12 Monkeys

Amazon.com Inspired by Chris Marker's acclaimed short film La Jetée (which is included on the DVD Short Cinema Journal, Volume 2), 12 Monkeys combines intricate, intelligent storytelling with the uniquely imaginative vision of director Terry Gilliam. The story opens in the wintry wasteland of the year 2035, where a virulent plague has forced humans to live in a squalid, oppressively regimented underground. Bruce Willis plays a societal outcast who is given the opportunity to erase his criminal record by "volunteering" to time-travel into the past to obtain a pure sample of the deadly virus that will help future scientists to develop a cure. But in bouncing from 1918 to the early and mid-1990s, he undergoes an ordeal that forces him to question his own perceptions of reality. Caught between the dangers of the past and the devastation of the future, he encounters a psychiatrist (Madeleine Stowe) who is initially convinced he's insane, and a wacky mental patient (Brad Pitt in a twitchy Oscar-nominated role) with links to a radical group that may have unleashed the deadly virus. Equal parts mystery, tragedy, psychological thriller, and apocalyptic drama, 12 Monkeys ranks as one of the best science fiction films of the '90s, boosted by Gilliam's visual ingenuity and one of the finest performances of Willis's career. The Collector's Edition DVD includes a fascinating behind-the-scenes documentary (The Hamster Factor and Other Tales of 12 Monkeys) in addition to the theatrical trailer, production notes, and a 12 Monkeys archive of still photos, design concepts, and storyboards. --Jeff Shannon

2001 - A Space Odyssey

28 Days Later (Widescreen Edition)

A Beautiful Mind (Widescreen Awards Edition)

A Clockwork Orange

AVP - Alien Vs. Predator (Widescreen Edition)

About a Boy (Widescreen Edition)

Addicted to Love

Airheads

Aliens (Special Edition)

Altered States

Amazon.com It's easy to understand why the late, great screenwriter Paddy Chayefsky removed his name from the credits of Altered States and substituted the pseudonym Sidney Aaron. After all, Chayefsky was a revered dramatist whose original source novel was intended as a serious exploration of altered consciousness, inspired by the immersion-tank experiments of Dr. John Lilly in the 1970s. In the hands of maverick director Ken Russell, however, Altered States became a full-on sensory assault, using symbolic imagery and mind- blowing special effects to depict one man's physical and hallucinatory journey through the entire history of human evolution. It's a brazenly silly film redeemed by its intellectual ambition--a dazzling extravaganza that's in love with science and scientists, and eagerly willing to dive off the precipice of rationality to explore uncharted regions of mind, body, and spirit. William Hurt made his bold film debut as the psycho-physiologist who plays guinea pig to his own experiments; Blair Brown plays his equally brilliant wife, whose devotion is just strong enough to bring him back from the most altered state imaginable. From the eternal channels of sense memory to the restorative power of a loving embrace, this movie rocks you to the birth of the universe and back again. And while it's clearly not the story that Chayefsky wanted on the screen, the directorial audacity of Ken Russell makes it one heck of a memorable trip. --Jeff Shannon

American History X

Amazon.com Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.

The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon

Angel Heart (Special Edition)

Apocalypse Now

Arrested Development - Season One

Amazon.com Winner of the Outstanding Comedy Series Emmy its first year out, Arrested Development is the kind of sitcom that gives you hope for television. A mockumentary-style exploration of the beleaguered Bluth family, it's one of those idiosyncratic shows that doesn't rely on a laugh track or a studio audience; it's shot more like a TV drama, albeit with an omniscient narrator (executive producer Ron Howard) overseeing the proceedings. Holding the Bluths together just barely is son Michael Bluth (Jason Bateman), the only normal guy in a family that's chock full of nuts. Hardworking and sensible, Michael's certain he's going to be given control of his family's Enron-style corporation upon the retirement of his father (Jeffrey Tambor). The fact that he's passed over instead for his mother (Jessica Walter) is only a blip when compared to his father's immediate arrest for dubious accounting practices, and the resulting freeze on the family's previously limitless wealth.

Bereft of money, and even less family love, the Bluths have to band together in their moment of need--not easy when everyone's looking out for number 1. In addition to his scabrous parents, Michael has to contend with his lothario older brother (Will Arnett), his basically useless younger brother (Tony Hale), his greedy twin sister (Portia DeRossi), and her sexually ambiguous husband (David Cross). Michael's only comrade in sanity is his son George Michael (Michael Cera), but then again, the teenage boy harbors a secret crush on his cousin (Alia Shawkat). A peerless ensemble led by the brilliant Bateman (who ever knew he could be this good?), all the actors are pitch-perfect in their roles, delivering the dryly funny, sometimes absurdist dialogue with the speed and flair of classic farce. The unusual tone of Arrested Development takes a bit of getting used to--it's far different from anything you'll see on TV, even HBO--but once you buy in to the Bluths' innumerable dysfunctions, you'll be laughing your head off for hours.--Mark Englehart

Bad Lieutenant

Bedazzled

Bill & Ted's Excellent Adventure

Blade Runner (The Director's Cut)

Amazon.com Customer Note We regret that this DVD is under certain restrictions that prohibit sales to customers who live outside the North American continent. If you do not live in the United States or Canada, we will not be able to ship you this DVD. Thank you for understanding.

Bottle Rocket

Brazil - Criterion Collection

Amazon.com essential video If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, Brazil was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid-subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets smooshed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr. Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unraveling this bureaucratic glitch, he himself winds up labeled as a miscreant.

The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. This DVD version of Brazil is the special director's cut that first appeared in Criterion's comprehensive (and expensive) six-disc laser package in 1996. --Jim Emerson

Description Pitting the imagination of a common man against the oppressive storm troopers of the Ministry of Information, this bitter parable for the Information Age is more relevant than ever. Gathering footage from both the European and American versions, Terry Gilliam has assembled the ultimate 142-minute director's cut of his most celebrated film, then annotated it with a shot-by-shot commentary on an alternate audio channel.

Buffalo Soldiers

Carnivale - The Complete First Season

Amazon.com Carnivàle doesn't waste any time making its--wildly ambitious--aims clear. As carnival manager Samson (Michael J. Anderson, Twin Peaks' diminutive backwards-talker) notes in pilot episode "Milfay," directed by Rodrigo García (son of Gabriel García Marquez), "To each generation [is] born a creature of light and a creature of darkness." With that the story begins. The year is 1934, the setting the Oklahoma dustbowl. In short order, Ben Hawkins (In the Bedroom's Nick Stahl) loses his mother and his home. He's poor, he's alone--he needs a job. So he joins Samson's carnival, en route to the West. Hawkins, naturally, is the good guy. Waiting for him in California is the not so good Brother Justin Crowe (Clancy Brown, The Shawshank Redemption), a fire and brimstone preacher with supernatural powers and a fiercely loyal sister (Amy Madigan). Hawkins, as it turns out, has similar powers....

Created by Daniel Knauf (Wolf Lake), Carnivàle feels like David Lynch (weird, slow, occasionally kinky), plays like American Gothic (Shaun Cassidy's cult series about a good kid and an evil sheriff), and looks like John Ford's Grapes of Wrath. It features one of television's most colorful casts of characters. They include Sophie (Clea DuVall), who reads fortunes--with her comatose mother's assistance, the vaguely sinister Lodz (Patrick Bauchau), blind absinthe-drinker and mentalist (he can see both the future and the past), and Ruthie (Adrienne Barbeau), snake charmer, strongman's mother, and all-around maternal figure. By the final episode of the season ("The Day That Was the Day"), also directed by García, one of these characters will be dead. Carnivàle won five richly deserved technical Emmys for its first year, including awards for cinematography and art direction. Like HBO's edgy Deadwood, it's period drama for people who don't normally like period drama. --Kathleen C. Fennessy

Chappelle's Show - Season 1

Amazon.com The 2003 debut of Chappelle's Show on Comedy Central marked a high point for the cable channel, and now the entire, wildly creative first season can be seen, with hundreds of bleeps removed. That's not to say Chappelle's Show is perfect entertainment: there are too many moments among the 12 episodes here that descend into pointless scatology and booty fever. But for the most part, Chappelle, a talented comic slowly growing into greatness, is trying to push the sketch-humor envelope and succeeds at surprising us with original concepts and merciless execution.

