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CHARACTERISTICS |
WRITERS |
HISTORICAL EVENTS |
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v
Construction out of
fragments, collage technique, montage of images (cinema) v
The ideal of art is to regain the whole (like in The Waste Land) v
Work structured as a quest
for the very coherence it seems to lack at the surface; order found in art
(Porter), religion (Eliot) v
Sense of discontinuity, harmony
destroyed in WWI v
Omission: of explanations,
interpretations, connections, summaries, continuity v
Arbitrary beginning,
advancement without explanation, end without resolution v
Shifts in perspective, voice
and tone v
Experimentation with time:
flashback, leaps to the future v
Rhetoric understated, ironic v
Symbols and images instead
statements v
Use of myth –escape from
dramatic present, Christianity also a myth (Faulkner) v
World of random possibilities v
Search for truth v
Subject often the literary
work itself (the only meaningful activity is the search for meaning
carried out in art) v
Opposition to mass culture,
belief that art is for the elites v
References to literary,
historical, philosophical, religious past to remind the reader of old,
lost coherence v
Secularization of religion,
erosion of religious belief, lose of mystery Nitze
declared God was dead and man was on his own v
Undermining of the belief in
history as a linear concept (Darwin) v
Distrust of family bonds,
family no longer the safe haven (Freud) v
Anti-female tendency, “new
woman”, a flapper – a carrier of chaos; Widespread
male anxiety about a female “takeover” – some writers (Lawrence,
Hemingway, Fitzgerald) believe that women conspired with the new
technology to render their male contemporaries socially and even sexually
impotent v
Fragments of popular culture,
dream imagery v
Parodies v
Use of language previously
considered improper: colloquial, slang, uneducated v
Directness, compression,
vividness ~> significance of short story v
First person narration, one
character’s point of view (truth does not exist objectively) A
naïve or marginal person as narrator (a child, an outsider) to convey the
reality of confusion v
Alienation of the individual v
Experimental, self conscious
manipulation of form v
Stream of consciousness,
interior monologue v
Psychological influences:
Freud, Young v
Fascination with machines v
Vision of social breakdown,
society in decay v
Faith in art |
Prose Gertrude
Stein (1874 – 1946) Ernest
Hemingway (1899–1961) John
Dos Passos (1896 – 1970) F.
Scott Fitzgerald (1896 – 1940) William
Faulkner (1897 – 1962) Sherwood
Anderson (1876–1941) Katherine
Anne Porter (1890 – 1980) Zora
Neale Hurston (1901?–1960) Thomas
Wolfe (1900 – 1938) Nathaniel
West (1903 – 1940) Willa
Cather (1873 – 1947) Henry
Miller (1891 – 1980) Anais
Nin (1903 – 1977) Poetry: Thomas
Stearns Eliot (1888–1965) William
Carlos William (1883 – 1963) Wallace
Stevens (1879 – 1955) “Imagists:” Ezra
Pound (1885 – 1972) H.D.
(Hilda Doolittle) (1886 – 1961) Amy
Lowell (1874 - 1925) Marianne
Moore (1887 – 1972) e.e.
cummings (1894 – 1962) Archibald
MacLeish (1892 – 1982) Hart
Crane (1899 – 1932) “Fugitives:” John
Crowe Ransom (1888-1974) Allen
Tate (1899 – 1979) Drama: Eugene
O’Neill (1888 –
1953) Thorton
Wilder (1897 – 1975) Ernest Hemingway
(1899 – 1961) |
1914-18
– World
War I 1917 – US enters the War, Russian Revolution 1918
– worldwide flu epidemic Jan 1919 – Prohibition (18th Amendment) 1920 – women given the vote (19th Am.) 1920s – Henry Ford’s assembly-line, cars become affordable 1921
– Sacco-Vanzetti case 1924
– Immigration Act, quota
systems: 1921, 1924. 1927 – first non stop solo flight across Atlantic 1928
– Mussolini’s comes to power in
Italy 1929
– first motion picture with
sound stock market crash, Depression begins 1932
– F. Delano Roosevelt
becomes President 1933
– 18th Amendment
repealed 1933
– Hitler’s dictatorship
in Germany 1936-39 – Spanish Civil War 1941,
7 Dec – Pearl Harbor 1945,
6 Aug – Hiroshima atomic bomb
Influential thinkers: Sigmunt
Freud (1856 – 1939) Carl
Jung (1875 – 1961) Karl Marx (1818 – 1883) 1848 – Marx & Engels, Communist Manifesto
Anderson, Winesburg,
Ohio (1919) Eliot,
Tradition and the Individual
Talent (1920) Eliot,
The Waste Land (1922) Stevens,
Anecdote of the Jar (1923) Fitzgerald,
The Great Gatsby (1925) Dos
Passos, Manhattan Transfer (1925) Hemingway,
The Sun Also Rises (1926) Hemingway,
A
Farewell to Arms (1929) Faulkner,
The Sound and the Fury (1929) Dos
Passos, The 42nd
Parallel (1930) Faulkner,
Light in August (1932) Faulkner,
Absalom, Absalom! (1936) Steinbeck,
Of Mice and Men (1937) Steinbeck,
The Grapes of Wrath (1939) West,
The Day of the Locust (1939) Hemingway,
For Whom the Bell Tolls (1940) Hemingway,
The Old Man and the Sea
(1952) Steinbeck,
East
of Eden (1952 ) |