Don Gillette
Walking By The Nightpath
Quality Press 1987
Copyright © 1986, 1987 by Donald W. Gillette
All rights reserved. Printed in the
Contents
Handshake from a Stranger • The Wake for Mr. Riddleman • Birthday (12/8/86) • New Year’s Day in the Year
of Our Lord, 1987 • Hip Shakin’ Jew Girls from the
East Coast • Tape Recording Driving in the Car #3 • The Frog Princess • A Girl
in Little Rock • Late in Winter • Letter to the Children • Penitent
Penitentiary • Away From Home, Eating a Cheeseburger • Woodcutting • Conversation
with Doctor Lucias Wongsley
• Death to the Delusions • Phrases of Days and Days • Soundless Screams on the
Pavement, Four A.M. • Stock Answers in Quarter Time • Tailpipe Manifesto with
30 Weight Oil • Telephone • Metal Grained Portrait in Clay • Easily Led, Hardly
a Word • Imagery
HANDSHAKE FROM A STRANGER
Meddlers
lurk behind closed doors
And come out at odd times
To pry and cheat and steal and lie.
They can be lawyers.
They can be priests
Or insurance salesmen.
THE WAKE FOR MR. RIDDLEMAN
An Epitaph
He
was told that a job was a way to live
And
he always gave what they told him to give,
And
reported to work on time every day
And
never complained about the amount of his pay.
So
he came to be old and he sat in his chair
Unaware
of the fact he was losing his hair
Or
the lines on his face or his skin growing slack
Killing
himself for a pat on the back.
And
when he was sixty they gave him a watch,
(A
reward for taking those kicks in the crotch).
And
he moved way out west with his lovely wife, Fay,
And
watched the watch ticking his last days away.
BIRTHDAY (
This
is a real kick in the pants.
Sometimes,
I leave in the middle of the dance
And
take a seat on the opposite side
To
watch the dancers who’ve all cried
Keep
up the nightmare of reality
And
retain margin sanity.
Left alone, westward bound,
No one here can hear a sound.
No one here can speak a word,
No words here can yet be heard.
Some are lost and some are found.
No one here can hear a sound.
Eyeless faces drift about here,
Mindless heads are very near here.
Thoughtless bodies try to get there.
Horror comes and says a strange
prayer.
Millions
and millions of citizens
Crowd the streets.
They jingle their
pockets
And go to churches.
And Saturdays, they go
to a show
To leave the outside out.
Thousands
and thousands of other ones sit
In galleries.
They bathe in
fluorescent light
And stare at the walls.
And when closing time
comes
They leave the inside in.
Left alone, westward bound,
No one here can hear a sound.
No one here can speak a word,
No words here can yet be heard.
Some are lost and some are found.
No one here can hear a sound.
Eyeless faces drift about here,
Mindless heads are very near here.
Thoughtless bodies try to get there.
Horror comes and says a strange
prayer.
At
other times, it’s a pain in the ass,
Watching
time as it tries to pass.
With
what the hell is going on;
And
what hour’s getting close to gone
And
the thousand attempts I’ve made to forget
People
I’ve known and people I’ve met.
It’s
a roll of the dice; the methods of fate…
Time
to run but not too late.
NEW YEAR’S DAY IN THE YEAR OF OUR LORD, 1987
Just
another day;
Nothing
to do with the madness in the world
In
the year of our Lord, 1987.
Just
like a yesterday;
Accepting
the days of the days
In
the year of our Lord, 1986.
And
not speaking a word,
Not
raising a voice.
No
glue…
No
glue.
directions from a map
money at the computer teller.
news from the tube.
There
are no new year’s days
In
the year of our Lord, 1987.
HIP SHAKIN’ JEW GIRLS FROM THE
Heads
in the air,
Eyes
flashing cold.
Hair
pulled back tightly,
Heels
clicking tile.
Cheekbones
high,
Trapping
that light.
Legs
making motion,
Skin
pure and white.
They’re
the girls I love the most,
Hip
shakin’ Jew girls from the east coast.
TAPE RECORDING DRIVING IN THE CAR #3
Too
many bullets flying in the air tonight.
Too
many people killing on the street tonight.
Killers brandishing
cheap rifles from K-Mart
Hung in the windows
of their pickup trucks.
Too
many old people creeping the drive of death.
Too
many young people flying the dream of death.
Killers wearing pacemakers
ready to quit
Wired into their cars
most built in
Killers wearing
bottles of Budweiser
Snug between their legs
then thrown out windows.
Too
many writers seeking inspiration in the night.
Too
many artists watching the sky at night.
Too
many scientists formulating in the night.
Killers with pens in their pockets
looking for a place to stop.
Killers with pain on their faces
hoping for a canvas.
Killers with numbers in their heads
waiting for a chance.