The merely clever material includes "National Geography's Third World Girls Gone Wild," basically an update on those topless-native-women gags of yore, and Chappelle's "Educated Guess Line," in which the sage comic eschews psychic powers to logically deduce racial insights from his callers' questions. Far more wicked is an in-your-face satire on such autobiographical film fare as Antwone Fisher and 8 Mile, in which Chappelle plays himself ascending from street hustler to rapper-comedian to bona fide savior of America. The best thing here, however, is a parallel-universe version of The Real World, in which the usual racial proportions on MTV's workhorse series are reversed, thrusting a token white guy into a Hoboken houseful of crazy African Americans. There are also laughs in "Ask a Gay Guy with Mario Cantoned," as well as a sketch about an "inner-thoughts cam" and a nasty piece about Chappelle's Make-a-Wish visit to a dying child, which decays into a cruel video game competition. Overlooking the series' weaker material, this is outstanding television comedy. --Tom Keogh

Circuitry Man/Circuitry Man 2

Clay Pigeons

Clerks (Collector's Edition)

Dead Kennedys - In God We Trust Inc. - The Lost Tapes

Description This DVD features footage from the lost recording session of In God We Trust Inc. and includes between song banter, outtakes and rescued multi-track recordings. Also features live performances of songs from the 12 inch EP spanning 1979-1986. Songs include: Hyperactive Child, Nazi Punks Fuck Off, Kepone Factory, Dogbite, Religious Vomit, We've Got a Bigger Problem Now, Rawhide and Moral Majority.

Dead Kennedys - The Early Years Live

Description This 30 minute VHS features the seminal punk band Dead Kennedys, live from their early years at various venues, including the Mabuhay Gardens, the Sproul Plaza at Berkeley and at Target Studios between 1978 through 1981. Much of the material is from the classic & critically acclaimed debut LP "Fresh Fruit for Rotting Vegetables." In addition to 9 live songs, there is also hilarious news footage from Jello Biafra's notorious Mayoral candidacy in San Francisco (In which he came in fourth!) Special DVD features include a Sing-a-long option, band biographies, Dolby Digital Stereo and a chapter search by songs.

Dead Kennedys: DMPO's on Broadway

Deuce Bigalow: Male Gigolo

Dodgeball - A True Underdog Story (Widescreen Edition)

Amazon.com How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp in which the underdog owner of Average Joe's Gym (Vince Vaughan) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughan and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo Gym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughan, Stiller, and their well-cast costars (including Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Hank Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff Shannon

Donnie Darko - The Director's Cut

Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb (Special Edition)

Duplex

Elf (Infinifilm Edition)

Eyes Wide Shut

Fahrenheit 9/11

Description In the most provocative film of the year, Academy Award-winner Michael Moore presents a searing examination of the role played by greed and oil in the wake of the tragic events of 9/11. From Academy-Award winning director Michael Moore (Bowling for Columbine). WINNER, Palme D’Or Award at the Cannes Film Festival, BEST PICTURE. DVD features:

* "The Release of Fahrenheit 9/11" featurette
* "Iraq, Pre-War" featurette: The people of Iraq on the eve of invasion
* "Homeland security, Miami style" featurette: Footage of the old men who patrol the Florida coast lookng for terrorists as part of the homeland security plan
* "Outside Abu Ghraib Prison"
* Eyewitness account from Samara, Iraq
* "Lila, D.C.": Lila Lipscomb at the Washington, D.C. premiere
* Arab-American comedians: Their acts and experiences after 9/11
* Extended interview: More with Abdul Henderson
* "Condi 9/11": Condoleezza Rice's 9/11 Commission testimony
* "Bush Rose Garden": George W. Bush's full press briefing after 9/11 Commission appearance

Falling Down

Ferris Bueller's Day Off

Fight Club

Amazon.com essential video All films take a certain suspension of disbelief. Fight Club takes perhaps more than others, but if you're willing to let yourself get caught up in the anarchy, this film, based on the novel by Chuck Palahniuk, is a modern-day morality play warning of the decay of society. Edward Norton is the unnamed protagonist, a man going through life on cruise control, feeling nothing. To fill his hours, he begins attending support groups and 12-step meetings. True, he isn't actually afflicted with the problems, but he finds solace in the groups. This is destroyed, however, when he meets Marla (Helena Bonham Carter), also faking her way through groups. Spiraling back into insomnia, Norton finds his life is changed once again, by a chance encounter with Tyler Durden (Brad Pitt), whose forthright style and no-nonsense way of taking what he wants appeal to our narrator. Tyler and the protagonist find a new way to feel release: they fight. They fight each other, and then as others are attracted to their ways, they fight the men who come to join their newly formed Fight Club. Marla begins a destructive affair with Tyler, and things fly out of control, as Fight Club grows into a nationwide fascist group that escapes the protagonist's control.

Fight Club, directed by David Fincher (Seven), is not for the faint of heart; the violence is no holds barred. But the film is captivating and beautifully shot, with some thought-provoking ideas. Pitt and Norton are an unbeatable duo, and the film has some surprisingly humorous moments. The film leaves you with a sense of profound discomfort and a desire to see it again, if for no other reason than to just to take it all in. --Jenny Brown

Firefly - The Complete Series

Amazon.com After you've seen all 14 episodes of Firefly contained in this smartly packaged DVD set, you'll be begging for more. The sad irony is, series creator Joss Whedon's ambitious science-fiction Western (Whedon's third series after Buffy the Vampire Slayer and Angel) was canceled after only eleven of these 14 produced episodes had aired on FOX, and its demise was woefully premature. Whedon's generic hybrid suffered an inaugural setback when network executives preferred an action-packed one-hour premiere ("The Train Job") over the intended two-hour pilot "Serenity" (oddly enough, the final episode aired), which provides a better introduction to the show's concept and splendid ensemble cast. Obsessive fans may debate the quirky, semi-fallible logic of combining spaceships with direct parallels to frontier America (it's 500 years in the future, and embattled humankind has expanded into the galaxy, where undeveloped "outer rim" planets struggle with the equivalent of Old West accommodations), but Whedon and his gifted co-writers and directors make it work, at least well enough to fashion a credible context from the incongruous culture-clashing of past, present, and future technologies, along with a polyglot language (the result of two dominant superpowers) that combines English with an abundance of Chinese slang.

What makes it work is Whedon's delightfully well-chosen cast and their nine subtly-developed characters (a typically Whedon-esque extended family), each providing a unique perspective on their adventures aboard Serenity, the junky but beloved "Firefly-class" starship they call home. As a veteran of the disadvantaged Independent faction's war against the all-powerful planetary Alliance (think of it as Underdogs vs. Overlords), Serenity captain Malcolm Reynolds (Nathan Fillion) leads his compact crew on a quest for survival. They're renegades with an amoral agenda, taking any job that pays well, but Firefly's complex tapestry of right and wrong (and peace vs. violence) is richer and deeper than it first appears. By the time we've gathered tantalizing clues about Blue Sun (an insidious mega-corporation with an as-yet mysterious agenda), its ties to the Alliance, and the traumatizing use of Serenity's resident stowaway as a guinea pig in the development of advanced warfare, it's painfully clear that Firefly was heading for exciting revelations that never came to pass. Fortunately, Whedon was developing a Firefly movie as this DVD set was being released in January 2004, so the ultimate fate of Serenity's crew remains to be seen. In the meantime, these 14 episodes (and enjoyable bonus features) offer everything you'd expect from the creator of Buffy: action, drama, humor, hints of romance, suspense, fine acting, film-quality direction, dazzling special effects, and ample proof that Fox made a glaring mistake in canceling the series. --Jeff Shannon

Following

Amazon.com Creepy intimacy, plenty of suspense, and a few surprises enliven this black-and-white treat from the director of Memento. Bill is a struggling writer who fills his time and mind by following random strangers he sees on the street. After breaking his own rule ("never follow the same person twice") he becomes fascinated by Cobb, a voyeur who takes things one step further--actually breaking into people's homes to sift through their things. As you might expect, the relationship soon becomes unhealthy. Writer-director Christopher Nolan already reveals a sure hand in this early neo-noir work. Like Memento, Following toys with timelines, jumping back and forth and carefully dropping bits of information exactly when they're needed. Short and sharp, Following features an intriguing plot line and fine, understated performances by the entire cast. Don't miss it. --Ali Davis

Description An unemployed aspiring "writer" Bill (Jeremy Theobald) has a peculiar hobby, shadowing strangers at random in the streets of London. When Cobb (Alex Haw), a man Bill has been following, catches him in the act, Bill is drawn into Cobb's world of breaking into flats and prying into the personal lives of their victims. In Bob, Bill finds a strange companion - part mentor, part confessor and part evil twin. With an ingenious structure that involves flash forwards and doubling back, the film tests our knowledge and understanding just as the protagonist is being duped into an elaborate triple-cross. "Following" heralded Christopher Nolan as a promising new talent whose promise was amply confirmed with "Memento."

