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Biographies and
editing letters
Letters
Leon Edel offers useful guidelines in his preface to
the Letters of Henry James.
"Among scholars the discussion is interminable: how should letters be edited?
Some seem to believe that modern letters should be reproduced almost as if they
were photographs of the original. Is this valid in an age of photography? It
seems to me when letters are translated from handwriting to print, they should
be edited to be read as one reads books: with an avoidance of brackets and an
economy of footnotes. The & should certainly read "and," and all abbreviations
and shortcuts of hasty writing deserved to be spelled out. Simon Nowell Smith,
in a charming lecture on "Authors, Editors and Publishers," raised his voice
rightly think against the bracketed sic when used immoderately, or the
reproduction of obvious spelling mistakes anyone might make when writing in a
hurry. Modern scholarship has perhaps been rigid in believing that what applied
to ancient manuscripts may be applied to the modern. I have made silent
corrections when they were obviously called for; but where there has been a
significant slip of the pen I have indicated it in footnotes or kept it in the
text... As for the footnotes, I have preferred to be simply informative, with a
strong feeling that if one carried footnotes to the extreme one could end up
writing a history of all civilization. I see no need to give full names and
dates for every name in the letters. ...Such footnotes as I have included are
bibliographical or historical; identifications are made when they involved
persons we meet repeatedly. I have tried to offer an answer wherever a reader
might ask a questions. "
My first job out of college was as a fact checker and picture researcher (at the Franklin Mint, outside Philadelphia PA). I hadn't known such jobs existed, and I'd never read so much from American Heritage. I eventually went to library school knowing I wanted to work in some sort of specialized library or research setting. The following books and websites have been sources of inspiration and information as I've learned more about the 19th century and EJ Phillips' world.
Barnet, A.
Alison, Extravaganza King: Robert Barnet and Boston Musical Theater,
Northeastern University Press, 2004

http://books.google.com/books?id=wrMZbMEirCQC&dq=alison+barnet+extravaganza+king&source=gbs_navlinks_s
Belfer, Lauren, City of
Light, Island Books, 2000 [Random House 1999]
http://www.randomhouse.com/boldtype/0599/belfer/
Author interview
http://www.randomhouse.com/boldtype/0599/belfer/essay.html "a hundred years
ago, Buffalo was one of the centers of America, the commercial gateway between
East and West, a place of incredible wealth, sophistication, and innovation, the
Silicon Valley of its day."
Hershey Felder,
George Gershwin Alone, Production Diary, Hershey Felder
http://www.jewish-theatre.com/visitor/article_display.aspx?articleID=585
I never expected to find descriptions of someone doing research at the Library
of Congress sound so glamorous -- and a wonderful performer as well.
Fraser, Antonia: The Weaker Vessel: Women in 17th century England, New York, Knopf, 1984. Recommended by Flora Fraser.
Fraser, Flora, Princesses: The six daughters of George III, New York: Knopf, 2005
Michael Holroyd, Works on Paper: The Craft of Autobiography and Biography Writing, Counterpoint Press, 2002
Richard Holmes,
Footsteps: Adventures of a Romantic Biographer , Viking Penguin
1985
I learned from this book from a Jean Strouse interview on the web and love
Holmes' story of bouncing a cheque -- because he dated it 1776 instead of
1976.
Keith Newlin, Editing Hamlin Garland, Keith Newlin http://people.uncw.edu/newlink/garland/editing.htm
Merritt Lee Nickinson Schatz, Kiss the Children for Father: Letters from a Civil War Prisoner at Fort Pickens, Pensacola Historical Society I'm not the first in my family to edit a collection of letters, though this is from another branch of my family. http://www.amazon.com/Kiss-Children-Father-Pensacola-Historical/dp/B0006CMC26/ref=sr_1_11?s=books&ie=UTF8&qid=1291008826&sr=1-11
Catherine Osborne,
director of Burnt Over by Dorothy Fortenberry, New York, March 2005
http://www.keyfitz.org/journeyman/shows/burnedover/synopsis.html
A play with a plot revolving around 1840's family letters. Mary
Glen and Osbornes in New York
Linda Osborne and Casey King, Oh, Freedom, Kids talk about the civil rights movement with the people who made it happen Knopf, 1997
Jean Strouse, Alice James: A Biography Harvard University Press, 1999. I heard Jean Strouse speak at a New England PEN meeting in Cambridge. She told of visiting Alice James grave in the Cambridge Cemetery family plot and finding herself feeling terribly sorry for Alice -- and realized she was duplicating James family experiences.
Jean Strouse on JP Morgan , 2003 http://www.bookreporter.com/authors/au-strouse-jean.asp
AJA Symonds, The Quest for Corvo: An Experiment in Biography,
Laurel Thatcher Ulrich, A Midwife's Tale: The Life of Martha Ballard Based on her diary 1785-1812, Knopf, 1990
Vowell, Sarah,
Assassination Vacation, New York: Simon & Schuster, 2005
http://www.barclayagency.com/vowell.html Lincoln, Garfield and McKinley and
various travels to trace their histories. The Partly Cloudy Patriot, Simon &
Schuster, 2002
http://www.amazon.com/gp/product/0743223527/104-6441822-4095967?v=glance&n=283155
Wickenden Dorothy
Nothing Daunted: The Expected Education of Two Society Girls in the West, 2011
http://www.amazon.com/Nothing-Daunted-Unexpected-Education-Society/dp/1439176582/ref=sr_1_1?s=books&ie=UTF8&qid=1309146002&sr=1-1
Dorothy Wickenden is an editor at the New Yorker. Dorothy Wickenden on
Nothing Daunted
http://www.newyorker.com/online/blogs/books/2011/06/the-exchange-dorothy-wickenden-on-nothing-daunted-1.html
Roughing it June 2009
http://www.newyorker.com/reporting/2009/04/20/090420fa_fact_wickenden
Ragan, Robert, Deciphering old handwriting http://www.amberskyline.com/treasuremaps/oldhand.html from a course taught by Sabina Murray
Last updated June 26 , 2011
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