(Copyright 2002. The Tattoo. All rights reserved.)

Making a permanent impression since 1994
June 20, 2002
-- Television review --
Superstar or stinko: the choice is yours on American Idol
By Mike Nguyen
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Watching
the Fox's new American Idol is like
watching a conveyer belt of pop star wannabe's go through one door all shiny and
giggly, and out the other tearful and in obvious emotional distress.
But,
hey, it's the most entertaining conveyor belt I've ever seen.
The
show's premise is half Big Brother,
half Popstars.
Take
thousands of tone-deaf idealists and crush them into depression with the most
unsympathetic and witty British person since Anne Robinson from Weakest
Link. His name is Simon Cowell.
Remind
me never to live in
Anyway,
back to the show, where Cowell and his two other judges, producer Randy Jackson
and 90s pop icon Paula Abdul, go city to city searching for the next big thing.
They're
in search of the next solo artist that will hit it big in the States instantly.
But
very few are singing the tunes of Christina and Britney. Most of the songs are
classics and are older than the young teenage performers the show is looking
for.
Cowell
dispenses harshest judgments:
"You
have no talent.”
"Get
a lawyer and sue your voice teacher."
"You're
a loser.”
And
the crowd favorite: "That was just awful.”
Those
are only the kindest of Cowell's quips on the performers' appearance, voice and
attitude.
Sure,
it's harsh, but it makes for some great entertainment -- and never it's far from
the truth.
That's
the hook, but American Idol is so much
more.
The
judges, for the first few episodes, narrowed it down to 30 bright hopefuls, and
ten by ten, they competed for a spot in the Final Ten.
How
do they get it?
Well,
by us, the viewers.
Each
Tuesday, contestants sing their little hearts out for a minute or two, and then
face the arduous task of facing the judges and taking their criticisms.
But
the power is in the viewing audience, and at the end of each show, they vote for
who they like the most.
Winners
are announced on Wednesday.
The
final ten will live together and again perform each week to beg desperately for
votes, because the contestant with the fewest votes from viewers will be gone
from the game each week until there's only one American Idol left singing.
Calls
are toll free, so viewers can vote as much as you like.
The
show is a copycat of the British show Pop
Idol, in which Cowell was infamously involved as a judge.
Not
only did the winner, Will Young, win the contract under Cowell's BMG record
company, but so did runner up Gareth Gates.
Others
from the Final Ten have been signed or are close to getting a deal themselves.
Both
Young and Gates have giant record-breaking hit records in
Young
received more phone votes in the short two hour span after his final performance
than the Conservative Party received in
Fox
is looking for the same success.
So
far, American Idol is growing in viewership and it's only on its second
week.
I
mean, who wouldn't be entertained in hearing their favorite classics sung by
some fresh young talent.
If
you don't, you'll be sure to like "Nasty Simon's" remarks.
As
the contestants get better, his mouth only gets sharper, critiquing everything
from their choice of clothing, song and appearance, their singing ability,
posture, breathing … anything and everything he can get his mouth on.
It's
funny, in a sad way.
You
can't help but feel bad for some of the contestants, but, hey, it's brutal
honesty.
There
are no Survivor twists, or The Mole
sabotage, just pure talent and looks.
And
in the end, it not only going to be a great and successful series, but more than
one successful recording artist will come out of it.
So
if you have a slow summer night midweek, catch American
Idol, airing at
Watch
it while it's still early, and don't miss any of the potential superstars,
because if a ugly, no-talent kid becomes the next Madonna or Elvis, you have no
one to blame but yourself.
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