CONTENTS
-Volume 1-
WORSHIP & THE WORD
Prelude & Call to Worship: “Come, my soul, thou must be waking” (F. von Canitz) 1
(The Prelude portion is for organ and wordless chorus;
CLICK HERE for the tune and text of the Call to Worship [at 1:12])
mp3 from midi (click to play in your default player; right-click to save)
Choral Preces: “O Lord, open Thou my lips: and my mouth shall show forth Thy praise.” (Psalm 51:15) 13

Hymn: Lead us, Good Shepherd (E. Lein) 14
Treated a theme and variations
CLICK HERE for more information
-- [the tune is used in Sunday Morning Overture]
Two-fold Amen 26
Confession: “Our help is in the name of the Lord” (Ps. 124:8, Ps. 32:5) 26
Amen (G major) 27
Gloria Patri 27
Glory be the the Father and to the Son and to the Holy Ghost.
As it was in the beginning, is now and ever shall be:
World without end. Amen.
“Blessed be God” and “Alleluia, Christ is Risen”
(The Book of Common Prayer) 28
Blessed be God, Father, Son and Holy Spirit, and blessed be His kingdom, Now and forever. Amen
Alleluia! Christ is risen! The Lord is risen indeed! Alleluia, Alleluia!
Kyrie 29
Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy upon_ us.
mp3 from midi (click to play in your default player; right-click to save)
Gloria in Excelsis 30
[CLICK HERE for vocal part]
mp3 from midi (click to play in your default player; right-click to save)
Salutation: “The Lord be with you” (Versions 1 & 2) 34
Amen (E major, no.1) 34
Prayer Response: “Grant this, O Father” 35
Scripture Preface or Response: “O send out Thy light” (Psalm 43:3) 44
Triple Halleluia 44
Hymn: “Savior, like a Shepherd lead us” (ascribed to D. Thrupp, v. 3 slightly alt.) 45
CLICK HERE for Tune & Texts
-- [the tune is used in Sunday Morning Overture]
Gospel Preface & Response: Gloria Tibi and Laus Tibi 51
-Volume 2-
OFFERTORY
Prayer: “Create in me a clean heart” (Psalm 51:10-12)52
CLICK HERE for Vocal Part
mp3 from midi (click to play in your default player; right-click to save)
Choral Antiphon: “The sacrifices of God” (Psalm 51:17) 54
CLICK HERE for Vocal Score
Antiphon: “O worship the Lord” (Psalm 96: 9a, 8b) 63
CLICK HERE for vocal score [at :28]
& Presentation Hymn: “We give Thee but Thine Own” (W.W. How) 64
CLICK HERE for vocal score [at :54]
Presentation Hymn (Alternate): “Accept as Thanks Our Humble Offering” (E. Lein) 65
CLICK HERE for full score
COMMUNION
Eucharistic Prayer: Preface, with Sursum Corda (“Lift up your hearts) 66
CLICK HERE for vocal score
Sanctus 67
CLICK HERE for partial vocal score
mp3 from midi (click to play in your default player; right-click to save)
Lord’s Prayer: “For Thine is the kingdom” 69
For Thine is the kingdom, and the power, and the glory forever [and ever]. Amen.
Agnus Dei (Choir) & Amen (Congregation & Choir) (with alternate endings, in E or G) 70
CLICK HERE for partial vocal score
mp3 from midi (click to play in your default player; right-click to save)
Hymn (for Choir, or Choir & Congregation): “Break Thou the Bread of Life” (M. Lathbury) 77
-- [the tune is used in Sunday Morning Overture
CLICK HERE for texts]
Anthem: “The Prayer” (J. Very) 79
mp3 from midi (click to play in your default player; right-click to save)
-- "The Prayer" for solo voice with violin and piano is based on this anthem -- follow the link for text with a score of the tune.
Thanksgiving Response (“... And his mercy endureth forever”), and Amen (E major, no.2) 96
Pax Domini Response (“... And with thy spirit”) 96

Hymn: “O Thou Who makest souls to shine” (J. Armstrong, alt. ) 97
mp3 from midi (click to play in your default player; right-click to save)
Salutation (“The Lord be with you”) and Benedicamus (“Let us bless the Lord”)
& Choral Benediction: “The Lord bless thee and keep thee” (Numbers 6:24-26) 100
CLICK HERE for vocal score
mp3 from midi (click to play in your default player; right-click to save)
-Notes-
This score represents an attempt to provide a complete (and ecumenical) setting of the “traditional” Protestant Communion service, recalling the language commonly used in hymnals and prayer books of the 1940s and 1950s, and earlier. It serves also as a collection of (mostly) independent pieces.
Despite the many texts shared among various Protestant denominations, the ordering of the parts of the service could not be completely reconciled. If performed as a whole, pieces should be reordered and omitted according to the tradition within each congregation, and it is suggested that texts not set herein be spoken. The Nunc Dimittis, frequently neglected (except in evening services) in many churches, is happily included here, as prescribed in the Lutheran “Order of the Holy Communion.”
A few of the pieces should not be performed together: one of the invocations from The Book of Common Prayer, either “Blessed be God” or “Alleluia, Christ is Risen,” should be sung instead of (not in addition to) the Gloria Patri, preceding the Kyrie. Likewise, the alternate presentation hymn, “Accept as Thanks Our Humble Offering,” should be used independently of “O Worship the Lord/ We give Thee but Thine Own.” And, before the final hymn, the Pax Domini response is intended as an alternate to the “Thanksgiving” response.
Much of the service music is transitory, beginning in one key and ending in another, usually in preparation for the prescribed music which will follow. For greater adaptability into other tonal contexts, two endings for the Agnus Dei are provided (the first cadences on E major, the second in G major).
If there is a female Celebrant (or Cantor), the “Cantor” versicles may be performed by her an octave higher than written. In the “unison” congregational passages, the men should sing in their own octave.
Unless otherwise indicated, the phrasing of the organ part generally should be legato, and correspond with the phrasing of the sung text. Organ registrations, when provided, are intended as suggestions, not mandates. When appropriate, the organist is encouraged to improvise on the hymns, or other tunes included.
Some selections from
Sunday Morning include optional instrumental parts (brass, timpani, percussion, harp, and/or piano), available separately.Jacksonville, Florida
November 2, 1997
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