I was asked a good question on the forum
'MartialArts Planet' about the relationship of
Shaolin Kempo to the Kempo Jutsu of Professor Feliciano
'Kimo' Ferreira, as I've been studying with Professor
Kimo since late 2001. The person asking was John Bishop, Kajukenbo Professor, and
author of the recent book Kajukenbo the Original Mixed Martial
Art.
After typing the answer, I thought, hey, this might
make a good article for the web site.
John Bishop: Matt, looks like
your doing a outstanding job making a central repository of
various SKK techniques.
A lot of people don't realize how important it is to have a
historical record of a systems techniques, until decades
later when the founders are dead. Then all of a sudden self
proclamed successors or "personal" students are coming out
with "the real" techniques. But yet very few of these
people are in agreement as to who was taught the "real"
system.
Matt: Thanks. It's taken a bit of work,
but the help I've received from many good folks (especially
a bunch from this forum) has made it a much less
insurmountable task. It's been good to track who learned
what from whom and to compare versions. It's a work in
progress, and the more I put up, the more comes in. It sure
has grown to be a big system.
I put the archive up for a couple reasons. Yes, it's part
of the historical record, but I also wanted to let folks
look at the system as a more complete whole rather than the
snippets that most people (even ones who have trained in
the system) are exposed to.
John Bishop: But anyway, back
to my questions. I know you and several other east coast
SKK people have been training with Kimo [Ferreira] for some
time now. So my questions are, how much of a resemblance
are you seeing between SKK and Kempo Jutsu Kai?
Am I correct in assuming that Kempo Jutsu Kai is heavily
influenced by Kimo's training with Walter Godin and Martin
Buell?
Can you explain what you see as [differences], or close
resemblances?
Matt: That's a couple of really
interesting questions. I'm going to start with the second
one, as it's much easier (and thankfully briefer).
Absolutely. Professor Ferreira's Kempo Jutsu is heavily
influenced by Walter Godin and his training with Martin
Buell while Mr. Buell was still with Walter Godin's
organization. Mr. Buell has since taken his own direction,
but Professor Ferreira's material reflects more the earlier
time period before Mr. Buell started his own organization.
Many other influences from the many training partners
Professor Kimo encountered during his travels in the
military have helped shape Kempo Jutsu as well.
As for the first question, it's a bit more complex. Some of
the techniques are carryovers from training with Walter
Godin, some are creations of Professor Kimo, and sometimes
he teaches techniques he learned from Kempo 'old timers'
who he has had a chance to interview and touch hands with
as 'historical examples' of how certain individuals liked
to do things.
Limiting the comparison to rank material simplifies things
a bit.
As far as specific ingredients go, the techniques are
pretty similar - low kicks, basic 8 blocks, hammers,
punches, eyepokes, claws, etc. However, the taxonomy is
different. There are far fewer 'named' hand forms in Kempo
Jutsu - no 'snakes tooth' or 'chicken wrist', etc. Punch,
palm, rip, hammer. You may use your index and middle finger
(or any other couple fingers) to poke the eye, but you
don't tend to call it an 'immortal man'.
The ratio of ingredients is a bit different - he does like
his hammers!
As far as 'technical choreography' goes, there are some
techniques that are almost identical. 'Basic Knifehand' is
virtually identical to SKK combination #20 with a change in
which foot comes forward initially (which gets evened out
with a shuffle) and a strike or two difference.
Conceptually, they are very similar, almost within the
realm of difference seen within any two FVSSD schools or
between FVSSD and USSD. Other techniques such as Kempo
Jutsu's 'Dodging the lance' are like SKK [I]used to do[/I]
combination #16 in 'the olden days'. Then there are other
techniques that have much less overlap. Even so, I found
that learning Kempo Jutsu was a very easy transition, and
in the process, I learned things that made my previous SKK
material better. The difference was less with the content
of the material, and more with 'how it was done'. I was
often able to spot techniques as I learned them and
identify the origin as "Walter's" based on how much they
reminded me of combinations or kempo techniques I already
had.
As far as 'how to do it', there were several changes.
First, things that I had been looking for in SKK material
and adding myself were standard in Kempo Jutsu. Checks, leg
checks, hyper-extensions and so on. They fit so perfectly
with the existing SKK material, it was like they had been
there all along once I added them.
The flow was different as well. SKK has a real 'power'
element to it on the east coast, probably due to some of
the Japanese (shotokan) influences that had been added in
in the early years. Changing back to a more 'Hawaiian
Kempo' flow brought a lot of my existing SKK back to life.
Often, SKK folks will also cross train in EPAK, and mix
concepts from the two. Folks who do that often look like
they are doing Kempo Jutsu as far as flow. Power + Flow.
Pedagogically, there are big differences. I latched on to
Kempo Jutsu first for the 'flow' aspect, and then for the
difference of thought in pedagogy. I know you are familiar
with my 'less is more' obsession as of late, and Kempo
Jutsu fit right in. It has a very limited curriculum in
'quantity' but it's really dense in principles. All of the
techniques can (and are) done off of a wide variety of
attacks. They tend to be 'interchangeable' as far as
entering / attacking / finishing as you can begin with the
entering portion of one technique and seamlessly transition
to the middle of another, and then use the end of a third
based on what Professor Kimo calls 'targets of
opportunity'. Once techniques are learned, they are based
more on principle, so if you do 'Spear, shield and hammer'
ten times, you will end up with ten different subtle
differences due to 'add ins', 'ad-libs', 'variations' and
so on based on your need/mood/whether you got stuck in
traffic behind a tourist.
Kempo-jutsu values contact, and I find that Kempo Jutsu
schools 'enjoy' a bit more contact than some other SKK
schools.
As far as Kata, there are far fewer in Kempo Jutsu - 5
pinions, several of which you would recognize immediately
as variations on what are now called the 'palama sets',
shiru kuma and the three lohan sets, plus a couple weapon
forms.
SKK on the other hand, especially since the late '70's /
early 80's has a much, much bigger collection. If you go
back to SGM. S. George Pesare's curriculum of 7 pinans plus
statue of the crane (and maybe one or two more) or the
original that F. Villari taught in the 1970's, (6 katas,
statue of the crane, honsuki, 5 pinans) there is more
similarity. Professor Kimo emphasizes Self Defense (and
especially the ability to be spontaneous) much more than
kata.
I often feel like Kempo Jutsu has a feel similar to that of
the earliest SKK / Karazenpo Goshinjutsu.
Are they the same? No. Do they share an obvious root? To
me, yes. Sorry this post was so long, but I feel like I
still just scratched the surface. I hope it made sense.
Matt