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January 3, 2011



-- Review --

Black Swan is no ugly duckling


By Vipasha Shaikh


Junior Reporter, Youth Journalism International

TORONTO, Canada – The premise of Black Swan is to be expected – that is, it’s to be expected from a director like Darren Aronofsky, who made films like The Wrestler, Pi and Requiem for a Dream.

All these movies deal with characters who are paranoid, emotionally disturbed, hallucinogenic or suffering from depression or heartbreak.

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Black Swan

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Arnofsky looks at how these traits come about in a person, whether he or she is addicted to drugs, or has a career that is physically and mentally demanding, like say, wrestling.

In Black Swan, Arnofsky turns our attention to the ballet world and introduces us to the character of Nina Sayers, the newly crowned “Swan Queen,” for an unnamed ballet company’s newest production of Swan Lake.

Swan Lake is a world-heralded ballet production – a story about a girl who morphs into a white swan and chases after a prince who she thinks loves her.

However, just as she makes a move, her evil twin, the Black Swan, comes in and snatches her prince away.

The White Swan suffers from heartbreak and dies. It is this strange duality of the Black Swan and the White Swan that frames this movie. It revolves around such dichotomies such as innocence and darkness, sane and insane, and frigid and seductive. Nina is ‘the White Swan,’ this fragile, innocent character who can so easily be broken. Nina’s fragility costs her as she tries to become the Black Swan, going from sweet and nice to mentally disturbed over the course of rehearsals.

To me, Black Swan is ultimately about arrested development and mental illness. Nina Sayers – played to perfection by Natalie Portman – is a ballerina who still lives with her mother as if she were a little girl.

Her room is pink, her mother constantly watches over her, and she lives a very rigid lifestyle. In a way, it’s like she’s been guarded from the cruelties of life for so long.

When she deals with something as complex and frustrating as this role she’s given – she has to play both the White and Black Swan – it becomes that much easier for her to suffer in a such a terrifying way.

I was scared when I watched the Black Swan. Being dubbed as a ‘psychological thriller,’ it works on every level to show that sometimes one’s own version of the world can become so potent that it becomes hard to tell what’s real and what isn’t, especially when your hallucinations seem more real than actual reality.

Everything about this movie, from the cinematography to the choreography to the acting, works to show us just how scary it can be to go from complete innocence to utter darkness.

I hope Black Swan wins a lot of accolades come awards season, for it stands as one of 2010’s strongest movies.


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