The *Unofficial* Iris DeMent FAQ
Version 3.8
Last updated on
February 13, 2002
Originally Compiled by Steve
Figueroa
Thanks Steve!
"I write what I know, my hopes and dreams and disappointments,
and just try to be as honest about it as I can be" - Iris DeMent
* A note: This FAQ appeared on Iris'
"official" website Steve's site at -- www.irisdement.com
for some time. The groundwork for it was done by Steve using interviews,
liner notes, etc. I'll continue to call it
"unofficial" as I take over maintaining it. While I'll continue to
strive for accuracy as Steve did, please take all you read herein
with a grain of salt.
INDEX
I. BACKGROUND
- Who is Iris DeMent?
II. RECORDINGS
- What albums are available?
- Has she released any CD singles?
- What other albums does she appear on?
III. PERSONAL
- Where and when was Iris born?
- Who are her parents?
- Does Iris have any brothers and sisters?
- Where does Iris live now?
- Is Iris married?
- There are quite a few religious references in Iris' lyrics; what faith is she?
- How did she come to be a professional singer-songwriter?
IV. IRIS' ASSOCIATIONS WITH
OTHER ARTISTS
- What musicians have influenced Iris?
- Which musicians are Iris associated with today?
- What is Iris' relationship with Merle Haggard?
- Have any other artists covered Iris' songs?
- Who are The Troublemakers?
V. STORIES BEHIND THE SONGS
- Our Town
- These Hills
- Sweet Forgiveness
- After You're Gone
- When Love Was Young
- Mama's Opry
- This Kind of Happy
- Trouble
- There's a Wall in Washington
- When My Morning Comes Around
- Letter to Mom
- Wasteland of the Free
- I'll Take my Sorrow Straight
- God May Forgive You (But I Won't)
VI. OTHER INFORMATION
- Is there an Iris DeMent Fan Club?
- The Goo Goo Dolls have a song called `Iris', coincidence?
- What other sources of info are there?
I. BACKGROUND
1. Who is Iris DeMent?
Some would say that Iris is a performing singer-songwriter and others, a folk singer.
Still others would label her a country singer, but Iris defies labels and so does her
music. She is a uniquely talented musician with an ability to write wonderful songs and
deliver them with the kind of pure honesty that has been sadly lacking in modern music of
any genre.
II. RECORDINGS
1. What albums are available?
INFAMOUS ANGEL: originally released January 16, 1992 on Philo/Rounder and then
re-released on May 25, 1993 on Warner Brothers Records
MY LIFE: released April 12, 1994 on Warner Brothers Records
THE WAY I SHOULD: released October 8, 1996 on Warner Brothers Records
(originally scheduled for August 27, but it was delayed for artwork changes)
2. Has she released any CD singles?
Yes... but good luck trying to find 'em! They are as follows:
OUR TOWN (WEA Intl. Inc.; WO194CD 9362-41030-2; 1993, Germany)
Our Town (album version)
God May Forgive You (But I Won't) (by Harlan Howard/Bobby Braddock)
Heart's Highway (by Eddie Miller/Alice Harper)
SWEET IS THE MELODY (WEA Intl. Inc.; WO248CD 9362-41580-2; 1994, Germany)
Sweet is the Melody (album version)
French Boy (a.k.a. Je Besoin de Mon Garçon Français)
Keep on the Sunny Side (by A.P. Carter of The Carter Family)
(note: tracks 2 & 3 were recorded live at The Diamond Circle
Theatre, Durango, Colorado 2/12/94)
WASTELAND OF THE FREE (WEA Intl. Inc.; WO392CD 9362-43835-2; 1997, Germany)
Wasteland of the Free (edit, 4:05)
The Way I Should (album version)
Letter to Mom (album version)
Wasteland of the Free (album version)
3. What other albums does she appear on?
Here's a list of some of the guest appearances Iris has made on other artist's albums
and compilations; Words in [brackets] indicate her contribution to the song, otherwise
she's the primary artist heard on the track
Jann Browne (1990): TELL ME WHY
(WEA/Atlantic/Curb Records)
Lovebird [Harmony Vocals]
Emmylou Harris (1990): BRAND NEW DANCE
(WEA/Warner Brothers)
Wheels of Love [Harmony Vocals]
Brand New Dance [Harmony Vocals]
Jann Browne (1991): IT ONLY HURTS WHEN I LAUGH
song(s)? [Backing Vocals]
Nanci Griffith (1993): OTHER VOICES, OTHER ROOMS
(WEA/Elektra)
Ten Degrees and Getting Colder [Harmony Vocals]
Are You Tired of Me My Darling [Harmony Vocals]
Tom Paxton (1994): WEARING THE TIME
(Sugar Hill Records)
Along the Verdigris [Backing Vocals]
Various Artists (1994): BEST OF MOUNTAIN STAGE LIVE, VOL. 6
(Blue Plate Records; Other artist include Bruce Hornsby, Cracker, R.E.M., Nanci Griffith,
Me Phi Me, Jeffrey Gaines, Paul Brady, Barenaked Ladies, Col. Bruce Hampton and The
