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Overview and
Background
After a few years of
building and flying RC planes I decided that I needed a hobby where I wasn’t
restricted by the number of people competing for air time, the location, day of
the week, the weather, or even my inability to land and keep either of my two
planes in one piece. I also had found memories of the trains I use to see as a
youngster growing up in California’s San Juaquin Valley. This lead me to
abandon RC planes for model trains. After purchasing every book I could get my
hands on and subscribing to a number of model railroading magazines I decided to
go with N-Scale; it was simply that I figured I could do more with less space as
I was living in small apartments and condos.
My first N-Scale
adventure was a Bachman N-Scale tabletop set that had a 9” radius oval and ran
on the coffee table of the corporate apartment I was staying at in Baton Rouge,
Louisiana. I ran it around in circles as I began thinking about the type of
layout I wanted. I then purchased some railroad planning software, some more
books on layout design, and began designing what my dream layout would be.
Having lived in the Bakersfield area for so long I dreamed of Santa Fe and
Southern Pacific as well as the infamous Tehachapi Loop. My tastes were more
modern though…container trains, extra height boxcars, and locomotives that were
just beginning to get wide cabs struck my fancy. I kept designing and designing
and let’s just say that this went on for a few years with no progress other than
some drawings and dreams—I had become a virtual model railroader. I came back
to Southern California and as I visited open houses for clubs like
Belmont Shores and
East Valley Lines I decided that I could design and redesign until I was
blue in the face…I needed to build and run trains! However, I was being
relocated to Portland, OR so I had to wait a little longer.
After moving up to
Oregon one of the books that I had purchased was “6
HO Layouts You Can Build.” I immediately became absorbed in the “L.A.
Harbor” articles that had been written by Robert Smaus. I had just spent two
years prior living in the San Pedro, CA area just blocks from where the 110
Freeway ended at L.A. Harbor. The more I studied his track plan and the
scenery, the more I knew that this would be a great place to start. I was very
familiar with the container docks of the harbor, the Wilmington Bulk Oil
Refinery and Storage operated by Tosco, as well as much of the scenery of the
area that I had driven by every day. Besides, in N-Scale the articulated
container cars would actually fit in a siding! It was also at this time that I
had the good fortune to hook up with Lowell Smith and the gang at his store “The
Hobby Smith” in Portland. At “The Hobby Smith” Lowell runs both work and
operation nights every week on his “Oregon
Trunk” N-Scale layout. I quickly learned not only how to build a layout due
to the hands on tutoring that Lowell and the folks provide, but also that the
joy of operations were another huge aspect of the hobby. It was with Smaus’
track plan, my new layout construction skills, and newfound enthusiasm for
operations that I threw all of my other worthless “virtual” track plans in to
the trash.
L.A. Harbor Takes
Shape
With Smaus’ track
plan in hand and a great new railroad planning software package that hit the
market called “3rd
PlanIt” I recreated the L.A. Harbor track plan in N-Scale. I wanted to keep
it in a 2x6’ “module” that could easily be factored in to a larger track plan at
another time, but I was not going to sweat the details of what the overall
layout was going to look like. Smaus had a great track plan that helped to get
me off of my lazy butt, but in reviewing the track plan it was obvious where HO
limited its operational usefulness. One thing I didn’t like was that although
the plan had a run-around for an engine, operations were still limited as
switching leads were short and doubled as sidings for industries. As a result I
took his track plan, adapted it for N-scale and made the container sidings long
enough for 5 unit articulated cars as well as expanded the length of all the
other sidings. I then made a couple of other minor modifications that just show
why everything is better in N-scale! This was going to be my layout not on
paper, but for real.
Figure 1: L.A. Harbor

