23rd The Great Connecticut Traditional Jazz Festival
Cornet Chop Suey - by Lyrica French


Paul Reid piano, Jerry Epperson reeds, Brett Stamps trombone, John Gillick drums, Brian Casserly trumpet, Tommy Tucker cornet, Al Sherman string bass

I was so glad that not only did they (Cornet Chop Suey) return last year, but they followed the festival this year to its new location in Wallingford, CT.  I have to admit that they are my favorite band (save for the Galvanized Jazz Band, about whom I cannot claim objectivity, being blood-related) at the festival, and I shamelessly watched three out of four of their sessions on Saturday.  

These guys are dynamic.  Like the Bluelights, they pull you in with the first note, not only with the sound but with the SOUND!  They are loud!  But whereas some bands might play loudly to distract from their lack of capability, Cornet Chop Suey play loud because they can. 

Front and center are a two-handed trumpet played by Tommy Tucker (who has a smile alone which reaches out over the audience and brings them in like a net) and a one-handed cornet played by the impressive-looking Brian Casserly  (with his derby, black horn-rimmed glasses, and triangle beard, he looks unlike anyone I’ve seen in all these other bands).  Front and left and right are the trombone and sax (Brett Stamps and Jerry Epperson respectively).  Al Sherman plays a skinny upright string bass that joins my mental collection of fascinating-to-look-at instruments. 

Because Cornet Chop Suey is my favorite band at the festival, which means I listen to the Music deeply and nothing else, I cannot for the most part recite the names of the songs they played at the festival.  A couple of exceptions: session 2 during which they played their “most frequently requested song, “Over the Rainbow.”    Oh, their version overshadows July Garland any day --- picture the brass literally soaring over the rainbow and showering down like a shaken pot of gold, all around you – the brass players leaving the stage and slowly strolling up and down the aisles to the back of the pavilion.  You are so used to facing stage front that you do not realize that they are standing right behind you or beside you until those “somewhere….” notes bloom in your ear.  They continue to wrap the song around you, working their way back to the stage, Brian Casserly gently shaking hands in the audience like pressing a blessing. 

The 2nd  I’ll-always-remember exception is session 3, Cornet Chop Suey’s tribute to Louis Armstrong.  Think of seeing a segment of Ken Burns’ “Jazz” live on stage.    This history lesson includes spoken word by Brian Casserly, while Paul Reid provides background piano narration on piano (as well as a feels-like-Satchmo-is-alive-and-present impression of his singing voice).  The set so accurately puts one in the clubs of New Orleans, in time and place, that one quivers between a breath-taking feeling of time travel and a poignant regret that Armstrong is no longer alive and present. 

Brian playing trumpet - one hand
Brian Casserly

After reciting due recognition to King Oliver, Lil Hardin, and the phenomenon of “Hello Dolly,” Brian Casserly respectfully removes his hat (the only time you will see him without it) and ends the set with “What a Wonderful World.”  Not sung in Louis’ trademark voice (this done with extreme capability by Paul Reid, as I mention earlier) but in his own.  And so I must add to the talents of Cornet Chop Suey, Brian Casserly in particular, that the man can sing.   He has a beautiful tenor which ranges all the way to the ceiling (again, he sings LOUDLY, but the notes are all intact).   I appreciate the way Cornet Chop Suey has taken this song and made it their own, and it works.

Cornet Chop Suey had one more set that evening, which I did not see, my excuse being that I had to drive back to Milford that night and it was getting late, but the truth is that I wanted to leave with session 3 last in my mind.   For me, what better way to end a day of jazz, people-spotting, and sunshine with “What a Wonderful World”?


The 2010 Great CT Jazz Festival will be July 30 - August 1 at the
Sheraton Four Points Hotel, located at 275 Research Parkway
in Meriden, just a few miles north of Mountain Ridge.
There will be several indoor and outdoor venues.
Full weekend passes are now available;
call 1-800-468-3836 (1-800-Hot Event) to get yours now!

To Sponsor a band next year, see http://greatctjazz.org/Sponsor.html
 


 

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Updated August 23, 2009