Gattaca

Amazon.com essential video Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. In addition to a superb widescreen transfer, the DVD edition of Gattaca includes several deleted scenes (and one humorous outtake), which further establish the story's social context and provide additional insight into the scientific and ethical issues explored in this extraordinary film. --Jeff Shannon

Gladiator

Amazon.com essential video A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan, even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! --Mark Englehart

Gladiator

Amazon.com essential video A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan, even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! --Mark Englehart

Gummo

Description From Harmony Korine, screenwriter of Kids, comes a haunting portrait of life in small-town America. Through a collection of dreamlike and devastating images, Korine offers a glimpse of Xenia, Ohio, a world existing in the aftermath of a tornado.

Hardware Wars - The Original Edition

Harry Potter - Years 1-3 Collection (Harry Potter and the Sorcerer's Stone/Harry Potter and the Chamber of Secrets/Harry Potter and the Prisoner of Azkaban) (6-Disc DVD Set) (Widescreen Edition)

Amazon.com The filmed version of Harry Potter and the Sorcerer's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter's world of Hogwarts School of Witchcraft and Wizardry. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the details of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine is the interplay between Harry (Daniel Radcliffe) and his schoolmates Ron (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane). The second-half adventure--involving the titular sorcerer's stone--doesn't translate perfectly from page to screen, ultimately because of the film's fidelity to the novel; this is a case of making a movie for the book's fans, as opposed to a transcending film. Writer Steve Kloves and director Chris Columbus keep the spooks in check, making this a true family film, and with its resourceful hero wide-eyed and ready, one can't wait for Harry's return.

First sequels are the true test of an enduring movie franchise, and Harry Potter and the Chamber of Secrets passes with flying colors. Harry's second year at Hogwarts involves a darker, more malevolent tale (parents with younger children beware), beginning with the petrified bodies of several Hogwarts students and magical clues leading Harry, Ron, and Hermione to a 50-year-old mystery in the monster-laden Chamber of Secrets. House elves, squealing mandrakes, giant spiders, and venomous serpents populate this loyal adaptation (by director Chris Columbus and screenwriter Steve Kloves), and Kenneth Branagh delightfully tops the supreme supporting cast as the vainglorious charlatan Gilderoy Lockhart. At 161 minutes, the film suffers from lack of depth and uneven pacing, and John Williams's score mostly reprises established themes. The young, fast-growing cast offers ample compensation, however, as does the late Richard Harris in his final screen appearance as Professor Albus Dumbledore. Brimming with cleverness, wonderment, and big-budget splendor, Chamber honors the legacy of J.K. Rowling's novels.

Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts face a new and daunting challenge: Sirius Black (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry and his third-year classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's boundless imagination, The Prisoner of Azkaban is a Potter-movie classic. (Ages 8 and older)

It Runs in the Family

Amazon.com Three generations of the Douglas clan--old-time star Kirk, Michael of Fatal Attraction and Wonder Boys, and movie newcomer Cameron--star in It Runs in the Family. Alex Gromberg (Michael) is a high-powered lawyer who works for a firm co-founded by his father Mitchell (Kirk), who's recovering from a stroke, while Alex's son Asher (Cameron) is dealing pot and flunking out of his senior year in college. The movie moves between the three men's relationships with women and each other. Surprisingly, It Runs in the Family isn't as much of a vanity project as it seems; though some implausible elements serve only to flatter the stars (wealthy lawyer Alex volunteers at a soup kitchen for the homeless, where a babelicious co-worker throws herself at him), most of the script is solidly written and the parent-child conflicts ring true. Also featuring Bernadette Peters and Rory Culkin. --Bret Fetzer

Jay and Silent Bob Strike Back (Dimension Collector's Series)

Jesus' Son

Kate & Leopold

Kids In The Hall - Same Guys, New Dresses

Description Catch the insanity on and off the stage with The Kids In The Hall as they barnstorm across North America on their historic 2000 reunion tour. This histerical 105 minute documentary, directed by Dave Foley, goes almost too far behind the scenes as Canada's funny fab five get their act together and take it on the road. DVD also includes a hilarious commentary track featuring The Kids, Andy Richter, Mike Meyers, Jason Priestley, Matt Stone and Trey Parker from South Park.

King of New York (Special Edition)

Knockaround Guys

Description Four sons of well-known gangsters come face to face with their own legacy of violence and betrayal when they travel to a small Montana town to collect a large sum of cash.

L.A. Confidential

Amazon.com In a time when it seems that every other movie makes some claim to being a film noir, L.A. Confidential is the real thing--a gritty, sordid tale of sex, scandal, betrayal, and corruption of all sorts (police, political, press--and, of course, very personal) in 1940s Hollywood. The Oscar-winning screenplay is actually based on several titles in James Ellroy's series of chronological thriller novels (including the title volume, The Big Nowhere, and White Jazz)--a compelling blend of L.A. history and pulp fiction that has earned it comparisons to the greatest of all Technicolor noir films, Chinatown. Kim Basinger richly deserved her Supporting Actress Oscar for her portrayal of a conflicted femme fatale; unfortunately, her male costars are so uniformly fine that they may have canceled each other out with the Academy voters: Russell Crowe, Guy Pearce, Kevin Spacey, and James Cromwell play LAPD officers of varying stripes. Pearce's character is a particularly intriguing study in Hollywood amorality and ambition, a strait-laced "hero" (and son of a departmental legend) whose career goals outweigh all other moral, ethical, and legal considerations. If he's a good guy, it's only because he sees it as the quickest route to a promotion. --Jim Emerson

Lawrence of Arabia

Description Director David Lean follows the heroic true-life odyssey of T.E. Lawrence (Peter O'Toole) in this dramatic portrait of the famed British officer's journey to the Middle East. Assigned to Arabia during World War I, Lawrence courageously unites the warring Arab factions into a strong guerrilla front and leads them to brilliant victories in treacherous desert battlefields where they eventually defeat the ruling Turkish Empire.

Lewis Black - Black on Broadway

Amazon.com Lewis Black's performance in the HBO special Lewis Black: Black on Broadway is exactly like his "Back in Black" spots on The Daily Show with Jon Stewart. If you love his sputtering, furious rants on the fake news, there's no reason you won't enjoy an hour's worth on DVD, during which Black spits out his grievances against typical stand-up comedy fodder--corporate scandals, air travel, etc.--in his usual, direct style. (Good line: "If you're in coach, kill yourself.") The only caveat: you'll get nothing extra here. The disc contains the show, brief shots of his entering/exiting the theater, and that's it. No interviews, no commentary track, not even a set of Spanish subtitles. But since Black's routine is stripped-down anger, perhaps it's fitting for the DVD to be stripped-down Black. --Leah Weathersby

Lewis Black - Unleashed

Amazon.com Comedy Central's jittery, apoplectic commentator on all things absurd in politics and culture is superb on this disc's collection of four half-hour cable specials and bonus features. Fans and newcomers get a chance to see how much the comic has grown since his delightful 1998 show, in which Black characteristically sputtered this bit of social-scientific criticism: "It's absolutely stupid that we've lost the ozone layer. We've got men, rockets, Saran Wrap--fix it!" Black attacks Bill Clinton for obscuring the meaning of infidelity ("If curling is an Olympic sport, oral sex is adultery!"), Y2K hype, flu shots, America's power elite, Ross Perot ("He's the kid in Deliverance all growed-up!"), and even delivers a "Taxes 101" college lecture ("What would help IRS forms? Verbs!"). Bonus features include Black's "Indecision 2000" inserts--caustic commentary about the last Republican and Democrat conventions--for Jon Stewart's show. Highly entertaining stuff. --Tom Keogh