Aquarium Rescue Unit)
After You're Gone (live)
Various Artists (1994): TULARE DUST: A SONGWRITER'S TRIBUTE TO MERLE HAGGARD
(WEA/Atlantic/Rhino/Hightone; Other artists include Joe Ely, Lucinda Williams, Marshall
Crenshaw, Peter Case, Dwight Yoakam Tom Russell, Robert Earl Keen & The Sunshine Boys,
Rosie Flores, Barrence Whitfield, Billy Joe Shaver, Katy Moffatt, John Doe, Dave Alvin and
Steve Young)
Big City
Merle Haggard (1996): 1996
(WEA/Atlantic/Curb Records)
No Time to Cry [Piano]
John McCutcheon (1997): SPROUT WINGS & FLY
(Rounder Records)
(The Carter Family's) Over the Garden Wall [Harmony Vocals]
Various Artists (1997): FOLK LIVE FROM MOUNTAIN STAGE
(Blue Plate Records; Other artists include Richard Thompson, The Nitty Gritty Dirt Band,
Richie Havens, John Hartford, Taj Mahal, Delevantes, Steve Forbert, Bill Morrissey, Cheryl
Wheeler and Holly Near)
Sweet is the Melody (live)
Various Artists (1997): THE SONGS OF JIMMIE RODGERS: A TRIBUTE
(Sony/Egyptian Records; A great collection of artists contribute to to this album in honor
of the "The Singing Brakeman", Jimmie Rodgers; Iris appears along with Bono,
Alison Krauss, Bob Dylan, Mary Chapin Carpenter, Dickie Betts, David Ball, Steve Earle,
Aaron Neville, Van Morrison, John Mellencamp, Jerry Garcia, Willie Nelson and Dwight
Yoakam)
Hobo Bill's Last Ride
Tom Russell (1997): THE LONG WAY AROUND
(WEA/Atlantic/Rhino/Hightone; This album features Tom performing with the likes of Nanci
Griffith, Dave Alvin, Katy Moffatt, Jimmie Dale Gilmore and, of course, Iris)
Big Water [Duet]
Box of Visions [Duet]
Various Artists (1997): KSGR BROADCASTS VOL. 5
(A double-CD benefit album put out by an Austin, TX radio station)
Let the Mystery Be (recorded live at KSGR on February 25, 1997)
The Beautiful South (1997): "LIAR'S BAR" CD SINGLE
(A&M/GO! Discs Ltd; Live recording taken from the British television show "Later
With Jools Holland"; The Beautiful South were the featured artist of the evening and
Iris was one of several guests)
You've Done Nothing Wrong [Harmony vocals, lead vocal provided by the
band's female singer]
Various Artists (1997): WOMEN IN COUNTRY
(The Hit Label Ltd., released in the UK; a compilation of album tracks by various female
artists)
I'll Take My Sorrow Straight (note: same as album version)
Various Artists (1997): IN THE COUNTRY OF COUNTRY: PEOPLE AND PLACES IN AMERICAN
MUSIC
(Compass Records; companion CD to the book of the same title)
Easy's Gettin' Harder Every Day (note: same as album version)
Various Artists (1998): UPROOTED: THE BEST OF ROOTS COUNTRY SINGER-SONGWRITERS
(Shanachie; Iris' contribution comes from the Tom Russell album "The Long Way
Around", see the above entry; Other artists on this album include Robbie Fulks, Dale
Watson, Don Walser and Kelly Willis)
Box of Visions [Duet with Tom Russell (see above)]
Various Artists (1998): THE HORSE WHISPERER: SONGS FROM AND INSPIRED BY THE MOTION
PICTURE
(MCA Nashville; Other artists include Gillian Welch, Emmylou Harris, The Flatlanders,
Lucinda Williams, Allison Moorer, Dwight Yoakam, The Mavericks, Don Walser, Steve Earle,
Don Edwards and George Strait)
Whispering Pines
Various Artists (1998): THE FOLKSCENE COLLECTION: FROM THE HEART OF STUDIO A
(This album is available through Red House Records (P.O. Box 4044, St. Paul, MN; CAT#
55104 (RHR CD 109). Other artists include of David Wilcox, Dave Alvin, Lowen &
Navarro, Kate & Anna McGarrigle, Bruce Cockburn, Dar Williams, Dillon O'Brian, Maura
O'Connell, John Gorka, Tish Hinojosa, Richard Thompson and Mary Black)
Our Town (live in KPFK Studios)
Jeff Black (1998): BIRMINGHAM ROAD
(BMG/Arista)
Uniontown [Backing vocals]
Ghosts in the Graveyard [Backing vocals]
Randy Scruggs (1998): CROWN OF JEWELS
(WEA/Warner Brothers; An amazing array of artists join Randy including Travis Tritt,
Emmylou Harris, Bruce Hornsby, John Prine, John Hiatt, Matraca Berg, Amy Grant, Vince
Gill, Joan Osborne, Trisha Yearwood, Lee Roy Parnell, Rosanne Cash, Sam Bush, Mary Chapin
Carpenter, Gary Chapman, Jerry Douglas, Stuart Duncan, Jeff Hanna, Delbert McClinton,
Roger McGuinn, Tammy Rogers, Earl Scruggs, Harry Stinson and Marty Stuart)
Wildwood Flower [Duet with Emmylou Harris]
City of New Orleans [Backing vocals]
Solas (1998): THE WORDS THAT REMAIN
(Shanachie)
Song of Choice [Duet]
Various Artists (1998): REAL: THE TOM T. HALL PROJECT
(Warner Brothers; Other artists include Johnny Cash, Kelly Willis, Richard Buckner, R.B.
