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Philadelphia Controller Jonathan A. Saidel on the New Stadia

Patricia Goodrich Enriches Soil with Sound

Playwright Joan Holden brings "Nickel and Dimed" to PTC

"HiNgE" is the 'Bess' at Promoting the Arts!

Garland of Hours: Painting Sound Through Succinct Sessions

Mickey Roker The Voltan of Ortlieb's Jazzhaus

Eric Alexander at Chris' Jazz Cafe

A.K.A. Gene Shay

Robyn Shecktor: In-Kind Abstract Abstraction

The End of Spontaneity? The Café Izmir Era

Psy-Ops at The Fire and in the Studio

Documentary Exposes Deception Behind Iraq War

 

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Mary Timony at the Khyber

A Modern Girl's Guide to Philadelphia

Restaurant Review: Valley Green Inn

Sing Out, Please A Review of OCP's Production of "Don Carlo"

The City That's at Your Back
"HiNgE" is the 'Bess' at Promoting the Arts!
by Monica Pace

Marilyn Bess, Publisher of "HiNgE," knows firsthand the challenges faced by the emerging local artist. Before founding "HiNgE," an online arts quarterly and resource for galleries, readings and events, Bess was employed at a menial 9-to-5.

"I used to work in medical publishing, and knew all these creative, talented people, also medical editors, who just hated it," she recalls.

While there was a wealth of creative outlets and venues for already-established artists, there seemed to be quite a dearth for newer or more experimental voices. Bess and her colleagues saw this as an opportunity to "start our own publication" that would "provide a creative outlet for us and other artists." Bess explains the title itself was suggested by one of the founding members, Michelle Marvell, to "signify that turning point where art emerges."

Bess' peerless "HiNgE Online" is the place to know in cyberspace if you are creative in Philly.

It is no accident, then, that the quarterly hinges upon the contacts made between members of the arts community itself. Besides short fiction, poetry, visual art, and music, both by "HiNgE" editors and outside contributors, "HiNgE" (www.hingeonline.com) publishes listings of local events, whereby artists can go out and meet each other. The experience of art should be a "celebratory event," Bess opines, "a way to put faces to the names."

"HiNgE" hosts several of these celebratory events at Center City venues, spotlighting music, visual art, and poetry. Diverse as the performances, the venues include bookstores like Big Jar in Old City, Serendipity Café and The Balcony near Chinatown, and the Mill Creek Tavern in west Philly. For the most part Marilyn Bess has found the chosen venues to be extremely receptive to "HiNgE" events.

"Most places do recognize we are bringing in customers." At one time there were monthly poetry readings but, at the Saturday ones in particular, "attendance wasn't really what we liked." So "HiNgE" editors opted to "create as large an audience as possible by making the readings more of a combined event, with music and performance arts."

The Philly Freakout is one of the most popular HiNgE events. Modeled after the 1960's program Ready Steady Go! which featured garage rock bands, the Freakout showcases musical talent including local band, Mondo Topless. Tom Davis DJ's at the Freakout, and Marilyn Bess hosts and introduces the bands. To keep the entertainment fresh, "we all suggest different bands for each (Freakout)." 60's movies and music videos are projected on the wall to re-create the exhilarating atmosphere and energy of that era.

"HiNgE" is an invaluable resource for local talent, a publication that recognizes the importance of networking for the emerging artist. Most of all, it provides a unique, yet integral, opportunity to meet like-minded individuals in a creative, as well as social, context.

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