Lost In Translation (Widescreen Edition)

Amazon.com Like a good dream, Sofia Coppola's Lost in Translation envelops you with an aura of fantastic light, moody sound, head-turning love, and a feeling of déjà vu, even though you've probably never been to this neon-fused version of Tokyo. Certainly Bob Harris has not. The 50-ish actor has signed on for big money shooting whiskey ads instead of doing something good for his career or his long-distance family. Jetlagged, helplessly lost with his Japanese-speaking director, and out of sync with the metropolis, Harris (Bill Murray, never better) befriends the married but lovelorn 25-year-old Charlotte (played with heaps of poise by 18-year-old Scarlett Johansson). Even before her photographer husband all but abandons her, she is adrift like Harris but in a total entrapment of youth. How Charlotte and Bill discover they are soul mates will be cherished for years to come. Written and directed by Coppola (The Virgin Suicides), the film is far more atmospheric than plot-driven: we whiz through Tokyo parties, karaoke bars, and odd nightlife, always ending up in the impossibly posh hotel where the two are staying. The wisps of bittersweet loneliness of Bill and Charlotte are handled smartly and romantically, but unlike modern studio films, this isn't a May-November fling film. Surely and steadily, the film ends on a much-talked-about grace note, which may burn some, yet awards film lovers who "always had Paris" with another cinematic destination of the heart. --Doug Thomas

Love Actually (Widescreen Edition)

Description Get ready for fun! (Leah Rozen, People) with the "feel good movie of the year!" (Clay Smith, Access Hollywood) Love Actually is the ultimate romantic comedy from the makers of Bridget Jones's Diary and Notting Hill. Funny, irresistible and heartwarming, an all-star cast (Hugh Grant, Liam Neeson, Colin Firth and Emma Thompson, to name a few!) will take you on a breathtaking tour of love's delightful twists and turns. Fall under the spell Love Actually and share the laughs and charm again and again.

M*A*S*H (Single Disc Edition)

Mad Max (Special Edition)

Memento

Minority Report (Single Disc Edition)

Moulin Rouge (Single Disc Edition)

Mr. 3000 (Widescreen Edition)

Mr. Show - The Complete First and Second Seasons

Amazon.com Hey, everybody, it's Bob and David on DVD! In 1995 comics Bob Odenkirk and David Cross were simply "two people you've never seen before." Since then, each has insidiously entered the mainstream with appearances on TV (Just Shoot Me, The Drew Carey Show) and movies (Scary Movie 2, Dr. Dolittle 2, Men in Black 2). But to quote Odenkirk's bio (which is included on the first disc), Mr. Show is the thing you should see if you want to check them out. Like the late, lamented The Ben Stiller Show, on which both toiled, and Monty Python before that, this midnight-hour HBO series gave a subversive twist to the traditional sketch comedy series. Classic characters include Cross's white-trash poster boy Ronnie Dobbs, the superstar arrestee on a "Cops"-like TV show. Totally out of left field is an infomercial for an instructional video series by "Van Hammersly, Champion Billiard Player," who at one point re-creates the 1974 Kentucky Derby with billiard balls (one of the equines is named "If Mandy Patinkin Was a Horse"). Punch lines? Mr. Show doesn't need no stinking punch lines, as one sketch flows into another.

Bob and David are ably supported by, among others, Second City veteran Jill Talley, Tom Kenny (the voice of Spongebob Squarepants!), Brian Posehn (the creepy guy on Just Shoot Me), Mary-Lynn Rajskub (from The Larry Sanders Show), Sarah Silverman ("Greg the Bunny"), and a pre-Saturday Night Live Jerry Minor, who enlivens one episode commentary with an impeccable Billy Dee Williams imitation. As with the Velvet Underground’s following, Mr. Show fans make up with fervor what they lack in numbers. According to Mr. Show’s own Web site, "non-fans outnumber our fans by the cajillions," but this essential set should change that. --Donald Liebenson

Description The complete first and second seasons of HBO's groundbreaking late-night sketch comedy series MR. SHOW. From Emmy(R) winning comedy writers Bob Odenkirk and David Cross, and featuring guest appearances by Jack Black, David Foley, Ben Stiller, Julia Sweeney and Jeanne Tripplehorn. Ten half-hours of comedy critics called "a twisted and often brilliant stream of comic consciousness ... fast, furious and funny stuff." - Rolling Stone.

Mr. Show - The Complete Fourth Season

Amazon.com Season 4 of HBO's Mr. Show is particularly strong, with a number of original ideas and exceptionally funny sketches scattered over all 10 episodes. Stars Bob Odenkirk and David Cross are in good form from the season premiere's opening bit about medical marijuana--specifically, Cross's prescription to help him with the anxiety of working with Odenkirk. The duo also work a comic rivalry theme in a dueling bloopers sketch that includes "embarrassing" footage of Odenkirk as a male prostitute and Cross as a wannabe rock star.

But the best material is positively surreal, such as a Jerry Springer-like talk show taking place on a life raft, and a variation on The Paper Chase in which a curmudgeonly law professor (Michael McKean), suddenly called away from class after a ritual assault on his students' intelligence, is replaced by a less-articulate tyrant (Odenkirk). Also superb is a politically incorrect piece about two guys vying for a blind woman's affection via competing (and increasingly bizarre) descriptions of a sunset, and the "501st Olympics," pitting the Dalai Lama and his monks against fat kids from a summer camp. Special features include Bob and Dave's not-to-be-missed appearance at a Comic Relief cable special, in which a gullible Odenkirk bares all for the sake of his craft. --Tom Keogh

Mr. Show - The Complete Third Season

Amazon.com Who knew that the "Ratings Man," repository of all records concerning television viewership, is actually Santa Claus? Bob Odenkirk and David Cross, stars of the frequently inspired sketch-comedy program Mr. Show, did, and they've got an absurdist skit to prove it on this DVD collection.

Culled from Bob and David's 1997 appearances on HBO, The Complete Third Season includes the wonderful "Hail Satan Network" (a "Praise the Lord" for devil-worshippers), bogus movie-of-the-week "The Bob Lamonta Story" (about an athlete with retarded parents), a Beatles parody ("The Fad 3"), and the hilarious "Hunger Strike" (in which a starving, Gandhi-esque leader wishes to be buried in mashed potatoes). Cross proves a superior performer who salvages several underdeveloped bits, while Odenkirk demonstrates fierce gifts as a mimic. (His puerile, Strom Thurmond-like senator is right on the money.) Don't miss the "Fantastic Newness" special feature, which includes brilliant highlights from Mr. Show's first season. --Tom Keogh

Description Following the success of their home video debut, Bob Odenkirk and David Cross are back with MR. SHOW: THE COMPLETE THIRD SEASON - all ten episodes, 270 minutes plus bonus features - exclusively in a 2-disc DVD set. Like their first release, MR. SHOW: THE COMPLETE THIRD SEASON includes a veritable cornucopia of bonus features.

My Big Fat Greek Wedding

Description Toula Portokalos is a quiet, devoted daughter in a big, hectic, crazy Greek family. Working at her father's restaurant, "Dancing Zorba's," she hides behind a mop of mousy brown hair and thick, impenetrable glasses, keeping her family close and the world at a distance. But one day at the restaurant, she finds herself pouring coffee for a man so strikingly good-looking, that he inspires her to change her life - and the way she sees the world - forever. With a new hairdo, wardrobe, contact lenses, and most important of all, a whole new attitude, Toula steps out into the world a new woman, all ready to meet her man. Ian Miller is tall, handsome, but definitely not Greek. And whether he can handle Toula, her parents, her aunts, uncles, cousins and several centuries of Greek culture remains to be seen. But when you see the world through Toula's eyes, anything is possible!

My So-Called Life (Complete Series)

Amazon.com One of the most acclaimed series on TV during its brief run from 1994-1995, My So-Called Life pioneered the modern teen drama and made a star out of 15-year-old Claire Danes. Ostensibly centering around the trials and tribulations of high schooler Angela Chase, My So-Called Life actually expanded to include everyone in its protagonist's orbit, from school friends to extended family, and gave its stellar ensemble cast ripe material to work with during its too-short life. Produced by thirtysomething creators Marshall Herskovitz and Edward Zwick, MSCL evoked that yuppie-friendly show with its emphasis on finding extraordinary drama within ordinary situations, but was far more heartfelt and heart-wrenching, echoing the dizzying highs and lows of adolescence. As such, it developed a cult following among young viewers who identified strongly with Angela's high school traumas and followed her every move with rapt attention. (After cancellation, the show enjoyed a popular reprise on MTV.)