Morris, Freedy Johnston, Jonny Polonsky, Ron Sexsmith, Calexico, Syd Straw & The
Skeletons, Joel R.L. Phelps, Joe Henry, Ralph Stanley featuring Ralph Stanley II, The Mary
Janes, Mary Cutrufello, Whiskeytown, and Mark Olson with Victoria Williams)
I Miss a Lot of Trains
Steve Earle & The Del McCoury Band (1999): THE MOUNTAIN
(E-Squared Records; Other artists include Gillian Welch, Emmylou Harris, Cowboy Jack
Clement, Sam Bush, Gene Wooten, Jerry Douglas, Tim O'Brien, Stuart Duncan, Marty Stuart,
David Ferguson and Kathy Chiavola)
I'm Still in Love With You [Duet with Steve Earle]
Tom Russell (1999): THE MAN FROM GOD KNOWS WHERE
(Hightone Records)
Wayfarin' Stranger
Patrick Russell [Duet with Tom Russell]
Ambrose Larsen [Duet with Sondre Bratland]
Acres of Corn
The Old Rugged Cross [Duet with Kari Bremnes]
When Irish Girls Grow Up [Duet with Dolores Keane]
Throwin' Horseshoes at The Moon [Duet with Tom Russell]
Wayfarin' Stranger (revisited)
Love Abides [Duet with Tom Russell]
Various Artists (1999): BLEECKER STREET: GREENWICH VILLAGE IN THE '60s
(Astor Place; Other artists include Jonatha Brooke, Marshall Crenshaw, Chrissie Hynde,
Curtis Stigers, Ron Sexsmith, Jules Shear, Suzzy & Maggie Roche, Patty Larkin, Cry Cry
Cry, John Cale & Suzanne Vega, John Gorka, Larry Kirwin & Black 47, Beth Nielsen
Chapman, Paul Brady)
Pack Up Your Sorrows [Duet with Loudon Wainwright III]
John Prine (1999): IN SPITE OF OURSELVES
(Oh Boy! Records; this album features John doing duets with Iris, Emmylou Harris, Lucinda
Williams, Trisha Yearwood, Connie Smith, Melba Montgomery, Patty Loveless, Dolores Keane
and Fiona Prine)
We're Not the Jet Set [Duet]
Let's Invite Them Over [Duet]
We Could [Duet]
In Spite of Ourselves [Duet]
Delbert McClinton (2001): NOTHING PERSONAL
(New West Records)
Birmingham Tonight [Harmony Vocal]
Soundtrack (2001): SONGCATCHER
(Vanguard Records; other artists include Emmylou Harris, Gillian Welch, David Rawlings,
Maria McKee, Roseanne Cash, Emmy Rossum, Allison Moorer, Dolly Parton, Hazel Dickens,
David Mansfield, Pat Carroll, Sara Evans, Deana Carter, Patty Loveless, Julie Miller)
Pretty Saro
Keith Sykes (2001): DON'T COUNT US OUT
(Syren Records; other guests include John Prine, Todd Snider, Rodney Crowell and Susan
Marshall)
It's Just You [Duet]
Lavender Blue [Duet]
Ralph Stanley (2001): CLINCH MOUNTAIN SWEETHEARTS
(Rebel Records; Also appearing are Gillian Welch, Pam Tillis, Dolly Parton, Maria Muldaur,
Joan Baez, Sara Evans, Patty Mitchell, Chely Wright, Melba Montgomery, Jeannie Seely,
Lucinda Williams, Gail Davies, Kristi Stanley and Valerie Smith)
Ridin' That Midnight Train [Duet]
Trust Each Other [Duet]
III. PERSONAL
1. Where and when was Iris born?
Iris Luella DeMent was born in Paragould, Arkansas (a small town just west of the
Missouri bootheel) on January 5, 1961. Her family had been farmers for generations but
soon after Iris was born the farm hit hard times forcing the family to sell it and move
into town. Then, in 1964, her family relocated to Long Beach, California and then Buena
Park (suburbs of Los Angeles) where her father took work as a janitor at The Movieland Wax
Museum and where Iris attended school.
Source of information: Contemporary Musicians Volume 13
December 1994 (article by Megan Rubiner Zinn) and the liner notes from "Infamous
Angel"
"After we moved to California, I remember having a sense of us not really
fitting in," recalls DeMent. "I was very intrigued by my own parents, because I
knew they were different from other adults in our neighborhood. I was interested in where
they came from and what made them the way they were.
"I guess making this kind of music makes me feel safer in the world somehow,
and helps me get a better sense of where I came from."
Source of quotes: The Detroit News 1/25/96;
Slick-Fingered Chet Atkins and Rootsy Newcomer Iris DeMent (article by Kevin Ransom)
"We lived in a housing tract," she said. "We didn't have a city or a
section of tall buildings, but it was heavily populated with houses lined up against each
other, which was very unlike where my family came from."
"I didn't see myself musically" she said. "I left the church and
dropped out of school when I was seventeen, but I didn't pursue it. I had other jobs and
did non-musical things. I'd come home at night and play the piano, singing for
myself."
Source of quotes: @Country, February 1997 (article by
Craig Harris)
2. Who are her parents?
Iris' father, Patric Shaw DeMent, was a major inspiration for the material on the album
My Life, which Iris dedicated to his memory after his death in 1992. Her mother, Flora Mae
DeMent, can be heard providing lead vocal on the song `Higher Ground' from "Infamous
Angel".
"My mom was in her late 40's and my dad was 56 when we moved to
California," she said. "They were pretty much who they were. They were
determined to continue being who they were. They worked really hard to keep everything in
the home the way it had been before. They took us to churches that were full of a lot of
Arkansas and Oklahoma transplants. The minister was from the same town that we were from.
I felt like I got a good dose of both worlds".
Source of quotes: @Country, February 1997 (article by
Craig Harris)
3. Does Iris have any brothers and sisters?
That's an understatement! Iris is the youngest of 14 children (7 boys and 7 girls). Her
brothers and sisters all played piano and sang and her older sisters performed in a
singing trio as The DeMent Sisters.