THE FROG PRINCESS
Her
prince, out among the crowd waiting
No
one knows the frog princess’ laughter
She
sits behind a window collecting money
From
movie-goers and children of the night
Knowing
that a frog prince has lost his way
And
stopping the old men—they forget to pay
Waiting
patiently; needing just one more wish
An
ordinary wish will make everything normal
In
her hollow world of white day; red night
The
frog prince watches from his black car
Then
leaves quietly, preparing his papers
For
one more night and silent searchings
At
another place in another time, alone
A GIRL IN LITTLE ROCK
Here
alone, no friend in
At
night she watches the clock
And
dreams of leaving it behind.
Days
drag by on peeling hands.
During
the day she waits and stands
By
herself, no love to find.
LATE IN WINTER
Winter’s
people are mad.
They
beg forgiveness for wasted times
And
times. And wish for promises spoken in
hushed
hallways,
behind closed doors. Never hearing,
never
sleeping, barely breathing.
Colder
winds are due soon; colder winds
carry
changes
For
days and lives and times.
Outside,
others whisper discontent
Then
offer prayers; they all repent.
It
is not enough.
“We
always get her a new hat for Easter.”
Waiting
for the trash man to come on Tuesday
And
take away the bags. Hoping for luck with
whatever
is due. Never knowing,
always
hoping, barely speaking.
Warmers
winds are coming soon.
Outside,
still others whisper their regrets
Then
roll the dice and make their bets.
They
are never enough.
LETTER TO THE CHILDREN
Shouting
at the insanity inside the world and worlds of
fortune
hungers and tellers and maddening priests and
priestesses
who sell their souls (and a bit of the old
in-out on the side) to anyone with
the cash and I’ve
not
got the cash and not just them but most of the
others.
Screaming
from the rooftops toward the makers and the
shakers
and the reeling, sickening clowns making due with
what
we’ve given them and then tossing it into the rivers
and sending it up the smokestacks
into my air so I
can
get it back again but different so it kills me and
mine slowly and not like a war at
all.
And then waiting around to grow old
or not so old
and
wondering where it all ends if it ever ends and if it
doesn’t
then where can we go and if we can so what?
Or
sitting in THE HOME and rotting away slowly while the
new
idiots who are just like the old ones ride on their
four-wheelers
and wear God knows what to the places we
used
to call “clubs” that were really roach motels hidden
in
the cities and then they leave drunk and while they
sleep decide what happens next and
they do it wrong
just
like always and forever because they don’t know or
care about tomorrow and tomorrow
doesn’t know their
name.
Shrieking
down at them now for their blindness and their
frightening,
bizarre, Dionysian ideologies and the loss
of
their dignity and they also gave up ours and we’ve
grown so accustomed that we don’t
give a shit how it
happened
and we really wouldn’t care if it didn’t because
we’ve been blinded, too.
And
then sitting back and trying to get used to it and
knowing
all along that there was nothing not a goddam
thing
we could do to make it stop but we didn’t try so
got
what we deserved and so did I and you and anyone else
still left to wonder what happened
years ago to make
things
go so wrong with everything that was supposed to
be so right.
Little
Lucifer started calling himself a god and nobody
stopped
him because he was a stupid son-of-a-bitch and a
joke
wearing a blue blazer with a crest on his pocket
that
looked like the Olympics where going to start at any
time
and people pounded the walls telling others to be
quiet
in a sign language mockery while they dropped coins
into slots to see just about
everything they needed
to
see without losing their minds; still it was too late
for them and most likely for all of
us.
And
there’s very little, little sense in crying over it
now or even thinking about it now
because in a
thousand
thousand years we won’t give a fuck and they
won’t give a fuck and no one
anywhere will cry or
care.
And
so we still sleep with our eyes closed and ignore
knocks
on the door if it’s after eleven.
PENITENT PENITENTIARY
Every
room’s a prison cell and some more so than others,
And
every man’s a criminal and every man has brothers
Who
trample into stately castles looking for a meal,
Or
simply looking, searching slowly, coming in to steal
Souls
from chair-bound passers-by reading books into the
night
Playing
foolishly, so foolishly their hands burn in the
candlelight.
Trying
desperately to be alone, unbothered anytime
That
they seal their windows and in so doing cannot
commit
a crime.
AWAY FROM HOME, EATING A CHEESEBURGER
I
saw her working at a fast food place, too much makeup
on
her face,
She
was no more than seventeen but brought to mind a
beauty
queen.
She
was sorting through the napkin stack (by the way, she
was
half white-half black)
Which
made me no difference (and that makes sense).
I’ve
gone away since (sure she’s found a prince),
But
still, I looked at her and she at me.
WOODCUTTING
The
angry buzz of chain saws swirl
through misty, dew-filled daybreak;
Tiny
bits of wood chips twirl
and fall in piles that saws make.
