The Basics - 7 Easy Steps

So you've actually got a finished story in your hands.  It has a beginning, a middle, and an end.  Congratulations! This is further than most would-be authors ever get.  But what to do with it now?

1) FIND A MARKET
This might seem elementary, but you can't do anything until you identify where you want to try and get your story published.  Short fiction markets are plentiful, even for science fiction and fantasy.  Click here to see some market-search tools that are quite valuable.  You will need to check your intended market's latest writers' guidelines to be sure you get the editor's name and the market submission address correct when you reach Step 2.

2) PROPER SHORT STORY MANUSCRIPT FORMAT
Whether you've got the story written on paper, or saved it as a file to your computer, it's not ready for submission to a publisher before it's properly formatted.  If ever you've doubted or wondered, there are two fairly definitive sources on this.  Vonda McIntyre's example, and the more recent but just as relevant example by William Shunn.  Both are SF pros.  Once you've taken your story from its raw format and put it into this industry-standard format, you'll never really have to make any changes.  Just about any magazine in North America takes this format.  Hugo and Nebula winner Robert J. Sawyer also recommends using a sufficiently dark Courier font, like this one from HP, as opposed to the atrophied Courier New that comes with Microsoft Windows.  This is important because proper manuscript format is all about the presentation.  Editors like it when you adhere to a standard that has been around for many decades, and which won't strain their overworked eyes.  They'll have plenty of reasons to reject you, based on content.  Don't give them an excuse to reject you because you used the wrong paper, wrong font, wrong spacing between lines, etc.

2) SHORT STORY COVER LETTERS
Having formatted your story into an actual manuscript, as directed by McIntyre and Shunn, it's time for the cover sheet.  Again, we're talking about an industry standard.  You might be a nobody, you might have nothing to say other than, "Here is my story! Please publish me!"  But you'll still want to maintain professional decorum.  And the cover sheet is the first thing any editor will see, once they've opened your manuscript.  Having experimented with many variations over the years, I asked author/editor Dean W. Smith about this, and he advised me to KISS: Keep It Simple, Stupid. Slash the extraneous wording.  If you've not got any professional credits, your cover letter should be leaner than a starving whippet.  Baen's Universe slush editor Sam Hidaka confirms this.  So, based on their combined feedback here is an example.  This is the look and feel of the beginner's cover letter.  No bullshit.  Pay special attention to getting the editor's name correct, as well as the editorial address.  You should have already identified these when you did Step 1.

3) PRINTING
Shunn and McIntrye largely cover this, but it's worth highlighting again.  Most of the major markets still expect a hardcopy manuscript, and this hardcopy needs to come in a standard form.  Once you have your manuscript and cover letter formatted and saved on your computer, you need to print them.  Ink jet printing is OK in a pinch, but laser printing or MFD copier printing are the best.  Use standard white printer or copier paper, no less than 20-pound bond.  Glossy photo paper, or overly thick, heavy-bond paper are a no-go.  Colorful paper or construction paper are also a no-go.  Use black toner or ink only.  No colorful variations.  Be sure none of the pages get smeared, smudged, or crinkled on the way out of the printer.

4) ENVELOPES & PACKAGING
Many beginners think they must get the whole manuscript back if an editor rejects it.  Unless you want to spend double on postage, this is not necessary.  Any comments an editor might make on a rejected manuscript, will be done on the rejection slip itself.  Your manuscript will remain untouched, barring crinkles or corner folds due to handling during transit.  Repeatedly sending the same manuscript hardcopy to different markets is not advised, as a manuscript displaying excessive wear and tear won't do you any favors.  So save yourself the extra postage and indicate in your cover letter and on the first page of the manuscript that the manuscript is disposable, and enclose a standard white paper business-size envelope with a single, standard 1st class stamp on it, and your return mailing address written or printed in the middle on the front of the envelope.  This is now your SASE; the Self Addressed Stamped Envelope.  Those outside of the U.S. can use international reply coupons instead of a 1st class US Mail stamp.  Ditto for U.S. writers submitting abroad.  Putting the publisher's address in the top left corner is not necessary because they won't want the thing back if you can't do your own address correctly.  Put the SASE on top of your cover letter, put the cover letter on top of the manuscript, and stick it all into a standard manila-paper business pouch envelope that can accommodate 8½" x 11" pages.  Do NOT fold any of the pages.  Do not staple or paperclip the pages.  If the pouch envelope seems too small (because your manuscript is thick) then go to the next size up.  Specialty tyvek-type envelopes or super-tough cardboard pouches are neither required nor recommended. Editors want to be able to zip open your submission and get down to business without having to fool around with packing tape, duct tape, or other silliness.  The front of the pouch envelope should have the editorial address written neatly (or printed, whichever) in large print in the middle, and your return address goes in the upper left corner; also neatly written (or printed).