"My sister Faith played the accordion and wrote some of the songs that they
did," she remembered. "They formed this group when they were in junior high and
high school. They started out singing just for the church, [then] they got matching
dresses and started going out and singing at Marine bases. There was a country, Christian
singer that had them sing some backup for him on two of his records. They weren't famous
or anything, but considering that they were kids, they had pretty much developed their
sound and were doing their own songs and traveling around a little bit singing them".
Source of quotes: @Country, February 1997 (article by
Craig Harris)
4. Where does Iris live now?
Gladstone, Missouri (just north of Kansas City)
5. Is Iris married?
Iris married her long-time boyfriend Elmer McCall on November 16th, 1991 (they met
while she was waitressing in a pizza parlor). Elmer is a former firefighter who worked as
Iris' manager while they were married and collaborated with her on `Trouble' and `I'll
Take My Sorrow Straight' (from "The Way I Should"). They divorced in the
summer of 1999.
6. There are quite a few religious references in Iris' lyrics; what faith is she?
"I grew up in Assemblies of God. We would go at least three times a week,
sometimes every night of the week."
"One day the preacher drove up in a Cadillac. I was about seventh grade, and
bells started going off in my head. I know that Jesus didn't drive around in a nice car.
Of course, they all try to rationalize that away. But it's a fact, whether Pat Robertson
wants to talk about it or not, that the Christians of today do not much resemble the
person they claim to be patterning themselves after," DeMent asserted. "As much
as I loved being part of the church ... I didn't believe all the things they were telling
me."
Source of quotes: The Michigan Daily, 1996: Plain But
Not Simple (article by Jennifer Buckley)
Iris' decision [to leave the church at age 16] came to a head over a pair of nylons:
"The minister said the rules were that I had to wear nylons or leave the church
choir. I knew there was no rule in the Bible about nylons. I realized that meant it was
all right for the minister to think for himself and make up new rules, but it wasn't all
right for me to do the same. But he had the power and my choice was to abide or leave the
choir. I left".
Source of quote: bio on Iris from The Old Settler's
Bluegrass Festival website
"Even though I don't go to those churches anymore, I don't think I can ever
separate myself musically from those churches," she says. "I was three days old
when I went to my first church service, and the churches we went to had a lot of really
great music - really soulful, sincere singing.
"That's pretty much what I was submerged in most of my life, even though today
I'm not a Christian.... From what I remember from church, being a Christian means that you
believe that people have to believe that Jesus is the only way to get to a better place.
For a long time I did call myself a Christian, even though I didn't go to a church. But
then I realized that that belief is really at the crux of Christianity - that the
foundation of Christianity is to make everybody become like them, because if they don't
become like them, they are doomed to burn in hell forever and ever and ever. That's
basically what Christianity is all about. I simply do not believe that, and I can't
believe that, and as hard as it is for me to say, I'm not a Christian."
Source of quotes: No Depression #6, Nov./Dec. 1996;
Homespun of the Brave (article by David Cantwell)
7. How did she come to be a professional singer-songwriter?
"I've always wanted to write songs," she said recently. "As I got to
be a teenager, I wanted to write them even more, but for some reason I just couldn't. I
would feel really intimidated by other people who were able to do it, and to do it well. I
could never imagine myself being able to come anywhere near that.
"I'd sit and write a line and I would compare it to somebody else's and decide
it was no good. As much as I wanted to write, I never got past a line or two".
Source of quote: The Michigan Daily, 1996: Plain But Not
Simple (article by Jennifer Buckley)
Iris dropped out of school at 17 (she has a G.E.D.) After leaving home, she moved to
Topeka, Kansas where a creative-writing course at Washburn College course rekindled her
desire to write music, something she remembers doing as early as age 5.
"I suddenly realized that I had become pretty unhappy, and that I wasn't
enjoying any of these other things that I was trying to do," she said. "I made a
conscious decision to stop running from the thing that I loved and just do it. Even if
nobody liked it, even if it got me nowhere, even if everybody laughed at my songs, I was
going to write them and I was going to go out to sing them."
"That class did a lot to stimulate me creatively, and had a lot to do with why
I went into writing songs," she recalled. "The teacher was really good. She
didn't dwell on your structure or your misspellings, even though she would point that out.
But if you had a good creative idea, she would get really excited. She seemed to truly
enjoy that when a student would find things. I thrived on that."
A few months after the class met for the last time, DeMent wrote her first song.
"I sat down one day and decided that I wanted to write a song," she said.
"I decided to stop worrying about everybody else and what they would think about it
and write for me. After one, you write songs forever. For some reason, that day, I managed
to get a verse and chorus and another verse. It was just amazing. For somebody who could
never write more than one line, I was in heaven. I just kept going from there".
Source of quote: @Country, February 1997 (article by
Craig Harris)
She was 25.
"It was kind of late to start writing, but it was the time for me," DeMent
said. "I had to have some life experiences to help me get to that place where I
realized that the right person to be was the person that I was. When I decided that, when
I decided to pursue the thing I loved, was when I started being able to write."
Source of quote: The Michigan Daily, 1996: Plain But Not
Simple (article by Jennifer Buckley)
She began writing songs in her head because she didn't have a piano and then she
borrowed her brother’s guitar and taught herself to play. Her first full-fledged song
was "Our Town," inspired by a drive through a deserted Oklahoma town.
Soon, Iris decided to leave Topeka for Kansas City, Missouri.
I had no real reason to move from Topeka to Kansas City, except that I liked it. I
didn't want to go back to California, and it was closer to Nashville.
Source of quote: liner notes for "Infamous
Angel", Kansas City, 199
For 2 years she participated in "open mic" nights and talent shows. After
deciding to seriously pursue a songwriting career, DeMent relocated again to Nashville
where she met songwriter Gene Levine (Nanci Griffith's `Once in a Very Blue Moon').