While
trees fall loudly into brush
leaving jagged stumps behind,
The
air is gone of morning’s hush;
Only children seem to mind.
And
afternoon is far away
When woodcutting is done,
Then
children enter there and play
Until the setting sun.
CONVERSATION WITH DOCTOR LUCIAS WONGSLEY
Little
time left for the rest of it;
Little
time left.
Old
friends call off dancing markers
And
take steps forward by the sound.
No
room for lofty promises
Or
lifting premises.
No
time for looking out;
No
time looking out.
Yesterday
calls from a deep, dark castle
And
is ignored.
Tomorrow
peeks around corners
And
comes in with the markers;
Makes
its face known in the passing of strangers,
And
time turns round backwards
And
lets it in.
DEATH TO THE DELUSIONS
“Death
to delusions!”
cried the tired, young woman.
“Death
to them all!” she barely whispered.
They rose as one, became rigid
With anticipation.
And
then she lay slain,
Or
so they thought,
In
her tattered white nightgown
one night last May.
And
they left by the front door,
went to their homes
in the city,
Feeling
no pity, feeling no shame.
The
tired, young woman
arose from her bed.
“Death
to delusions,” she said.
PHRASES OF DAYS AND DAYS
Once
a holiday
Came in March
And lasted a week,
But they stopped it.
Preparing
took time
Perhaps that is why
The holiday came and left
Or perhaps it was
killed.
There
was nothing to do
But count the lines on our faces,
Perhaps the meaning is blurred
Into blank phrases of
days and days.
SOUNDLESS SCREAMS ON THE PAVEMENT,
Mouths
open, voices strangled;
The
cold brings white fog from nostrils
And
it wafts over the pavement
And
heads for the sea
Where
breaking daylight
Brings
breezes. It vanishes
And reappears on the horizon
Mingling with the clouds of others
From around the world
Sounding like nails dropped
In a thousand empty wine glasses
From a wedding without guests.
Heady
incense burns without smoking
And
the stink of old tennis shoes rises
In
the distance
And
mingles horribly
With
the morning tide
Disappearing
in the wet sand
And opens its eyes to the day
Over gray shingled roofs
Past barely green branches
To the place where others go
In the drab underground
Of yesterday.
STOCK ANSWERS IN QUARTER TIME
Muffled
figures cloud the panes
And
take Tylenol to ease the headaches
From
too much night
And
dim light.
Unpleasant
odors rise from the grates in the sidewalk
And
overcome the scent of frying onions
Or
stale drink glasses
As
time passes.
One
part from this, one part from that
And
soon the image blurs the sight
Peacefully. Quite content
With
what was meant.
TAIL PIPE MANIFESTO WITH 30 WEIGHT OIL
Tired,
old tires
Meet
with weary weird roads.
Like
threads they thread their way
Down
roads they rode before
And
sing songs in song-song rhyme
Until
they’re there
To
take the talk
Of
miles and miles
From
one for one
To
the other.
TELEPHONE
A
wandering voice in the distance
Speaks
in middle class tongues
And
years for tomorrow
Or
the hope of today.
The
calls go both ways
And
the callers lie
To
each other and they
Talk
of the same things.
And
they keep a safe distance
On
the telephone lines
Never
knowing the future
But
wondering
In
dreams.
METAL GRAINED PORTRAIT IN CLAY
to avoid the coming desert
They
walked into the future
And
came out on one side called by
Two
high school girls. One on each arm,
They
gave up ten dollars,
and some of their lives
(They could afford it)
And
went to the house
for something to happen.
This
happened:
They
stayed for ten minutes.
They
thought it was nice.
They
thought it was normal.
They
were right of course,
But
sick.
EASILY LED, HARDLY A WORD
Always
wanting, never waiting,
Difficult
to end:
This is the song of the clock.
This is the song of the clock.
This is the key to the lock.
This is the song of the clock.
Darkness
gathers, lights go out,
Middle
of the day:
This
is the song of the clock.
This is the song of the clock.
This is the key to the lock.
This is the song of the clock.
It
was worth it, never caring,
Smoking
gun:
This
is the song of the clock.
This is the song of the clock.
This is the key to the lock.
This is the song of the clock.
Still
the same, cannot change,
Tomorrow:
This is the song of the clock.
IMAGERY
This
is not reality.
Reality has no images,
There are no smoking cartridges.
This
is mock senility.
Reality plays no game,
And cannot take the blame.
This
is the calamity.
Reality draws a deep breath,
And delivers us a quick death.
It draws on dreams at
night
And waits on shadows,
Sees in black and white
The way the night goes,
Waits outside all night
And fears the windows,
Dreams in black and
white
The way the wind blows.
This
is not reality.
Voices come from nowhere,
And usher in a cold stare.