 |
 |

taken from the files of
 |

 |
 |

|
About Nina
Almost everyone knows that Al Hirschfeld hid his daughter's
name, Nina, in the designs of his drawings.
To herald her birth in November 1945, Hirschfeld facetiously
included her name in a drawing for a forgettable musical called
"Are You With It?" The musical's circus setting allowed him to include
among the freak show posters one for "NINA the Wonder Child."
He thought that only "close friends and immediate family
enjoyed a mild snicker over this infantile
prank."
According to the artist he put Ninas "in folds
of sleeves, tousled hairdos, eyebrows, wrinkles, backgrounds,
shoelaces — anywhere to make it difficult, but not too
difficult, to find." This playful gesture spawned a ritual;
readers began looking for Ninas in every Hirschfeld drawing.
He discovered that when he left out his daughter's name, he
was deluged by mail demanding to know where it was.
Over the years Hirschfeld tried to end what he
called "a national insanity." But he said, "I learned, the
hard way, to put Nina's name in the drawing before I proudly
display my own signature."
In the summer of 1960 Arthur
Hays Sulzberger, the publisher of The New York Times, received
a letter suggesting that Hirschfeld let readers know how many
Ninas they should look for in his drawings. Hirschfeld
responded by including a number next to his name for the
number of Ninas to be found in a drawing. When there is no
number, it means there is only one Nina. — David
Leopold
David Leopold is an independent curator and
the archivist of Al Hirschfeld's work.
 |
|
|
 |

|
Try to find the five (5) Ninas hidden in this drawing.
To reveal them, roll your cursor over the image.
 |
 |
 |
|
|
 |
|
|
 |
|
|
 |

"The Cherry Orchard"
(Feb. 13, 1977) Irene Worth
as Madame Raneskaya in Anton Chekhov's "The
Cherry Orchard."
|

|
 |
 |