July 19, 2007
"On November 25, 2001, we held the first rehearsal of the Pocket Big Band, a 9-piece enesmble that has many of the orchestrational possibilities of a big band but still has some of the intimacy of a small combo. The instrumentation is alto sax, tenor sax, baritone sax, two trumpets, trombone, piano, bass and drums. The stated objectives of this band were, in no particular order, to:
* to develop an ensemble that explores ensemble Jazz from the forties onward to the present.
* provide all of us, and our friends with a fairly large ensemble to write for, so we can have the satisfaction of hearing what we have written.
* provide me with a lab for making sure that I understand certain of Tadd Dameron's techniques well enough to write about them with some authority.
* provide the participants with a means for growth as musicians."
"After more than five years the Pocket Big Band is going stronger than ever. Five of the original mambers are still with the core of the band, and the other four have remained in the pool of substitute players who are so important in keeping the band viable. Starting with jst a handful of charts, the band's repertoire has grown to over 100 arangements, with new pieces added every couple of months. So far the book includes arrangements by Tadd Dameron (yes, actual Dameron arrangements), as well as my arrangements of previously unknown Dameron compositions. The book also features work by Fred Forney, Dan Higgins, Tom Kubis, Ken Mamayek, Bob Meyer, Sammy Nestico, Lennie Niehaus, Bob Pilkington, Willie Smith (who wrote for Joe Lovano's Grammy Winning "52nd St. Dreams " CD), Nils Wacklen, Clifford Weeks,and Ernest Wiehe, as well as my own work, and selected classics from the books of Woody Herman, Stan Kenton and others. As stated, the book keeps growing all the time and we welcome offers from any arrangers who would like to write for this size band."