When construction
began I first I tried L-girder benchwork, as that was the current fad in all the
books and magazines. After taking this up stairs and seeing how unstable this
was as a free standing module on carpet I then quickly scrapped the lumber and
started again with open box benchwork, which provided much more stability.
Using corner clamps and dry wall screws it was also very quick and easy to put
together.
The harbor area
includes 2 container sidings for both YM and American President Lines,
fictitiously operated by Santa Fe and some old switchers instead of the Harbor
Lines of the prototype, which has its own little outdoor engine facility. There
is also a bulk fruit shipping building that was scratch built as well as a box
manufacturing company. On the “north” end of the module is where a very
compressed Tosco Wilmington Refinery and Bulk Oil Storage is kept. Just like in
the San Pedro / Long Beach area a couple of oil derricks will pump oil out of
old wells right between the roadway and the docks.
Figure 2: Various
Shots At L.A. Harbor
It was as I was
laying track that I also quickly committed to DCC: with such a small initial
layout, I still wanted to be able to have two to three engines going at once on
the module. Running Digitrax DCC on Lowell’s Oregon Trunk also showed me how
much fun it was to run trains vs. flipping power routing switches and making
sure blocks were all set up correctly.
I built the module
pretty much following Smaus’ write-up, leveraging what I had learned at
Lowell’s.
There are a few
things I would do differently now (like not use Sculptamold for the asphalt and
between tracks!), but things went together quite easily. I leveraged
photographs that I had taken of the real L.A. Harbor area as well as those found
on the internet for my backdrop. Over the course of about three years I worked
on the module, learned a lot, and found the switching operations entertaining.
However I kept wrestling with the problem that I had an entire room left to go
where trains could be doing a lot more work and where goods could go in and out
of L.A. Harbor. The exercise equipment that I never used had to go to make
room!
The Expansion
Although I wasn’t
nearly half way in to the scenery of the L.A. Harbor module I decided it was
time for the great expansion to begin. Since starting on the harbor area I had
also been inspired by a few more layouts including the
sweeping S curves on
Jack Parker’s Northern Pacific (“Great Model Railroads” 1995) as well as by
Bill Denton’s
Kingsbury Branch (Jan 1997 & May 1998 “Model Railroader Magazine”). I
decided that it was time to expand and to factor in what I liked about these
other layouts as well as what I had learned about operations at Lowell’s. I was
tempted to “stay with the prototype” since I had started with L.A. Harbor, but
after some thought I decided that for me “prototype” didn’t mean that I couldn’t
also freelance. Why not mix the best of both worlds together? I decided that
my layout was going to be a freelance, based on both the real prototype as well
as the best of other modeler’s railroads. For me, these other railroads were
inspirational enough to be my “prototypes”.
This lead me to come up with a design for the rest of the layout that would
occupy the 13 ½ x 10’ spare bedroom that I had taken possession of (my wife had
a small room for her doll collection so there was no problem negotiating my own
space for trains). After some initial designs and reviews I decided that I
wanted 18” minimum curves, a peninsula, and some staging areas. With some help
from Lowell the track plan was modified from a ‘W’ design that went around the
room and through a peninsula to one that was more point-to-point to better
facilitate operations. I’m still not done designing the final track plan, but I
have the mainline and major areas mapped out, leaving the details around the
sidings and major industries to fill in as I get to them. Over the years I had
at least learned that there was a time to design, a time to build, and a time to
run trains--you don’t have to have everything designed perfectly before building
something that you can enjoy.
Figure 3: Main
Level

Figure 4: Staging
Yards

The track concept is
rather simple: A harbor (to be possibly renamed soon) on the south side of the
room provides both local switching as well as a place for loads to originate and
end for the rest of the layout. Traffic moves counter clockwise (or “North”)
around a sweeping 18” radius curve that goes in to a peninsula that parallels
the harbor area. This area before the peninsula starts was supposed to be a
car-repair facility as well as a place for “Wonder Bread” to go (Wonder Bread
would be on Gaffey Street in San Pedro just on the other side of the freeway
from the docks—it requires covered hoppers full of grain, tank cars full of oil,
and box cars full of supplies as well as to ship out the finished product).
I’ve also been tempted to design in a “Train Town, CA” or “Greenfield, MI”-type
railroad museum in to this area so I have a good excuse for my one steam
locomotive, some older equipment, and a turntable I no longer seem to have a
current need for.
This peninsula cuts
right down the center of the room and contains a large siding as well as a small
one car siding at the mouth that is pretty much worthless (so much for designing
for operations!). It is off of the siding against the backdrop of this
peninsula where a grain elevator facility with extensive sidings, engine
runarounds, and operational switching opportunities is to go. Lowell and Pete
Johnson really enhanced the design of this industry siding to maximize
operations. A switching engine could spend much of a operation session just
filling covered hoppers one by one and building a section of cars to put on the
siding.
Figure 5:
Planned Grain Siding & Elevator


Once past the grain
industry siding the layout makes a large 18” radius 180 and returns down the
peninsula on the other side of the backdrop that splits it down the middle.
Whereas the grain industry side of the peninsula is more flat land that
transitions to rolling hills, this side is for mountains! A coal industry is
planed for this more rugged area. Past the coalmine there is a bridge that
spans a deep river cut and some sweeping S curves as the track works its way
“North” back to the East wall of the layout room. This is where a paper factory
or other large industry seems destined to be located in the future.
It is here that
another 18” radius curve swings the track around again to hug the North wall of
the room. This is where all 13 ½’ of “Kingsbury” goes. I don’t know what I’m
going to really name it, but the track plan represents the type of “city street”
switching that really caught my attention when I read the two articles and the
material on Bill Denton’s
web site. This could easily be renamed to Edison, Bakersfield, Fresno, or
some other city along the line. The bottom line is that it provides a ton of
switching work as well as an opportunity to model a city. Recently another
city-based layout featured in “Building
City Scenery for Your Model Railroad,” by John Pryke has received a lot of
press, but for now I think I’m going to stick with the Kingsbury track plan and
merge in some of the great stuff from this new book as I progress.
Figure 6:
"Kingsbury"

