Articles By

-Alan Chase, Spotlight (Portsmouth,NH, Harald), vol.7, no. 3, Jan. 18, 1996.

-Douglas Sloan, Metronome Magazine, Sept, 1996.

-Bill Edmunds, Middlesex News, Tuesday March 11, 1997.

-Bill Copeland, Metronome Magazine, October 1998.

-Larry Nai, Cadence, vol.25, no.5, May 1999.

-John Barrett, Jr, Green Mountain Jazz Messenger, vol. 3, no. 1, October 1999.

-John Barrett, Jr, Jazz Improv, vol. 2, no. 2, January 2000.

-Brian Goslow, Worcester Phoenix, June 9, 2000.

-John Barrett, Jr, Jazz Improv, vol. 3, no. 1, November 2000.

-Henry Belot, Seacoast Jazz, April 2001.

-Noah Schaffer, Worcester Magazine, April 4, 2002.

Articles About

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(Click on title to read article)

INSTRUMENTS FOR SMALL PEOPLE
Paul Combs surveys available instruments adapted for cildren and small adults

-School Band and Orchestra, June 1999.

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MEMORIES OF A JAZZ CHILD
Recolections of growing up in Center City Philadelphia when Jazz was all around

Jazz Improv, vol. 2, no. 4.

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3RD ANNUAL HEALDSBURG JAZZ FESTIVAL
Report on this five-day festival

-e Jazz News, June 18 2001.

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TONY MALABY TRIO AT TCAN
Concert report on an excellent evening of music

-All About Jazz, July 11, 2001.

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TOMMY GALLANT JAZZ FESIVAL IV
Concert report on annual one-day festival in Portsmouth, NH

-All About Jazz, July 11, 2001.

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PRACTICING UNDER DURESS
Some thoughts on and strategies for practicing music when a busy adult.

Jazz Improv, vol. 3, no. 3.

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BUILDING A PERSONAL REPERTOIRE
Strategies for internaizing tunes for improvisation.

Jazz Improv, vol. 3, no. 4.

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THE BUMBLE BEE'S VIEW OF THE GARDEN
An ongoing column in Vyü, a magazine of the arts published in Lowell, MA starting in October of 1999.

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For over 12 years Paul Combs has been doing research on the composer and arranger Tadd Dameron. The project has been moving slowly. However, a book is finally in the works and if you wish to contact him about this project click here:pcomb@mediaone.net. Also watch this space.

In addition, as part of the research on the Dameron book, Paul interviewed Walter "Gil" Fuller. This interview has now been transcribed and will be donated to the Institute of Jazz Studies, where it will be available for research.