Music Theory IV Syllabus
COURSE MUSI 272
TIME/LOCATION 2:30-3:25
MWF, 214 Steinman
INSTRUCTOR Pandel Collaros
OFFICE 211 Steinman
HOURS by appointment
PHONES (office) 829-7331,
(home) 740-264-5739
E-MAIL collaros623@comcast.net
WEB PAGE http://home.comcast.net/~collaros623//272.htm
REQUIRED TEXTS
- Kostka, Stefan and Dorothy Payne. Tonal
Harmony. New York: McGraw-Hill.
- Kostka, Stefan and Dorothy Payne. Workbook for
Tonal Harmony. New York: McGraw-Hill.
DESCRIPTION
MUSI 272 is the fourth semester of an integrated two year music theory
sequence. This course continues the study of the harmonic, melodic, and
contrapuntal practices of music from the 17th century to the present. We will
begin with a review of extended tertian harmony. We will continue with an
examination of various topics which characterize the compositional, theoretic,
and analytic concepts of the 20th century. MUSI 272 is coordinated with MUSI
272X and will parallel the concepts presented there as much as possible.
ATTENDANCE POLICY Attendance is highly
recommended. Much of the course material is presented in class and may not be
found in the text or materials outside the class. Quizzes and exams missed for
whatever reason may not be made up. The instructor is the sole arbiter of
whether an absence is excused or unexcused; the instructor will make such a
determination in a fair and objective way on an ad hoc basis. For quizzes and
exams missed because of such excused absence, no grade will be entered. For
quizzes and exams missed because of an unexcused absence, the grade will be a 0
for the missed assignment(s).
ASSESSABLE LEARNING GOALS Quizzes and
exams will assess the student's success in absorbing the content of the course,
applying standard analytical techniques, extrapolating variant or new
analytical techniques from learned principles, part-writing according to
prescribed parameters, and expressing all these goals in appropriate technical
language and notation.
ASSIGNMENTS (QUIZZES AND EXAMS) POLICY If
two or more assignments are missed for whatever reason, it is highly recommend
that the student meet with the instructor to discuss withdrawal from the
course.
OBJECTIVES The student is expected to
acquire a comfortable familiarity with the relevant technical language and
analytical techniques appropriate to this level of undergraduate music theory
as taught in the United States.
PREREQUISITES MUSI 271 AND MUSI 271X
| GRADING |
SCALE |
50% Quizzes
|
A = 93-100
|
25% Exam 1
|
A- = 90-92
|
25% Exam 2
|
B+ = 87-89
|
|
B = 83-86
|
|
B- = 80-82
|
|
C+ = 77-79
|
|
C = 73-76
|
|
C- = 70-72
|
|
D+ = 67-69
|
|
D = 63-66
|
|
D- = 60-62
|
|
F = 00-59
|
EVERYONE IS EXPECTED TO HAVE A WORKING
E-MAIL ADDRESS AND TO GIVE IT TO ME IMMEDIATELY, AND TO CHECK IT
DAILY.
Theory IV Tentative
Outline
WEEK 1 (first 3 wks cover Chapter 27)
- Pre-Test and review
- Read and study Chapter 27 Introduction; Counterpoint; Treatment of
Dominant Harmony
- Homework 1 due Friday
WEEK 2
- Read and study Chapter 27 Sequence
- Quiz 1 on Wednesday
- Homework 2 due Friday
WEEK 3
- Read and study Chapter 27 Expanded Tonality;
Summary
- Quiz 2 on Wednesday
- Homework 3 due Friday
WEEK 4(remainder of semester covers Chapter 28)
- Read and study Chapter 28 Introduction, Impressionism
- Quiz 3 on Wednesday
- Homework 4 due Friday
WEEK 5
- Read and study Chapter 28 Scales
- Exam 1 on Wednesday
- Homework 5 due Friday
WEEK 6
- Read and study Chapter 28 Extended Tertian Harmony, Extended Tertian
Harmony and Lead Sheet Symbols, Polyharmony, Quartal and Secundal Harmony,
Parallelism
- Review Exam 1 results
- Quiz 4 on Wednesday
- Homework 6 due Friday
WEEK 7
- Read and study Chapter 28 Pandiatonicism; Rhythm and Meter
- Quiz 5 on Wednesday
- Homework 7 due Friday
WEEK 8
- Read and study Chapter 28 Atonal Theory
- Quiz 6 on Wednesday
- Homework 8 due Friday
WEEK 9
- Read and study Chapter 28 Atonal Theory (cont.)
- Quiz 7 on Wednesday
- Homework 9 due Friday
WEEK 10
- Read and study Chapter 28 Twelve-Tone Technique, Total Serialization
- Quiz 8 on Wednesday
- Homework 10 due Friday
WEEK 11
- Read and study Chapter 28 Twelve-Tone Technique, Total Serialization
(cont.)
- Quiz 9 on Wednesday
- Homework 11 due Friday
WEEK 12
- Read and study Chapter 28 Aleatory or Chance Music
- Exam 2 on Wednesday
- Homework 12 due Friday
WEEK 13
- Read and study Chapter 28 Texture and Expanded Instrumental Resources,
Electronic Music, Summary and Forward Look
- Review Exam 2 results
WEEK 14
- Miscellaneous and review
- Post-Test
LECTURE NOTES
FURTHER POLICIES
- If pencil is not used or if standard size printed music manuscript is not
used where appropriate for a particular graded item, that item will be
given the grade of zero.
- No final grades will be given out to anyone including graduating/comping
seniors. You will get grades from the registrar. This is irrevocable and
without exception. Don't even ask.
- Before I will consider providing a reference or recommendation, you
- Must always address me as Professor
Collaros,
- Must have taken at least two classes with me,
one of which must be academic,
- Must have received an A or B in all courses
taken with me, and
- Waive right to see said reference or
recommendation.
- In compliance with the Bethany College policy and equal access laws, I am
available to discuss appropriate academic accommodations that may be
required for students with disabilities. Requests for academic
accommodations are to be made during the beginning of the term as directed
by the administration, except for unusual circumstances, so arrangements
can be made.
- Each student in this course is expected to abide by the Bethany College
Policy on Academic Honesty (see College Catalogue section on Academic
Honesty). Any work submitted by a student in this course for academic
credit will be the student's own work.
- At the discretion of the instructor, grades may be lowered or raised
according to classroom demeanor.
The instructor reserves the right to change this syllabus at any time.
E-mail Pandel Collaros
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