5) POSTAGE
Thin manuscripts can be stamped using ordinary postage stamps.  But it's not a bad idea to just walk the thing down to the post office and use the nice postal worker at the desk.  Or the machine in the lobby.  Most U.S. post offices now have computerized weighing machines that operate 24/7 so you can get your manuscript stamped and drop it into the box any time day or night.  All you need is a credit or debit card.  An average manuscript of 4,000 to 6,000 words will generally cost you $1.65 to mail first-class.  Overnight is not necessary, unless some editor has demanded an immediate re-write.  Certified mail or other options requiring the receiver to sign off on the manuscript at its destination, are an absolute no-go.  This is extra annoyance for the editorial staff and might earn your story a rocket trip to the round file (also known as the trash can, also known as the recycle bin!)

6) DROP IT INTO THE "OUT" SLOT
You're sweating.  Your head hurts.  Your eyes are blurring.  Your heart is pounding.  Dear Lord, it's come down to this.  Time to take your story, which has endured a crucible up to this point, and throw it out into the uncaring, cruel world.  You might have second thoughts.  You might wonder if maybe you don't need to take it home and do one more draft.  Resist the temptation.  Shove that baby into the OUTGOING slot at the post office and then walk quickly out the door and don't look back.  Like a parent seeing his or her adult child out the door for the final time, you've just gotta let go.  Trust that you did the best you could with the knowledge you had.  Your baby will do the rest.  And if a rejection comes back to you instead of that coveted first sale, see Heinlein's Rules.

7) KEEP TRACK OF WHERE IT WENT
Put together some way of monitoring where your stories are sent, and when.  Nearly all short fiction markets won't take more than one story from you at a time*, and nobody likes a simultaneous submission.  Keeping track of where things are, and how long they've been there, is just as essential as getting them out the door.  Use a notebook, a binder, a database, a spreadsheet, whatever.  Just make sure your notes and dates are accurate and that you keep them updated!

OK, wasn't that easy? No?

Alright, here we go, one more time.  The condensed version.....

Print the properly-formatted manuscript.

Then print the coversheet, taking care to make sure the coversheet has the correct date, name of the editor, and data for the market you want.

Take a letter-size white paper business envelope and put your mailing address on it.

Put a stamp on the envelope.  This is now your SASE.

Put the envelope on top of the cover sheet, and the cover sheet on top of the manuscript.

Now, take a 9" x 12" manila-paper pouch envelope.  Write neatly, and print your mailing address in the top left corner.  Also writing neatly, print the mailing address of the market the story is going to, and do it in larger print in the middle of the front of the pouch.

Slide your SASE, cover letter, and manuscript into the pouch envelope.  Lick, seal, and clip; if it has a clip.

Take it down to the local USPS office and get it metered.  Even after hours, nearly all USPS centers now have automated metering machines that can print first-class barcode stickers for your manuscript.

Drop it in the OUTGOING mail slot.

Make a note as to where the story went. And when.

That's it.  No magic incantations or special spells.  No holy rites.  You've completed the grand cycle.   And just because I know you've skimmed this article and weren't paying attention like you were supposed to, let me recap some of the no-go items:

DO NOT DO THESE THINGS
- Use colorful or unusual paper for anything.
- Be overly wordy in your cover letter.
- Use unusual packaging.
- Glue, staple, or paperclip anything.
- Deviate from standard manuscript format.
- Use special or cute fonts or colored inks/toner.
- Use certified mail or troublesome shipping.
- Submit more than one story to any given market at a time.*
- Submit the same story to multiple markets at once.

Now that you've passed through the process, it might seem like an ideal time to kick back, crack open something cool to drink, and rest.  But don't rest too long.  Procrastination is the single deadliest of all writing sins.  If you're not doing Heinlein's Rules, that first manuscript you just put into the mail might be your last!

* NOTE: some markets may occasionally accept more than one manuscript from you at any given moment. As in all things, check the market's guidelines before you assume anything!

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