Doctor Who: Turn Left
June 22 2008 01:57 Filed in:
Television
It’s quite difficult to judge
Turn Left
on its own merits. It mostly
exposition rolled into a fairly threadbare plot regarding whatever
this time beetle thingy is attached to Donna. At least we can tick
off the bit of foreshadowing from Fires of Pompeii now about what Donna has “on her
back.”
It’s
starts interestingly enough. Through some forces we don’t quite
understand, Donna is put back into a position to relive a small
moment in her life where a single decision was a catalyst for a
series of events that changed the course of life on Earth. That
event was simply making a right turn instead of a left one at an
intersection.
From this point on, we relive Donna’s life in pieces going back
to The Runaway
Bride, the story where
she is introduced – of course it was a full season later before she
came to the program as a regular. The first and most important
impact of her decision is that she never meets the Doctor and as a
consequence he dies in the first 10 minutes of the episode.
All of this transpired as kind of a recap of key moments from the
show from a new perspective as we interweave Rose Tyler back into
Doctor Who mythos. I hate to say it, but even though it’s great to
see Billie Piper back on the show again, an ultra-confident,
in-charge Rose just isn’t quite as interesting as the Rose we left.
It’s a necessary evil though. If we are to believe that she is some
big shot with Torchwood in her alternate universe then it would be
an insult to the audience to not have shown growth in the
character.
Some of the fun of this story is that we get to see glimpses of
people and events from the show’s past from a different
perspective, as well as some references to Torchwood and The
Sarah Jane Adventures.
None of the non-Doctor Who references are vital, but they are at
least fun. For a long term Doctor Who fan, for instance, the death of Sarah Jane Smith
seems almost unthinkable…along with a fair amount of other death
and craziness from the alternate timeline.
As some of you know, this is the season’s obligatory “doctor-lite”
episode. Somewhere in the second half of each season we now have a
story that does not feature the main character prominently. The
reasons are not worth exploring here. Last year, we got the
outstanding Blink in this slot. The year before, we got
Love and
Monsters, arguably one of
the lowest points in the 40+ year history of the program.
Turn Left
falls into the average category or
slightly above.
The only real problem with it is that there doesn’t seem to be much
point in any of it other than just to reintroduce Rose Tyler and to
tease the story arc conclusion which is coming up over the next two
weeks.
What really gives the episode its punch is the final couple of
minutes where we pick up Donna trying to recollect the events of
this alternate time-line. As we feel the episode winding down it
suddenly explodes and catapults us into high emotion and
expectation for the next two episodes and thrusting us back in a
shocking way to events that happened way back in series 1.
I would have to rank this episode as somewhat satisfying, but not
outstanding. Apart from the suprising ending, we do get to see
fantastic performances from Catherine Tate as Donna, Bernard
Cribbins and Jacqueline King, who I have been very lukewarm on in
this series as Donna’s mother, but gives her finest turn in the
role yet. If nothing else, we finish with a strong sense that the
next two weeks could be pretty exciting as RTD closes out his final
regular season as producer of the show.
Tags: Reviews|Doctor Who