New Black Eagle Jazz Band
at the Sherborn Inn
April 22, 2008

Bill Reynolds, Peter Bullis, Stu Gunn |

Stan Vincent, Scott Black, Billy Novick (and Lynn) |
| Billy Novick led
the New Black Eagle Jazz Band in an exciting evening of Traditional
Jazz, playing to a full house at the Sherborn Inn. There were
so many fans that tables and chairs had to be set up on the dance floor.
Personnel:
Billy Novick leader/reeds, Scott Black
on cornet, Stan Vincent trombone, Bob Pilsbury Piano,
Peter Bullis banjo, Stu Gunn string bass, and Bill Reynolds drums.
Scott Black filled in for Tony Pringle. Great substitute. A very busy
musician from Connecticut, he studied under
legendary cornetist Jimmy McPartland and currently tours with Leon
Redbone and also plays at major music festivals with the Rhythm Rascals. Stu Gunn replaced
Barry Bockus on solid and steady string bass.
They began with Skeleton in the Closet. Pillsbury was
searing in Careless Love with Scott on muted cornet, and Stan
embellishing with tailgate trombone, reminiscent of the
early New Orleans Jazz Bands. |
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Scott and Billy stepped out for Stan Vincent's
feature solo on Am I Blue, with the backing of the
rhythm section, and Pilsbury's energetic piano. |
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Trombone, cornet, and clarinet were in fine ensemble on Louis
Armstrong's Savoy Blues.
Sometimes there is one musician in a band that's on fire, inspiring
the whole band. This evening Stan Vincent was a spark plug,
challenging the musicians.
Snake Rag turned out so WILD, Bob Pillsbury couldn't sit down any longer
and continued playing piano standing up!
Once In a While was a real barn burner, at first with no rhythm, just
the front line and banjo. Thrilling! Georgia Bo Bo was dedicated to
Jimmy Carter (!) Pilsbury pushing the bass notes. Billy snuck some clever klezmer clarinet into Willie the Weeper. |
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Between the Devil and the Deep
Blue Sea featured Bob Pilsbury's two-fisted piano, punctuated by Reynolds'
rhythmic percussive beat; then Bob gave him
a nod, and Bill bolted into a dynamite drum solo.
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Shake It and Break It, or Weary Blues was another
barn burner, with the front line playing their heart out. Peter
finally got his lone banjo solo,
gravely concentrating on maintaining that trad beat. (Peter's
expression and red sox haven't changed in 37
years.) He takes this Trad Jazz very seriously. The tune
featured a nice duet between Billy on clarinet and Stan's trombone,
and the rest of the band in wonderful New Orleans polyphony.
They needed a break after that one! |
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Black Eagle fans don't talk while the music is
playing, they don't want to miss a single note; so break time is when everyone catches up on
chatting and
socializing. Bob Pilsbury used this time to catch up on former Sticky Wicket 'regular's Janet, Lynn, and Elizabeth.
After many years of listening to this
band, and eighteen years after the Wicket closed, their first
loyalty is still with the New Black Eagle Jazz Band!
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Something went haywire on an upbeat When I Grow Too Old To Dream,
but Billy's forceful, pointing, clarinet quickly brought everybody back in
line. He announced that the next song would be a risky undertaking, but
they coasted through Sobbin' Blues without difficulty,
Scott carrying the melody, with Billy flitting in and out around the melody line.
Billy did a super job leading the band and keeping it together,
preparing for their trip to Port Angeles for the Olympic Jazz
Festival. They finished with 'Til We Meet Again.
We
certainly will, and also we'll make sure to arrive early to get a good
seat. |
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