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| Earliest
digital image I'll show here -- others are too pathetic. I seemed to feel the need for some wide-open spaces. Basically crap, but fun to do. |
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| Now this one took me a bit out of a state of slight boredom. Somewhere in
this was a something I recognized as a tad deeper than the previous paintings -- not much, but something. |
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| Encouraged by the
last painting, I tried this more elaborate painting. I used the
capabilities of digital art more freely and found myself actually paying some attention to the process. Thought I'd like to wander about in this world a while. |
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| So far, all these landscapes began as simple pastel sketches, but soon were much modified using digital programs. |
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| While I enjoyed doing this one, I was a little frustrated. I had begun thinking about some new ideas... | ||
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| It seems I wanted some "physicality" to my abstract, some dimension and modeling, certainly color. | ||
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| This one surprised me -- what, a mixture of abstract and the prosaically real? But it did make me feel good when it was finished. |
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| This was a breakthrough for me, and wouldn't have been without my having done the previous abstractions. Now, I no longer felt restricted by the ideas I had not known were binding me. I could now be abstract about real subjects, and I could be realistic about abstract ones. |
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| I
quickly applied what I had learned to a pastel sketch of an image in one of my mallard photos then made many modifications and elaborations. |
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| I rarely work from the images of others, but a news photo caught my eye. To isolate the image, I did a white chalk sketch of the part that interested me, and worked from that. During the longish digital manipulation of my scanned image, I tried to maintain and enhance the "chalkiness" of the image. This smaller version loses some of the detail of that chalkiness. |
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| *** END OF DIGITAL PAINTINGS ONE *** |