Avoiding the sensational, My So-Called Life tackled every teen hot-button issue imaginable (and pioneered the then-controversial topic of teen homosexuality), but with a clear-eyed perspective, never dissolving into soap opera-–even when Angela mooned over heartthrob Jordan Catalano (dreamy Jared Leto). Even as it mined adolescent angst, though, My So-Called Life never lost sight of its adults, with Bess Armstrong and Tom Irwin both phenomenal as Angela's parents, whose marriage was one of the most complex seen on TV since... well, thirtysomething. Through it all, Golden Globe winner and Emmy nominee Danes was a neurotic, touching, and funny center, whether obsessing over a zit or negotiating the rocky terrain of first love. Her funny, sobering, and empathetic portrait of teendom reminded us that in some ways, life was just an extended version of high school. --Mark Englehart

Description For the first time ever, all 19 episodes of the critically-acclaimed television show My So-Called Life, starring Claire Danes, are available in one 5 disc DVD box set. Her portrayal of Angela Chase, the angst-ridden, introspective teen earned Clare Danes a Golden Globe. Even today, after being off the air since early 1995, the show has thousands of fans all around the world.

Napoleon Dynamite

Once Upon a Time in Mexico

Amazon.com Guns, guns, guns! And a few explosions as bodies fly through the air and crash into tables and fruit stands. Once Upon a Time in Mexico, like all Robert Rodriguez movies, is all about the kinetic kick of high-velocity action. Johnny Depp, blase and whimsical, plays a CIA agent who's drawn guitar-playing gun-slinger Antonio Banderas (long black hair flopping over his face like the ears of a Labrador puppy) into a ridiculously convoluted plot to overthrow the Mexican government. Along for the ride are a craggy-faced rogue's gallery including Willem Dafoe, Mickey Rourke, Danny Trejo, Ruben Blades, and (to balance things out) the smooth, tantalizing complexions of Eva Mendes and Salma Hayek. For sheer trashy fun, Once Upon a Time in Mexico is a step down from its predecessor, Desperado--but Desperado set the bar pretty high. For coherent storytelling, look elsewhere, but for action razzle-dazzle, this is your movie. --Bret Fetzer

Description Robert Rodriguez returns with the mythic guitar-singing hero, El Mariachi (Antonio Banderas), in the third installment of the El Mariachi/Desperado trilogy. The saga continues as El Mariachi makes his way across a rugged landscape on the trail of Barrillo (Willem Dafoe), a kingpin who is planning a coup against the president of Mexico. Enlisted by Sands (Johnny Depp), a corrupt CIA agent, El Mariachi demands retribution, and the adventure begins. The character, made famous by Banderas, remains a slinger of guitars and guns, a tragic and bloodied hero, but a survivor forever.

Paycheck (Widescreen Edition)

Peter Gabriel - Growing Up Live

Amazon.com Peter Gabriel: Growing Up Live presents the complete 2003 Milan concert from Peter Gabriel's tour based around the album Up, featuring 17 tracks across 134 minutes. Literally central to a memorable show is a revolving stage that sees Gabriel going for a cycle ride in an exuberant "Solsbury Hill," performing "Growing Up" inside a Zorb ball, and delivering a gravity-defying sky walk in "Downside Up" with daughter Melanie. Accompanied by regular sidemen David Rhodes (guitar) and Tony Levin (bass), Gabriel is joined by the legendary Blind Boys of Alabama for the spine-tingling "Sky Blue," throughout mixing recent tracks like the abrasive "Darkness" and "The Barry Williams Show" with established crowd pleasers such as "Red Rain," "In Your Eyes," and "Sledgehammer."

Gabriel may be less wired than before, but he commands the arena with effortless charm and charismatic presence, his voice retaining all its paradoxically fragile power. Presented in an understated blue light and shot in an unobtrusive, gimmick-free style, the concert begins and ends in virtual darkness with Gabriel alone at a keyboard; from the opening "Here Comes the Flood" to the final "Father, Son," Growing Up is rock theater of rare intimacy, emotion, and intelligence.

The DVD is presented with a flawless 16:9 anamorphically enhanced picture and three soundtracks: rich and clear stereo, excellent Dolby Digital 5.1 and even more precise and detailed DTS. The Story of Growing Up is polished nine-minute documentary in which Gabriel talks about his ideas for the tour and the presentation of some of the songs. Tony Levin's View (five minutes) sets the song "More Than This" to photos taken by the bass player. --Gary S. Dalkin

Peter Gabriel - Secret World Live

Amazon.com Peter Gabriel's extraordinary mix of sound, visuals, and theatrics gets the widescreen digital treatment in this remixed and remastered edition of a 105-minute concert recorded in 1994 in Italy. But not without some controversy, it seems, as several viewers have protested that the new version contains some not-so-deft lip-syncing with poor visual quality. The complaints may be valid, but chances are most viewers won't notice; in any event, the performance by Gabriel and his international band (with violinist Shankar, drummer Manu Katche, and bassist Tony Levin, among others) is strong, featuring versions of well-known material like "Solsbury Hill," "Sledgehammer," "In Your Eyes," and the always-moving "Don't Give Up" (with then-backup singer Paula Cole capably handling the Kate Bush role). Bonus features include a delightful "time lapse" view of the concert setup and breakdown, a "making of" documentary, and a brief preview of Gabriel's 2002-03 "Growing Up" tour. --Sam Graham

Pi

Pirates of the Caribbean - The Curse of the Black Pearl

Punch-Drunk Love (Single Disc Edition)

Ray (Widescreen Edition)

Reservoir Dogs

Resident Evil (Superbit Collection)

Description The Superbit titles utilize a special high bit rate digital encoding process which optimizes video quality while offering a choice of both DTS and Dolby Digital 5.1 audio. These titles have been produced by a team of Sony Pictures Digital Studios video, sound and mastering engineers and comes housed in a special package complete with a 4 page booklet that contains technical information on the Superbit process. By reallocating space on the disc normally used for value-added content, Superbit DVDs can be encoded at double their normal bit rate while maintaining full compatibility with the DVD video format.

Resident Evil - Apocalypse (Special Edition)

Description Alice is back and forced to face off against an unstoppable, bio-engineered killing machine in the action-packed sequel to the sci-fi smash hit.

Roger & Me

Amazon.com essential video Roger and Me is a loose, smart-alecky documentary directed and narrated by Michael Moore, an everyman host with a devastating wit and a working-class pose. When his hometown is devastated by the plant closure of an American corporate giant (making record profits, one should note), the hell-raising political commentator with a prankster streak tries to turn his camera on General Motors Chairman Roger B. Smith, the elusive Roger of the title, and the film is loosely structured around Moore's odyssey to track down the corporate giant for an interview.

While Moore ambushes his corporate subjects like a blue-collar Geraldo Rivera, a guerrilla interviewer who treasures his comic rebuffs as much as his interviews, his portraits of the colorful characters he meets along the way can be patronizing. The famous come off as absurdly out of touch (Anita Bryant appears for some can-do cheerleading, and hometown celebrity Bob Eubanks tells some boorish jokes), and the disenfranchised poor (notably an unemployed woman who sells rabbit meat to make ends meet) all too often appear as buffoons or hicks. But behind his loose play with the facts and snarky attitude is a devastating look at the victims of downsizing in the midst of the 1980s economic boom. This portrait of Reagan's America and the tarnish on the American dream comes down to a simple question: what is corporate America's responsibility to the country's citizens? That's a question no one at GM wants to answer. --Sean Axmaker

Romper Stomper (Special Edition)

Run Ronnie Run!