Levine advised her to send a demo to producer Jim Rooney who in turn brought her to the
attention of a Rounder/Philo executive and she was quickly signed to a recording contract.
Rooney, who was instrumental in advancing the career of Nanci Griffith, produced her
debut album, "Infamous Angel". In early 1993, Warner's London A&R chief Andy
Wickham played "Infamous Angel" for Warner Bros. President Lenny Waronker who
knew by the end of the first track, `Let the Mystery Be’ that he wanted to sign her.
After securing a record contract, Iris left Nashville for good.
"I liked Nashville. I was happy there. At the same time I was happy to
go," she admitted. "For me, I thought it was a little stifling, being in a
community where every other person -- well, probably more than that -- was either a
songwriter or a singer or involved in the music business. It made me a little
claustrophobic."
"The reason I went there was I wanted to make records and I wanted to find
someone that would help me do that. Once I found somebody willing to do that, I decided to
come home to Kansas City, which is where my boyfriend was."
Almost immediately, letters from appreciative fans began arriving in DeMent's
mailbox. No one was more surprised than Iris herself.
"The weirdest thing ... was to have somebody from clear across the country that
you've never met writing you a letter about your song, and what it said to them and what
it did for them, and meant to them. That was when the shock started hitting me.
"These things, that I'd created in my house, with nobody abound, can actually
go out and affect people clear around the world. That's a very satisfying sort of
experience to have," said DeMent.
Source of quotes: The Michigan Daily, 1996: Plain But
Not Simple (article by Jennifer Buckley)
IV. IRIS' ASSOCIATIONS
WITH OTHER ARTISTS
1. What musicians have influenced Iris?
The Carter Family & Jimmie Rodgers
"I didn't actually discover their records until I grew up," reminisces
DeMent. "But the songs sounded vaguely familiar to me. One day, I played them for my
mom. She hadn't heard those records in 40 years, but she sang along, word for word. That's
when I remembered her singing those songs around the house when I was a girl."
Source of quote: The Detroit News 1/25/96;
Slick-Fingered Chet Atkins and Rootsy Newcomer Iris DeMent (article by Kevin Ransom)
Loretta Lynn
The first record DeMent remembers ever hearing was one of her mom's Loretta Lynn
albums. "I loved that record," she recalled. "It's the first album I
memorized from front to back.... A number of the songs [Lynn] wrote, but it was all gospel
hymns. I don't know the name of it, I think it was just like "Loretta Lynn Sings
Gospel Hymns". She's got long red hair on the cover and a yellow lacy dress. That's
probably why I liked the album so much as a kid. She looked really, really pretty on
there."
Source of quote: No Depression #6, Nov./Dec. 1996;
Homespun of the Brave (article by David Cantwell)
Earl Scruggs
Earl provides his distinctive banjo picking on Iris' album "The Way I Should".
Iris once told a story about being invited to his house for dinner, the only problem being
that she didn't have the directions. But one of the fringe benefits (or curses) of being a
living legend in Nashville is that you're never hard to find. Iris merely pulled out her
copy of "Nashville Map of the Stars" and arrived on schedule.
"From the time I was a kid, I always knew his name," she said. "My
parents were big fans of Flatt and Scruggs. It was thrilling to actually meet him and to
sit in a room and watch him play his banjo. That was the highlight of the whole record.
He's one of the nicest, warmest men I've probably ever met".
Source of quote: @Country, February 1997 (article by
Craig Harris)
Amongst others, Iris has also sited Johnny Cash, Joni Mitchell, Bob Dylan, Aretha
Franklin and Tom T. Hall as influences, but her strongest musical influences were also her
earliest, her family....
"There was constant music in the house," DeMent recalled. "Everybody
in my family was involved in music in some way. All of my sisters sang and played piano
and some played the guitar too. My brother, who lived at home, played guitar and wrote
songs. It was his dream to be a country singer. My first recollections are the piano
banging all the time, records playing, my mother singing and my brother walking around the
house with a guitar slung over his shoulders."
Source of quote: @Country, February 1997 (article by
Craig Harris)
...and Gospel Music.
"It's the one form of music that was consistently in my world from the
beginning," she said. "I still sing those songs. I don't think I could separate
what I do from that type of music, even on this record, even though it's plugged-in and
has certain rock influences on some songs. Lyrically and in terms of what I try to do
musically, there's no separating me from that. I still aim with my music for the response
that those church songs evoked in my family and myself and the people around me".
Source of quote: @Country, February 1997 (article by
Craig Harris)
"The thing I picked up on as a kid, and that I still sense in those older
gospel songs, is just a lot of sincerity. People had struggles, they had a lot of
problems. Most of the people who wrote those songs came from poorer settings where they
were really struggling with life, and you hear that in the songs. That's the quality in
them I'm drawn to not the religious dogma. It's just that sense you can get from them that
they were written for the right reasons.
Source of quote: No Depression #6, Nov./Dec. 1996;
Homespun of the Brave (article by David Cantwell)
2. Which musicians are Iris associated with today?
Steve Earle
Iris has opened for Steve and performs with him on the duet `I'm Still in Love With You'
from the Steve Earle/Del McCoury Band album "The Mountain"; Steve had this to
say about Iris:
Merle Haggard says Iris DeMent is one of the "best damn singers" he's ever
heard. I agree. She's also one of the best songwriters I know. I was standing in the
audience at a festival in Australia last year listening to Iris sing and I decided right
then and there I was going to write something for us to sing together. My obsessions are
becoming more practical in my old age.