Past “Kingsbury” we
take over a closet and work our way back to a lower level yard for staging.
Figure 7: Various
Photos of the Expansion Progress
Future Plans
As you can see this
layout still has a lot of work to go. Benchwork still needs to be built under
where “Kingsbury” will go, the peninsula lacks any scenery, and L.A. Harbor
still has plywood showing at Tosco.
Pete Johnson
approached me about joining a round robin group where 4-5 guys building home
layouts in the Portland area would help each other out. I love the idea,
however, I must admit that the thought of having other folks help work on my
layout scared me at first. It wasn’t that I was afraid somebody would do any
worse of a job than I could, as my modeling capabilities are really pretty
average and nothing to write home about. I also have a lot to learn from others
when it comes to the various aspects of design, construction, and modeling. My
fear was based on that I really do enjoy all aspects of the hobby and didn’t
want to feel rushed. Working on my layout an hour or two here and there a week
is very relaxing for me. That said I really enjoy the camaraderie of Lowell’s
Op Nights on the Oregon Trunk and know that I have a lot to learn about how to
do things in this great hobby. For this new group all I ask is that we have
fun, take our time, and enjoy ourselves—it’s not a race to get trains running on
the expansion. For my part I’m going to see how much knowledge I can absorb
from a really talented group of guys. I’m also committed to do my part on their
layouts, which may mean that I need to work on non-scheduled “work nights” as I
can never predict my travel schedule.
Design Principals
When I started on
this adventure I decided on some design principals that I try to follow almost
always. If I’ve compromised one of them I’ve had to sleep on the decision
first:
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The layout has to be modular in its construction. Period, end of discussion.
Although I don’t plan on moving ever again, I’ve moved far too many times to
not plan for taking my layout with me if the situation arises. From the
benchwork to the trackwork, the backdrop, and even the wiring I want to be
able to easily dismantle the layout and fit sections in and out doorways as
well as up and down stairs. At all module connection points I’ve created
joints in the benchwork, track foam, trackwork, and backdrop joints just so I
can cut the scenery and then separate the modules if needed. I try to stagger
my joints where possible. |
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Structures as well as surrounding scenery are themselves “modules” and are
removable from the layout such that they can easily be worked on at the
workbench. |
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18” minimum curves. I want to run modern equipment and have it operate
reliably and to not too bad. I really wanted even larger curves, but I
compromised as it was obvious that with larger curves that a peninsula wasn’t
going fit in the plan; that would have reduced my mainline and switching
operations by more than half, which was unacceptable to me. Therefore 18”
minimal radius is the standard, however, on a couple of some sidings I may
drop to 12” in a place or two, but it is very rare. |
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Peco Code 55 is to be used everywhere. I’ve heard too many good things about
it. This includes not only use Peco flex track but Peco Electrofrog switches
as well. In the L.A. Harbor module I used some Atlas switches only to have to
replace with them with Peco later. |
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2’ aisles. Okay, I know this is “narrow”, but it is a home layout that will
not have more than 2 to three visitors for an “op night”. There is one area
at the peninsula that squeezes a little narrower than 2’—I do need to lose
some weight…where is that exercise equipment again? |
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Take my time and have fun. Half of my love in the hobby is construction
whether it is the benchwork, scenery, or detailing. Don’t rush things just to
be able to “run” trains. It has taken me 5 years to get to where the layout
is today…another 5 or 10 is fine as long as I enjoy it. |
Fast Facts
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Inspired by “The Port of Los Angeles”, by Robert Smaus (Model Railroader’s “6
HO Railroads You Can Build”); The Kingsbury Branch, by Bill Denton (Jan 1997 &
May 1998 Model Railroader Magazine); The sweeping S curve on Jack Parker’s
Northern Pacific (Great Model Railroads 1995); Lowell Smith’s “Oregon Trunk”
at The Hobby Smith, Portland, OR. |
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N-Scale Point-to-Point Layout in 16’
x 10’ area |
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13 ½ x 10’ Spare Bedroom; Leverages and extra 2 ½’ of closet space
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Modular box-style benchwork in 2x6’ sections |
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4 ½’ of staging yards |
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4 ½’ sidings |
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18” minimum radius |
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Peco Code 55 Track & Turnouts |
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48 ½” to 50” in mainline height (1% max grade) |
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DCC: Digitrax Chief with DT410R Throttle |
Copyright © 2002
Mark Lawler
All Rights Reserved
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