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Music of the Baroque on Period Instruments |
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2008-2009 Season: Music for Colonists, Patriots, and Presidents Part of the Princeton 1783 Celebration The Birds and the Bees: Nature and Music in 18th Century Europe April 18, 2009 (Moved to Fall, 2009)
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February 28, 2009 Pre-concert talk at 7:30 pm; Concert at 8:00 pm Unitarian Church of Princeton The Birds and the Bees: Nature and Music in 18th Century Europe Laura Heimes, soprano Donna Fournier, viola da gamba Janet Palumbo, harpsichord John Burkhalter, recorder with guest artist Elissa Wagman, baroque violin
Join us for concert featuring 17th and 18 century chamber music inspired by nature. Soprano
Laura Heimes will be featured in two very different cantatas.
Clerambault’s L’amour
piqué par une abeille (Love stung by a bee) is a classic example of
the French baroque secular cantata, with an amorous text set to virtuosic
music. The
Stocking, by the English composer Stokes, is an 18th century parody of
pastoral cantatas; while the music is as charming and elegant as the
“real thing,” the text mocks the literary conventions of the day.
This surprising work is made available to the ensemble by the Roan-Burkhalter
collection of rare 18th century musical prints.
Violinist and former Princeton resident Elissa Wagman will be
featured in the Sonata
representativa by the 17th century German composer Heinrich
Ignaz von Biber. A work of
stunning virtuosity, this sonata for violin and continuo “represents”
several different animals, including the nightingale, the cuckoo, the
frog, and the cat. Janet
Palumbo will perform Rameau’s Harpsichord Suite in E, which includes Le
Rappel des oiseaux (The call of the birds) as well as Rameau’s
famous Tambourin. John
Burkhalter will play selections from The
Bird Fancyer’s Delight, a collection of flute and recorder pieces in
imitation of the songs of various birds, published in London around 1730.
A pre-concert talk—“The Call of the Wild, or Enduring Lines”—by
John Burkhalter will examine the role of the naturalist in the Age of
Enlightenment and the relationship between nature and the arts.
PROGRAM: Biber
Sonata representativa Clerambault
L’amour piqué par une abeille (Love stung by a bee) Rameau Harpsichord Suite in G Couperin
Le Rossignol en amour (The Nightingale in love)
Selections from The Bird
Fancyer’s Delight Oswald
“The Hawthorn” from his Airs
for the Seasons Stokes
The Stocking
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