Amazon.com Bob Odenkirk and David Cross, creators and stars of the HBO comedy sketch series Mr. Show, bravely stretch one of that program's premises and characters into a generally successful, feature-length film in Run Ronnie Run! Cross plays Ronnie Dobbs, a trailer-park nitwit whose pranks find him routinely chased by small-town police. When an L.A. television producer (Odenkirk) discovers Ronnie is a favorite and frequent felon on a reality TV show, he signs Dobbs to his own series (Ronnie Dobbs Gets Arrested!) and re-settles him in Beverly Hills. Unprepared for fame, money, and power, Ronnie tries reinventing his life with mixed results. Much of Run Ronnie Run! is funny, though Cross--always a strong performer--is typically better than the material. The film works best as a showcase for sight gags and one-note sketches; among the latter is a great piece involving a self-help guru and a cameo by Jeff Goldblum. --Tom Keogh

Description Based on the incredibly popular character Ronnie Dobbs from the hit HBO series "Mr. Show", Run Ronnie Run tells the story of a drunken, mullet-haired criminal who can't seem to keep himself from getting arrested. When spotted once again on a national reality show, a Hollywood TV producer gets the brilliant idea to base an entire show on Ronnie himself. Soon, Ronnie is a national TV star and the toast of Hollywood but how long can a guy from the backwoods of Tennessee survive in the big time

Rush Hour 2 (Infinifilm Edition)

Rushmore

Amazon.com essential video Wes Anderson's follow-up to the quirky Bottle Rocket is a wonderfully unorthodox coming-of-age story that ranks with Harold and Maude and The Graduate in the pantheon of timeless cult classics. Jason Schwartzman (son of Talia Shire and nephew of Francis Coppola) stars as Max Fischer, a 15-year-old attending the prestigious Rushmore Academy on scholarship, where he's failing all of his classes but is the superstar of the school's extracurricular activities (head of the drama club, the beekeeper club, the fencing club...). Possessing boundless confidence and chutzpah, as well as an aura of authority he seems to have been born with, Max finds two unlikely soulmates in his permutations at Rushmore: industrial magnate and Rushmore alumnus Herman Blume (Bill Murray) and first-grade teacher Rosemary Cross (Olivia Williams). His alliance with Blume and crush on Miss Cross, however, are thrown out of kilter by his expulsion from Rushmore, and a budding romance between the two adults that threatens Max's own designs on the lovely schoolteacher.

Never stooping to sentimentality or schmaltz, Anderson and cowriter Owen Wilson have fashioned a wickedly intelligent and wildly funny tale of young adulthood that hits all the right notes in its mix of melancholy and optimism. As played by Schwartzman, Max is both immediately endearing and ferociously irritating: smarter than all the adults around him, with little sense of his shortcomings, he's an unstoppable dynamo who commands grudging respect despite his outlandish projects (including a school play about Vietnam). Murray, as the tycoon who determinedly wages war with Max for the affections of Miss Cross, is a revelation of middle-aged resignation. Disgusted with his family, his life, and himself, he's turned around by both Max's antagonism and Miss Cross's love. Williams is equally affecting as the teacher who still carries a torch for her dead husband, and the superb supporting cast also includes Seymour Cassel as Max's barber father, Brian Cox as the frustrated headmaster of Rushmore, and a hilarious Mason Gamble as Max's young charge. Put this one on your shelf of modern masterpieces. --Mark Englehart

SLC Punk

Saving Private Ryan

Amazon.com essential video When Steven Spielberg was an adolescent, his first home movie was a backyard war film. When he toured Europe with Duel in his 20s, he saw old men crumble in front of headstones at Omaha Beach. That image became the opening scene of Saving Private Ryan, his film of a mission following the D-day invasion that many have called the most realistic--and maybe the best--war film ever. With 1998 production standards, Spielberg has been able to create a stunning, unparalleled view of war as hell. We are at Omaha Beach as troops are slaughtered by Germans yet overcome the almost insurmountable odds.

A stalwart Tom Hanks plays Captain Miller, a soldier's soldier, who takes a small band of troops behind enemy lines to retrieve a private whose three brothers have recently been killed in action. It's a public relations move for the Army, but it has historical precedent dating back to the Civil War. Some critics of the film have labeled the central characters stereotypes. If that is so, this movie gives stereotypes a good name: Tom Sizemore as the deft sergeant, Edward Burns as the hotheaded Private Reiben, Barry Pepper as the religious sniper, Adam Goldberg as the lone Jew, Vin Diesel as the oversize Private Caparzo, Giovanni Ribisi as the soulful medic, and Jeremy Davies, who as a meek corporal gives the film its most memorable performance.

The movie is as heavy and realistic as Spielberg's Oscar-winning Schindler's List, but it's more kinetic. Spielberg and his ace technicians (the film won five Oscars: editing (Michael Kahn), cinematography (Janusz Kaminski), sound, sound effects, and directing) deliver battle sequences that wash over the eyes and hit the gut. The violence is extreme but never gratuitous. The final battle, a dizzying display of gusto, empathy, and chaos, leads to a profound repose. Saving Private Ryan touches us deeper than Schindler because it succinctly links the past with how we should feel today. It's the film Spielberg was destined to make. --Doug Thomas

Saw (Widescreen Edition)

Secret Window

Amazon.com Johnny Depp gets high off another acting challenge in this tricky adaptation of a Stephen King yarn. Although the mood is too sinister to allow for the mischief of his Pirates of the Caribbean turn, Depp still manages to embroider his role here with plenty of quirky business. He plays a writer, depressed and nearly divorced, who's stuck in an isolated cabin (shades of The Shining) when a stranger (John Turturro) arrives, accusing him of plagiarism. Writer-director David Koepp (Stir of Echoes) does his best to make the rickety material compelling--he gets the maximum out of the cabin set, for instance--but the problems inherent in the King story eventually win out. The climactic scenes are particularly unpleasant, especially in contrast to the cleverness of Depp's performance. A Philip Glass score adds class, but this one ultimately feels like a disappointment. --Robert Horton

Seven (New Line Platinum Series)

Description A retiring cop and his replacement track a psychotic killer who's using the seven deadly sins as a guide. Starring Brad Pitt, Morgan Freeman and Gwyneth Paltrow.

Shrek 2 (Widescreen Edition)

Signs (Vista Series)

Snatch (Special Edition)

Spaceballs (Collector's Edition)

Spider-Man (Widescreen Special Edition)

Star Wars - Episode II, Attack of the Clones (Widescreen Edition)

Stargate (Ultimate Edition)

Starsky & Hutch (Widescreen Edition)

State of Grace

Amazon.com Overshadowed by GoodFellas when it was released in 1990, State of Grace gradually emerged as one of the best New York gangster films of its decade. It was also the first to feature the Irish American mob known as the Westies. Here, their territory west of Times Square is being gentrified by an unwelcome infusion of yuppie cash, squeezing them into a reluctant alliance with Mafia kingpins. Frankie (Ed Harris) is the boss; little brother Jackie (Gary Oldman) is his volatile muscle; their friend Terry (Sean Penn) has returned from an extended absence, harboring a dangerous secret while rekindling his love for Frankie and Jackie's sister Kathleen (Robin Wright, Penn's future wife). Giving one of his scariest, most violent performances, Oldman offers stark, brutal contrast to Harris's pent-up fury, while Penn breathes life into his character's standard-issue dilemma. A former protégé of Steven Spielberg's, director Phil Joanou handles this gritty potboiler with confident, unobtrusive style, ramping up the tension of divided loyalties, even as the plot grows increasingly familiar. --Jeff Shannon

Strange Days

Suicide Kings

Super Size Me

Amazon.com Filmmaker Morgan Spurlock, rejected five times by the USC film school, won the best director award at the 2004 Sundance Film Festival for this alarmingly personal investigation into the health hazards wreaked by our fast food nation. Under extensive medical supervision, Spurlock subjects himself to a steady diet of McDonald's cuisine for 30 days just to see what happens. In less than a week, his ordinarily fit body and equilibrium undergo dark and ugly changes: Spurlock grows fat, his cholesterol rockets north, his organs take a beating, and he becomes subject to headaches, mood swings, symptoms of addiction, and lessened sexual energy. The gimmick is too obvious to sustain a feature documentary; Spurlock actually spends most of the film probing insidious ways that fast food companies worm their way into school lunchrooms and the hearts of young children who spend hours in McDonald's playrooms. French fries never looked more nauseating. --Tom Keogh

