| As has been recently said: "The Denon DL-103 enjoys to right since 1962 (!) Cult status
with innumerable music lover. In spite of the bargain entry, this system
resides almost always in very expensive and ausgefuchsten units. For the
Japanese broadcast conceives, conquered this hochaktuelle classic, style
just in heavy, robust tone arms e.g. a SME 3012-R since then the entire
world. The DL-103 is with security of one of the tonal most balanced cartridges,
that there is. It plays warmly, mightily, voluminous, incredible dynamically,
enormously bass festival and in addition with a means area and high tone
area breach loose subsequent itself."
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The stock 103 is 8.5
grams. It is a low compliance design which should want a heavier arm.
When I added more mass to my RB250 with a 3 gram weight from AudioOrigami it opened up with more colors and
dynamics.
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TWO![]() A Vinyl Asylum inmate, Jack
Seaton, suggested adding masking tape to improve on the ringing
plastic carapace. I added masking tape to the sides and front of
the plastic body. Focus was the one big improvement and proves
that the plastic body might need to go altogether.
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THREE![]() click image for higher resolution Replacing the plastic body w/ Uwe's wood body brought a high level of tone presence, silky smoothness, and ambiance.
A lot of dust accumulates on the glue that adheres the protective tape covering the generator. Removing the tape and cleaning off the glue reduced the noise floor. Cleaning the glue involved using a toothpick in rolling the glue to the tip and wiping/rolling it off. Video on how to remove the cartridge and place into wood body graciously provided by Thomas Schick.
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FOUR![]() Detail is still wanting; trying
nude was an idea that might get me there while still using the conical
stylus. I used a brass plate and the increase in detail was
as dramatic as the tone increase using Uwe's wood body. Nude, you don't
have that tone but the detail is popping. And it's nice to able to see that stylus so clearly for cuing.
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![]() Uwe Panzerholz body, SoundSmith fine line re-tip* Click image to see detail |
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All I can say is that going from a conical stylus to a SoundSmith fine line was INCREDIBLE.
It was a shock at first. But after shaking that off the magisterial elegance, speed, detail, smoothness, openess I get a chance to say "no looking
back."
The confusion with busy orchestral movements or mass strings is now threaded nicely, no more congestion. *Mr. Al Gallaher did the potting on the Panzerholz. What is Panzerholz?: http://www.ltlewis.co.uk/b15.htm |
![]() Cherry body /w brass plate SoundSmith aluminum cantliver / ellitpical stylus re-tip |
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Another nice job from Peter at SoundSmith
for the re-tip. The R is a little more open but the aluminum cantilever
brings back the timbre of the stock 103 while the elliptical rids it of
any congestion.
Final question is what will a fine line sound like on an aluminum cantilever. |
![]() CineMag CM-QEE-3440A Wired for 37.5Ohms 1:36 ratio & 150Ohms 1:18 ratio Hookup info |
Several ways to
take care of this. You can go into a phonon preamp with enough
gain @ 100Ohms. Enough gain would be at least 60dB. I have not tried
that but it is what is recommended by Denon. Next is the transformer route; a non powered coil of wire. I have tried the Denon AU-300LC loading the cartridge at the primary, which means at the point where the tonearm plugs in, @ 47Ohms. This closely matches internal DC resistance of the cart and that is the trick - matching the internal resistance. The resistor that is used should be of high quality as it will be in the early stages of being amped so any faults will amplify down the line. Not as crucial is the resister quality if you load at the secondary, which is the outputs of the transformer. Good idea to have a high quality resistor but not as crucial. Best way to match internal resistance is to find a matching transformer. With a matching transformer you do not have to load a resister. The CineMag wired at 1:36 step up ratio delivers 37.5Ohms which matches the cartridge very closely and by all reports seems to be an organic pairing. Another route is a headamp, a powered device boosting gain before it gets to the phono preamp. A nice one is the Hagerman Piccolo but the choice of gain ... should it be 100Ohms for a powered situation or 40Ohms to match? I started to go this route but decided on the transformer and sold my Piccolo board. But there are reports of this headamp working for many people. And the headamp can be made variable enough for several cartridges into the future. |
