BB)

"The best drawings are not merely descriptions of things, places, and events. They are visual testimony to the feelings, ideas, and inquiries the artists had when encountering their observed or envisioned subjects." 

form: visual elements such as line, value, texture, color, composition etc.

content: the meaning conveyed through the formal elements

Nathan Goldstein "A Guide to 100 American and European Drawings"