Source of quote: SteveEarle.net January 1999 (prior to
the release of "The Mountain")
Nanci Griffith
"She's great. I went out with her for six weeks in, I guess, 1993; I opened her
American tour for Other Voices, Other Rooms. She was just really nice to me. She helped me
a lot; I'm sure there are a lot of people who know of me as a result of those shows".
Source of quote: transcript from an interview conducted
in March of 1997 by John Hoppenthaler in Palm Beach, Florida.
Emmylou Harris
Emmylou has performed with Iris on several occasions and provides harmony vocals on
`Mama's Opry'. She had this to say about Iris:
"Her voice is extraordinary, there's nobody like her," country singer Emmylou
Harris effused in the Chicago Tribune. "There's such a homogeneous sound on radio
today, it's almost a shock to hear something so immediately identifiable and unique".
Source of quote: Contemporary Musicians Volume 13
December 1994 (article by Megan Rubiner Zinn)
John Prine
Contributed some of the liner-note information for "Infamous Angel" (prior to
even meeting her) and has had Iris for an opening act; Iris has often covered John's song
`Mexican Home' in concert.
"...Iris DeMent's songs talk. They talk about isolated memories of life,
love and living. And Iris has a voice I like a whole lot, like one you've heard
before but not really. So listen to this music, this Iris DeMent. It's good
for you.
Source of quote: "Infamous Angel" liner notes
Tom Russell
Iris has appeared on two of Tom's albums: on "The Long Way Around" (1997) she
provides duet vocals for two songs and on "The Man from God Knows Where" (1999)
she is featured extensively on several songs, both in lead and supporting vocal roles.
Randy Scruggs (son of Earl Scruggs and producer of "The Way I Should")
"I spent a long time thinking about who I was going to work with," DeMent
said. "That's not an easy thing for me. I've always gone on intuition. When I met Jim
Rooney, who produced my first two records, I felt right with him. I felt comfortable. I
chose Randy for the same reason. It felt right. I felt that he understood my music. He
cared about it and he had his own vision as well."
Source of quote: @Country, February 1997 (article by
Craig Harris)
Others
Iris has opened for Mary Chapin Carpenter. Robin and Linda Williams make a guest
appearance on backing vocals for `The Shores of Jordan'.
"The Way I Should" is filled with many notable musicians including Dire
Straits' guitarist Mark Knopfler, long-time Mary Chapin Carpenter collaborator John
Jennings, former Allman Brothers and recent Rolling Stones touring keyboardist Chuck
Leavell and Steuart Smith (guitarist for Rosanne Cash and Rodney Crowell). Also
appearing are Delbert McClinton, one-time Stevie Ray Vaughan collaborator Lonnie Mack and
former Fleetwood Mac/Mick Fleetwood's Zoo members Billy Burnette and Bekka Bramlett.
3. What is Iris' relationship with Merle Haggard?
Iris met Merle shortly after recording `Big City' for the album "Tulare Dust: A
Songwriters' Tribute To Merle Haggard". Until then he had never heard of her, but was
apparently so taken with her performance on the track that he went out and bought both of
her (then) available albums. After hearing them he called her up to personally
congratulate her. In that same conversation, he also honoured her by asking permission to
record `No Time to Cry'.
It's not every day that Merle goes so overboard for another musician, in fact Iris is
pretty much the only performer to come out in the 1990's that he has so wholeheartedly
endorsed. He asked if she would like to play piano on the album which the cover appears
(entitled "1996") and she even spent a short time on tour with Merle playing an
electric keyboard.
"It wasn't so much that he needed a piano player, or that I'm such a great
piano player. It's more that he knew that I admire him a lot and I think he knew that I
could benefit from being around a group of people like that, which is mainly why I went.
And I definitely did. It was really neat to watch somebody who I'd idolized and in a lot
of ways even patterned myself after. Not exactly, but in certain aspects for sure. To be
around him and that band, I learned a lot. It was really inspiring.
Source of quote: transcript from an interview conducted
in March of 1997 by John Hoppenthaler in Palm Beach, Florida.
Merle had this to say about Iris:
My favorite cut on "Tulare Dust" is `Big City' with Iris DeMent. I think
she is one of the greatest singers I have ever heard in my life. I heard her on my
tribute, went out and bought what was available, which was two albums. Found out she's a
new artist and she can't get played because she's too goddamned good. She's got too much
to say, songs mean too much. They make too much sense. There's not the same line dance
tempo going on. If I hear another line dance song I think I'm going to puke.
Source of quote: Q & A With Merle Haggard (article
by Joel Selvin)
4. Have any other artists covered Iris' songs?
10,000 Maniacs were joined by former Talking Head leader David Byrne and performed `Let
The Mystery Be' in their 1993 appearance on MTV Unplugged (marking, in all likelihood, the
only exposure Iris will ever receive on mTV...). Merle Haggard performed her song
`No Time To Cry' on his album "1996" with Iris providing the piano
accompaniment.
"The first song [of mine] I heard was Natalie and David Byrne and I liked it a
lot," she said. "I thought it sounded pretty cool. I can't say that I've ever
heard Merle doing anything that I didn't approve of. So, naturally, when he did something
of mine, it was a double treat. He did a really good job with the song. I liked it a
lot."
Source of quote: @Country, February 1997 (article by
Craig Harris)
The traditional folk duo of Jody Stecher & Kate Brislin recorded `Our Town' and
even named the album that it appears on "Our Town"! The album is available
through Rounder Records and was originally released on 5/1/93.
Rhythm Roundup (based in Vancouver, BC Canada) recorded `Let the Mystery Be' for their
album "Ridin' the Range" on Lynn Valley Records. Ordering information
available at http://www.festival.bc.ca/roundup/.
British singer Kate Rusby recorded `Our Town' for her 1999 release
"Sleepless" (Pure Records PRCD06).
