Hirschfeld Archive
taken from the files of
The New York Times


About Nina
Almost everyone knows that Al Hirschfeld hid his daughter's name, Nina, in the designs of his drawings.

To herald her birth in November 1945, Hirschfeld facetiously included her name in a drawing for a forgettable musical called "Are You With It?" The musical's circus setting allowed him to include among the freak show posters one for "NINA the Wonder Child." He thought that only "close friends and immediate family enjoyed a mild snicker over this infantile prank."

According to the artist he put Ninas "in folds of sleeves, tousled hairdos, eyebrows, wrinkles, backgrounds, shoelaces — anywhere to make it difficult, but not too difficult, to find." This playful gesture spawned a ritual; readers began looking for Ninas in every Hirschfeld drawing. He discovered that when he left out his daughter's name, he was deluged by mail demanding to know where it was.

Over the years Hirschfeld tried to end what he called "a national insanity." But he said, "I learned, the hard way, to put Nina's name in the drawing before I proudly display my own signature."

In the summer of 1960 Arthur Hays Sulzberger, the publisher of The New York Times, received a letter suggesting that Hirschfeld let readers know how many Ninas they should look for in his drawings. Hirschfeld responded by including a number next to his name for the number of Ninas to be found in a drawing. When there is no number, it means there is only one Nina. — David Leopold

David Leopold is an independent curator and the archivist of Al Hirschfeld's work.







Try to find the five (5) Ninas hidden in this drawing. To reveal them, roll your cursor over the image.


"The Cherry Orchard"
(Feb. 13, 1977) Irene Worth as Madame Raneskaya in Anton Chekhov's "The Cherry Orchard."


copyright 2004 estate of Al Hirschfeld