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Old Homestead Records was founded
in 1971 by John Morris, a pharmacist, deejay, Appalachian migrant, and resident
of Brighton, Michigan who loved traditional old time and bluegrass music. John
started the label initially as a means to issue both old and newly recorded
material by Wade Mainer, a country music star of the 1930s and 1940s who had
relocated to Michigan in 1953 and sang at the time only in churches. After Wade
retired from his day job at General Motors in 1972, he re-entered the musical
world and went on to record many albums, cassettes, and compact discs for Old
Homestead. The earliest two releases bore the name "Homestead," but since there
was another Homestead Record label, John altered the name to "Old Homestead" and
it has so remained for four decades.
In
addition to Wade Mainer, John soon taped into the rich
source of Appalachian migrant bluegrass musicians who
had moved to Michigan. He also began to record bluegrass
musicians from other regions and soon recorded several
albums by Larry Sparks and his Lonesome Ramblers. Sparks
had recently struck out on his own after having served
an apprenticeship with Ralph Stanley's Clinch Mountain
Boys. Larry went on to become a major figure in
traditional bluegrass music and his early efforts on Old
Homestead played a significant role in his ascension up
the ladder of success. Another major figure in bluegrass
music often recorded by Old Homestead was the late
Charlie Moore who died in 1979, but left a rich legacy
of traditional music in the Old Homestead archive. Of
course, Sparks and Mainer were only two of the many Old
Homestead artists. By the nineties, the Oklahoma-based
duo of Bill Grant and Delia Bell perhaps ranked as his
leading active artists, along with original bluegrass
songwriter-vocalist Emma Smith.
Perhaps even more significant than the bluegrass series
were the numerous recordings of old-time music from
pre-World War II era. Old Homestead's initial foray into
this field began with a reissue of the early recordings
of Molly O'Day and Lynn Davis. Over the next fifteen
years, John not only reissued all of her early
recordings, but two albums she had done in the sixties
as well. Old Homestead eventually did re-issue albums by
such key figures from the early days of country music as
Uncle Dave Macon, Ernest Stoneman, the Callahan
Brothers, Bradley Kincaid, the Delmore Brothers, the
Dixon Brothers, and of course earlier efforts of
Mainer's Mountaineers. Some of the material had
originally been on radio transcriptions-such as Lew
Childre, Charlie Bailey, Bluegrass Roy Freeman, and the
Bailes Brothers-and not generally available to the
record buying public.
Ultimately, Old Homestead started two other labels,
Broadway Intermission for jazz music and Rutabaga for
more contemporary bluegrass. Old Homestead, in addition
to the "90,000 main series" and this "100 reissue
series", had an "80,000 series" for custom recordings
and a "70,000 series" which included both traditional
and contemporary gospel music. A "300" series reissued
material primarily from the 1960's.
No record
label was as important for bluegrass in the midwest as
Old Homestead Records. Still one of the rare
recording companies that puts out country music form the
1920's, the ongoing legacy of Old Homestead is its
dedication to making old time music accessible for the
current and future generations.
Dr.
Ivan M Tribe
University of Rio Grande
Rio Grande, Ohio
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