Sweet Home Alabama

Swordfish

Tetsuo II: Body Hammer

The Adventures of Indiana Jones (Raiders of the Lost Ark/The Temple of Doom/The Last Crusade) - Widescreen

The Ben Stiller Show

Amazon.com For its brief and shining moment--12 aired episodes, to be exact--The Ben Stiller Show, which aired on Fox in 1992, recaptured the anarchic spirit and subversively funny voice of first-season Saturday Night Live and SCTV. More too-hip-for-the-room than ahead of its time, the show suffered dismal ratings and was unceremoniously cancelled. It then went on to win an Emmy for best writing and attract a fervent following, enhanced by the fact that the series has seldom been syndicated. This long-awaited DVD release fills not a void, but an abyss. To watch Stiller, Janeane Garofalo, Andy Dick, and a pre-Mr. Show Bob Odenkirk at the dawn of their mostly unconventional careers, romp in the show's opening is akin to watching the Beatles frolic on that football field in A Hard Day's Night. Stiller and company's pitch-perfect and intimately observed skewering of movies, television, and show business convention could be exhilarating, as witness "Woody Allen's Bride of Frankenstein" (you'll never watch another Allen film with a straight face again), "Cape Munster," with Stiller as a psychopathic and vengeful Eddie Munster, "Skank," a potent comment on the crass programming that was initially Fox's stock in trade, and even brilliant riffs on the seminal reality series Cops, which re-imagine the series in witch-hysteric Salem, Massachussetts, ancient Egypt, and medieval times.

In addition to the cast's uncanny impersonations (Stiller's Bono, Tom Cruise, Bruce Springsteen, Daniel Day-Lewis, and Bruce Willis, and Garofalo's Juliette Lewis), The Ben Stiller Show was home to a gallery of recurring characters--agent Michael Pheret, the No, No, No Guy--who, thankfully, SNL producer Lorne Michaels was not around to parlay into godawful films. The topical humor can't help but date some of the material (the show is a veritable Trivial Pursuit of pop culture references, from The Partridge Family to Beverly Hills 90210, but the brilliance of the writing and sheer abandon of the performances are still a joy to behold. --Donald Liebenson

Description The funniest show you never saw - starring Ben Stiller - is now available as a fully-loaded 2-disc DVD set, featuring all 12 regular season episodes plus an originally unaired episode. This cutting-edge Emmy-award winning sketch comedy show aired on Fox in the 1992-93 season and in syndication on Comedy Central.

The Big Lebowski

The Big One

The Chronicles of Riddick (Widescreen Unrated Director's Cut)

The Game

The Goonies

The Hebrew Hammer

Amazon.com A cross between a Kosher Shaft and Airplane!'s shameless gag machine, The Hebrew Hammer is an unabashed burlesque about a streetwise Jewish private detective (a "circumcised dick" in his own parlance) named Mordechai Jefferson Carver (Adam Goldberg). Once ostracized by Gentile children, Mordechai has become a much-feared defender of Jews, so extreme that even the militant Jewish Justice League tosses him out. Until, that is, JJL leader Chief Bloomenbergansteinhal (Peter Coyote) and his lovely daughter Esther (Judy Greer) recruit him to take on the wicked Damien (Andy Dick), a snippy anti-Semite who murders Santa Claus in order to turn Christmas into a Jew-hating holiday. Written and directed by Jonathan Kesselman, this sporadically funny feature is based on a funkier short (included on this DVD) of the same name. The cast is better than the generally obvious material, and Nora Dunn (as Mordechai's mother) and Mario Van Peebles are very good in supporting roles. --Tom Keogh

Description THE HEBREW HAMMER stars Adam Goldberg in the title role of this holiday farce as a handsome Orthodox stud and man of action who is called upon to save Hanukkah. When Santa Claus’ evil son Damian (Dick) is pushed over the edge by his father’s liberal policies, he murders the Christian patriarch and, stepping into the vacated role, launches a nefarious worldwide campaign to eradicate the Jewish Holiday. The Hammer joins forces with Esther (Greer), the gorgeous daughter of the chief of the Jewish Justice League to topple Damian and save Hanukkah for future generations.

The Italian Job (Full Screen Edition)

The Lord of the Rings - The Fellowship of the Ring (Platinum Series Special Extended Edition)

Amazon.com essential video In every aspect, the extended-edition DVD of Peter Jackson's epic fantasy The Lord of the Rings: The Fellowship of the Ring blows away the theatrical-version DVD. No one who cares at all about the film should ever need to watch the original version again. Well, maybe the impatient and the squeamish will still prefer the theatrical version, because the extended edition makes a long film 30 minutes longer and there's a bit more violence (though both versions are rated PG-13). But the changes--sometimes whole scenes, sometimes merely a few seconds--make for a richer film. There's more of the spirit of J.R.R. Tolkien, embodied in more songs and a longer opening focusing on Hobbiton. There's more character development, and more background into what is to come in the two subsequent films, such as Galadriel's gifts to the Fellowship and Aragorn's burden of lineage. And some additions make more sense to the plot, or are merely worth seeing, such as the wood elves leaving Middle-earth or the view of Caras Galadhon (but sorry, there's still no Tom Bombadil). Extremely useful are the chapter menus that indicate which scenes are new or extended.

Of the four commentary tracks, the ones with the greatest general appeal are the one by Jackson and cowriters Fran Walsh and Philippa Boyens, and the one by 10 cast members, but the more technically oriented commentaries by the creative and production staff are also worth hearing. The bonus features (encompassing two complete DVDs) are far superior to the largely promotional materials included on the theatrical release, delving into such matters as script development, casting, and visual effects. The only drawback is that the film is now spread over two discs, with a somewhat abrupt break following the council at Rivendell, due to the storage capacity required for the longer running time, the added DTS ES 6.1 audio, and the commentary tracks. But that's a minor inconvenience. Whether in this four-disc set or in the collector's gift set (which adds Argonath bookends and a DVD of National Geographic Beyond the Movie: The Lord of the Rings: The Fellowship of the Ring), the extended-edition DVD is the Fellowship DVD to rule them all. --David Horiuchi

Description DISCS 1-2: The Feature
Unique version of the epic adventure with over 30 minutes of never-before-seen footage incorporated into the film and new music scored by Academy Award(r)-winning composer Howard Shore (approx. 208 minutes); four audio commentaries by director and writers, the design team, the production team, and the cast featuring more than 30 participants including Peter Jackson, Fran Walsh, Elijah Wood, Ian McKellen, and Academy Award(r) winners Richard Taylor, Andrew Lesnie, Howard Shore, Jim Rygiel, Randy Cook, and many more.

DISCS 3-4: The Appendices
Two discs with hours of original content including multiple documentaries and design/photo galleries with thousands of images to give viewers an in-depth behind-the-scenes look at The Lord of the Rings: The Fellowship of the Ring

DISC 3: "From Book to Vision":
Adapting the book into a screenplay & plannin g the film
Designing and building Middle-earth
Storyboards to pre-visualization
Weta Workshop visit: An up-close look at the weapons, armor, creatures, and miniatures from the film
Atlas of Middle-earth: Tracing the journey of the Fellowship
An interactive map of New Zealand highlighting the location scouting process
Galleries of art and slideshows with commentaries by the artists
Guided tour of the wardrobe department
Footage from early meetings, moving storyboards, and pre-visualization reels
And much more!

DISC 4: "From Vision to Reality":
Bringing the characters to life
A day in the life of a hobbit
Principal photography: Stories from the set
Scale: Creating the illusion of size
Galleries of behind-the-scenes photographs and personal cast photos
Editorial and visual effects multi-angle progressions
Sound design demonstration
And much more!

DVD-ROM Content: Includes access to exclusive online features

The Lord of the Rings - The Two Towers (Platinum Series Special Extended Edition)

Amazon.com The extended edition of The Lord of the Rings: The Fellowship of the Ring was perhaps the most comprehensive DVD release to date, and its follow-up proves a similarly colossal achievement, with significant extra footage and a multitude of worthwhile bonus features. The extended version of The Two Towers adds 43 minutes to the theatrical version's 179-minute running time, and there are valuable additions to the film. Two new scenes might appease those who feel that the characterization of Faramir was the film's most egregious departure from the book, and fans will appreciate an appearance of the Huorns at Helm's Deep plus a nod to the absence of Tom Bombadil. Seeing a little more interplay between the gorgeous Eowyn and Aragorn is welcome, as is a grim introduction to Eomer and Theoden's son. And among the many other additions, there's an extended epilogue that might not have worked in the theater, but is more effective here in setting up The Return of the King. While the 30 minutes added to The Fellowship of the Ring felt just right in enriching the film, the extra footage in The Two Towers at times seems a bit extraneous--we see moments that in the theatrical version we had been told about, and some fleshed-out conversations and incidents are rather minor. But director Peter Jackson's vision of J.R.R. Tolkien's world is so marvelous that it's hard to complain about any extra time we can spend there.