5. Who are the Troublemakers?
The Troublemakers were Iris' backing band for much of the tour that supported "The
Way I Should". They are Richard McLaurin (of the band Farmer not so John) on
guitar, Fran Breen on drums and Don Johnson on bass.
V. STORIES BEHIND THE SONGS
"There's much more potential to get your feelings hurt when it's a personal
song," DeMent says. "But the rewards are greater. When I sing something from my
own life and somebody tells me they understood it and got something out of it, it's a very
good feeling. The risks are big and the rewards are big".
Source of quote: Austin City Limits Online, 1995
1. Our Town
`Our Town' was Iris' first full-fledged composition.
"I was taking a trip down to Oklahoma to see my brother. At about six o'clock
at night or a little later, I was driving along and I just saw this town where it just
seemed like there were no people there. It had everything else but people. I started
wondering what happened to all those people. That idea stuck with me and when I got back I
started imagining this lady who might have lived there".
Source of quote: liner notes for "Infamous
Angel", Kansas City, 1991
2. These Hills
`These Hills' might have also come from that trip to Oklahoma. There's a lot of
Indian history there. I started thinking about the Indians and wanted to write a song
about them back in the old days. But that didn't work. I didn't work. I didn't know enough
about it. I even tried reading books about them, but the song never worked. The only thing
I kept was the part about the dandelions. I kept messing with it and then one day it
seemed to make sense to turn it into what it is".
Source of quote: liner notes for "Infamous
Angel", Kansas City, 1991
3. Sweet Forgiveness
"Sometimes I'd try to write a song about something that was a pretty big
concept like `Sweet Forgiveness'. I wanted to write about forgiveness as I thought about
it in relation to members of my family and myself - the things I have to forgive in my
life. So I tried to narrow it down to something I knew about. My boyfriend Elmer is a very
forgiving person, so I thought about him and I just wrote it".
Source of quote: liner notes for "Infamous
Angel", Kansas City, 1991
4. After You're Gone
"While I was living in Kansas City, my dad had a stroke. I took the train down
to my mom's and he was in bad shape. One side was completely paralyzed. When I left, he
was there in the middle of the living room in a big hospital bed. It was very strange for
me, because I had never seen my dad sick a day in his life. I took the train home and
walked in my apartment and `After You're Gone' just came to me right away. I didn't think
about it. It just seemed like the thing to say about that at that time. It's amazing how
easy it is to be simple once you can get to that simple place".
Source of quote: liner notes for "Infamous
Angel", Kansas City, 1991
5. When Love Was Young
"`When Love Was Young' was a line and a melody that I had, and then it seemed
like a story came together for it one day. Although I've never been married, I've lived
long enough to know something about it. There's little bits and pieces that I take from my
life, and then I let my imagination go."
Source of quote: liner notes for "Infamous
Angel", Kansas City, 1991
6. Mama's Opry
"I started to think about what it was about my mother that struck me the most.
And I was thinking the way most kids think about their mothers - like an angel from
Heaven! - so I tried to write some of these kinds of songs, but that wasn't my mother. So
I thought that the main thing about her was her love for music. I remembered that she'd
let me turn the records up real loud, and she'd sing with me on the records. And I
remembered just as plain as day her telling me that she was sure she could have gone on to
be a singing star at this place called "The Grand Ole Opry".
Even at that age it startled me that she actually thought she could have done this
big thing. So that's how I wrote the song, remembering that. It was so personal that I
couldn't sing it for other people, but I eventually played it for my brothers and sisters,
and they liked it and understood it, so I thought, `Well, I'll just have to get up my
courage and sing it out in public'."
Source of quote: liner notes for "Infamous
Angel", Kansas City, 1991
7. This Kind of Happy
This song was co-written with Merle Haggard
"It's a song that I had for a couple of years before I met Merle," DeMent
said. "I have a lot of songs like it -- songs that I can't finish. I like them enough
that, from time to time, I keep going back and trying to see if I can find the missing
piece. That was one of those songs."
DeMent and Haggard completed the song in a single session. "Merle was playing a
show in Des Moines, a couple of hours from where I live, " DeMent said. "My
husband Elmer and I went up there to see the show. That evening, sitting on the bus, Merle
asked me if I had any songs he'd never heard, so I played that one for him in hopes that
he could help me finish. Sure enough, he did. He wrote the chorus right then and
there."
Source of quote: @Country, February 1997 (article by
Craig Harris)
8. Trouble
A duet with Delbert McClinton, who also plays harmonica on the track; co-written with
(Iris' then husband) Elmer McCall.
"That was the last song that we recorded for the album," DeMent recalled.
"I wasn't planning on putting it on the record. It was kind of a loose,
let's-have-a-good-time kind of song. That's why the instrumental at the end goes on and
on. No one was thinking of it being on the record. It was a song that I had just written a
few weeks earlier with my husband. It was just so out of character for me. Later, when we
decided to keep the song and started thinking of things we might do with it, Delbert's
name came up. It seemed to be in his style."
Source of quote: @Country, February 1997 (article by
Craig Harris)
9. There's a Wall in Washington
"Wall in Washington" is political, but it's also the only song on the new
one that's older than my second record. It's even older than my first record. I just never
knew how to do that song before. I never had enough confidence to record it. But it always
stuck with me".
Source of quote: Country Standard Time: DeMent spells
out what matters most (article by Roy Kasten)
"'The Wall In Washington' is trying to get people to ask questions,"
DeMent explains. "First of all, to actually talk about the pain and the huge loss,
which often takes a back seat. And then to try to get the next generation to reflect and
ask, 'Why did this happen?' 'Cause if you don't do that, then how are you going to make a
good decision when your time comes? And the whole idea of 'Wasteland' is: Here's what I
see as a problem; now let's fix it".
Source of quote: No Depression #6, Nov./Dec. 1996;
Homespun of the Brave (article by David Cantwell)
10. When My Morning Comes Around
That song just came from a lot of pain. I was in a really bad place when I wrote it,
one of those places where I thought dying would be better. I knew I needed to imagine
something else, a really great place, where things are good. That song is just the
pictures in my mind of that place. It was the first song I wrote for the record; I wasn't
sure I would include it".
Source of quote: Country Standard Time: DeMent spells
out what matters most (article by Roy Kasten)
11. Letter to Mom
"I know some people are really going to be offended by that song, but I left it
on there because some people are helped by it," she says. "I know that from the
letters I've gotten from people who've heard me sing it at shows."
Still, she was also concerned about the reaction of one particular listener.
"It sounds like a letter to my mom - and even though I do that a lot in my songs,
I've never done it with a subject like this," she said. "And I was actually
concerned for my mother that it might bother her, that people would think that this was
something I experienced as a kid. And I didn't.... But I felt like if I don't have the
courage - when I think of what those people went through who have experienced that, and
the courage it takes to face life and deal with that - if I don't have the courage to even
just identify with it in a song, then that's a pretty terrible thing. So if it helps
somebody, even if it makes my mother uncomfortable, or me, I've got to go through with
it."
Source of quotes: No Depression #6, Nov./Dec. 1996;
Homespun of the Brave (article by David Cantwell)
That song is a hard story, but the character feels pretty strong and alive. She's
someone who stands up and says what's happened to her, and she has to be strong. It's
funny how quickly that song came to me. When I finished writing it, I asked myself,
"Why is this an up tempo song?" It just was. This person isn't soft-spoken and
it's not a depressing song. So the tempo fit.
Source of quote: Country Standard Time: DeMent spells
out what matters most (article by Roy Kasten)
"You know, I tried writing that song several different ways. I had it set in my
mind to write about it, but I couldn't quite come up with a way to do it that I felt good
about. I almost gave up, to be honest. Then `Letter To Mom' popped into my head. It's
about a family that has a real problem bringing the subject up. A person can get rejected
by a family just for bringing it up and trying to talk about what happened. It can be as
horrifying to deal with later in life as it was with the original incident".
Source of quote: Microsoft Music Central; Perennial
Favourite: Iris DeMent (article by Michael McCall)
12. Wasteland of the Free
"You know, there's a couple of songs I almost took off the new record,"
DeMent reveals between loads of laundry. "I realized 'Wasteland Of The Free' could
get me killed - and I ain't ready to go yet. People aren't used to hearing things like
that [the 'We kill for oil' line] in public... I had to ask myself if I was up for hate
mail... But you know, I think the odd thing is that a lot of people have thought those
words. So I guess the main reason I had to put it on there is because that's
around-the-kitchen-table talk, and if I have the courage to say it around the kitchen
table, and I don't have the courage to say it out in public, then I'm not as much of a
person as I like to think of myself as being."
Source of quote: No Depression #6, Nov./Dec. 1996;
Homespun of the Brave (article by David Cantwell)
13. I'll Take My Sorrow Straight
Co-written with (Iris' then husband) Elmer McCall
"I had been listening to [Haggard's] album "Big City" a lot, and it
kind of came out of that, stylistically. I've been trying my whole life to be more
delicate. After I write songs, I worry that I'm too blunt. But I enjoy songs that way, and
I guess I enjoy being that way myself, too. That's what that song is about".
Source of quote: Microsoft Music Central; Perennial
Favourite: Iris DeMent (article by Michael McCall)
14. God May Forgive You (But I Won't)
A song by Harlan Howard and Bobby Braddock (Tree Publishing). The song is unavailable
on Iris' albums but was available for a short time as a b-side on the CD single for `Our
Town'. Iris has frequently performed it live and has mentioned at a concert that she
learned the song from Rosie Flores. Rosie's version is available on her self-titled 1987
album (reissued as "Honky Tonk Reprise" on Rounder Records).
VI. OTHER INFORMATION
1. Is there an Iris DeMent Fan Club?
Well... yes and no. Here is the address as it is listed in her CD's:
Iris DeMent Fan Club
P.O. Box 28856
Gladstone, MO 64188
**NOTE: The liner notes for "Infamous Angel" incorrectly have the ZIP as 64118
...however, when I sent away for a fan club kit back in November of 1997 my check was
returned to me with an apology stating that they were no longer selling fan club kits and
that I'd been added to their mailing list instead; perhaps when the next CD is released
they'll start it back up again.
Iris can also be contacted through her booking agency:
Monterey Peninsula Artists
c/o Kevin Daley
509 Hartnell St.
Monterey, CA 93940 USA
(408) 375-4889 Voice
(408) 375-2623 Fax
2. The Goo Goo Dolls have a song called `Iris', coincidence?
There is a song by The Goo Goo Dolls named `Iris' on the soundtrack to the Meg
Ryan/Nicholas Cage movie "City of Angels". Quite the successful song, it
actually reached #1 on 5 different charts! According to an interview with Johnny Rzeznik
(singer and guitarist for the band):
"I was looking at the L.A. Weekly and saw an ad for an Iris DeMent show. I just
thought Iris was a really pretty name"
Source of quote: the New Zealand music magazine
"Rip It Up"
3. What other sources of info are there?
Well, I got most of the information for this FAQ from the Web and the liner notes of
her CD's, but one of the articles that I found included a long selection of articles as
their bibliography so if you're looking for more, I hope this helps (I've also added a few
that they didn't have):