While it may seem that there would be nothing left to say after the bevy of features on the extended Fellowship, the four commentary tracks and two discs of supplements on The Two Towers remain informative, fascinating, and funny, far surpassing the recycled materials on the two-disc theatrical version. Highlights of the 6.5 hours' worth of documentaries offer insight on the stunts, the design work, the locations, and the creation of Gollum, and--most intriguing for rabid fans--the film's writers (including Jackson) discuss why they created events that weren't in the book. Providing variety are animatics, rough footage, countless sketches, and a sound-mixing demonstration. Again, the most interesting commentary tracks are by Jackson and writers Fran Walsh and Philippa Boyens and by 16 members of the cast (eight of whom didn't appear in the first film, and even including John Noble, whose Denethor character only appears in this extended cut). The first two installments of Peter Jackson's trilogy have established themselves as the best fantasy films of all time, and among the best film trilogies of all time, and their extended-edition DVD sets have set a new standard for expanding on the already-epic films and providing comprehensive bonus features. --David Horiuchi

Description Not seen in theaters, this unique version of the epic adventure features over 40 minutes of new and extended scenes integrated into the film by the director. DVD set consists of four discs with hours of original content including multiple documentaries, commentaries and design/photo galleries with thousands of images to give viewers an in-depth behind-the-scenes look at the film. Frodo Baggins and the Fellowship continue their quest to destroy the One Ring and stand against the evil of the dark lord Sauron. The Fellowship has divided and now find themselves taking different paths to defeating Sauron and his allies. Their destinies now lie at two towers - Orthanc Tower in Isengard, where the corrupted wizard Saruman waits and Sauron's fortress at Baraddur, deep within the dark lands of Mordor.

The Majestic

The Mummy (Widescreen Collector's Edition)

Amazon.com If you're expecting bandaged-wrapped corpses and a lurching Boris Karloff-type villain, then you've come to the wrong movie. But if outrageous effects, a hunky hero, and some hearty laughs are what you're looking for, the 1999 version of The Mummy is spectacularly good fun. Yes, the critics called it "hokey," "cheesy," and "pallid." Well, the critics are unjust. Granted, the plot tends to stray, the acting is a bit of a stretch, and the characters occasionally slip into cliché, but who cares? When that action gets going, hold tight--those two hours just fly by.

The premise of the movie isn't that far off from the original. Egyptologist and general mess Evelyn (Rachel Weisz) discovers a map to the lost city of Hamunaptra, and so she hires rogue Rick O'Connell (Brendan Fraser) to lead her there. Once there, Evelyn accidentally unlocks the tomb of Imhotep (Arnold Vosloo), a man who had been buried alive a couple of millennia ago with flesh-eating bugs as punishment for sleeping with the pharaoh's girlfriend. The ancient mummy is revived, and he is determined to bring his old love back to life, which of course means much mayhem (including the unleashing of the 10 plagues) and human sacrifice. Despite the rather gory premise, this movie is fairly tame in terms of violence; most of the magic and surprise come from the special effects, which are glorious to watch, although Imhotep, before being fully reconstituted, is, as one explorer puts it, rather "juicy." Keep in mind this film is as much comedy as it is adventure--those looking for a straightforward horror pic will be disappointed. But for those who want good old-fashioned eye-candy kind of fun, The Mummy ranks as one of choicest flicks of 1999. --Jenny Brown

The Mummy Returns (Widescreen Collector's Edition)

The Other Sister

The Passion of the Christ (Widescreen Edition)

The Princess Bride (Special Edition)

The Royal Tenenbaums (The Criterion Collection)

Description Royal Tenenbaum (Gene Hackman) and his wife Etheline (Anjelica Huston) had three children-Chas, Margot, and Richie-and then they separated. Chas (Ben Stiller) started buying real estate in his early teens and seemed to have an almost preternatural understanding of international finance. Margot (Gwyneth Paltrow) was a playwright and received a Braverman Grant of $50,000 in the ninth grade. Richie (Luke Wilson) was a junior champion tennis player and won the U.S. Nationals three years in a row. Virtually all memory of the brilliance of the young Tenenbaums was subsequently erased by two decades of betrayal, failure, and disaster. The Criterion Collection is proud to present Wes Anderson's hilarious, touching, and brilliantly stylized study of melancholy and redemption.

The Rundown (Widescreen Edition)

The Sixth Sense (Collector's Edition Series)

Amazon.com essential video "I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole.

This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart

The Sum of All Fears

The Truth About Cats & Dogs

The Usual Suspects

Timeline (Widescreen Edition)

Troy (Two-Disc Widescreen Edition)

Ultrachrist!

Description What would Jesus (Jonathan C. Green) do if he returned to Earth and discovered that he was wildly out of touch with today's youth? In Ultrachrist!, he dons a Spandex costume and goes out into the streets of New York City to fight sin wherever it rears its ugly head. His disapproving Father (Don Creech) wants him to minister as he did 2000 years ago. The Antichrist, in the guise of the New York City Park's Commissioner (Samuel Bruce Campbell), resurrects a legion of famous sinners to destroy him. And when the beautiful seamstress Molly (Celia A. Montgomery) tempts Ultrachrist with Earthly love, his own inner hang-ups guarantee that redemption will not come easily.

Unbreakable (Vista Series)

Underworld (2-Disc Unrated Extended Cut)

Vanilla Sky

Westworld

Amazon.com Welcome to Delos, the high-tech Disneyland for adults that Michael Crichton created for Westworld, a nifty science fiction thriller from 1973 that also marked the popular novelist's feature-film directorial debut. The movie is so named because the vacationing buddies who travel to Delos (James Brolin, Richard Benjamin) choose Westworld as their destination (the other choices being Roman World and Medieval World), where they are free to indulge their movie-inspired fantasies of the Wild West. From brothel beauties to black-hatted gunslingers (like the villain played by Yul Brynner), the place is populated by perfectly humanlike robots programmed and monitored to cater to every guest's fancy. But fun turns into abject horror when the robots--particularly Brynner's badman--begin to malfunction and Delos turns into an amusement park that's anything but amusing. Westworld has moments of camp and the look of a low-budget backlot production, but two decades before Crichton revamped his idea to create Jurassic Park, this movie made the most of its interesting and exciting premise. --Jeff Shannon

Without A Paddle (Widescreen Edition)

Description In WITHOUT A PADDLE, three friends from Philadelphia decide to go on a canoeing trip in Oregon after the death of a friend. While canoeing down the Columbia River, the trio soon finds themselves in trouble as the river turns dangerous and they encounter a crazy mountain man who lives nearby.

X-Men 1.5

X2 - X-Men United (Widescreen Edition)

Zero Effect

Amazon.com Zero Effect follows private investigator Daryl Zero and Steve Arlo, his reluctant representative, through one particularly tangled case involving blackmail, murder, revenge, and a set of lost keys. Zero is the world's best private investigator, suave and totally in control while on a case, but socially inept when off the job. The diversely talented and prolific Bill Pullman is excellently cast as Zero, switching seamlessly from one persona to the next, and the ever-charming Ben Stiller is his perfect sidekick. In a deadpan description of his method, or the "Zero Effect," Zero details his brilliance for Sherlock Holmes-like deductions, based on his strict adherence to objectivity and observation, or, in Zero parlance, "the obs." Somewhat predictably the obs falter when the case of the missing keys brings Zero to Gloria Sullivan, a winsome and mysterious paramedic played by Kim Dickens. Thankfully, writer-director Jake Kasdan is no less brilliant than the Zero he creates, and the potential corniness of the developing romance is balanced by a razor-sharp wit and the nail-biting suspense of the unfolding plot. --Laska Jimsen