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The City That's at Your Back
"Can I get a Molotov Cocktail?" 
Psy-Ops at The Fire and in the Studio 
by A. E. Masek

If you've noticed the stickers, posters, and street art bearing the warning; "DON'T FALL ASLEEP WITH THE TELEVISION ON," you've already caught a glimpse of local rock band PSY-OPS. In their fantastically energetic performance at The Fire on February 21, PSY-OPS gave the crowd (and a video camera) a good, long look.

From left to right, Eric Hammer and Sean Adamz photo, Jonathan Kolbe

For the last two years, PSY-OPS has been refining their powerful, elegant sound in Philly venues. Longtime friends and writers Sean Adamz and Eric Hammer founded the band and began writing music in 2000.

After living amongst their equipment in a tiny New Hope apartment, the pair tried an ambitious move to Los Angeles. They returned disgusted with L.A.

"It's pay-to-play. It's a bullshit scene", comments Adamz.

Undeterred and back in Philadelphia, Adamz and Hammer soon found a drummer who meshed with their dedication. Dallas, a ten-year veteran of Thorazine, completed the trio. Rife with material and spurred-on by engineer/mentor Rich "RAAHU" Gavalis, PSY-OPS recorded their first album, "Don't Fall Asleep with the Television On," in late 2002.

"We are our own record company." Adamz says, and the hard, thrilling, "Don't Fall Asleep…" is an uncompromising artistic statement.

Like a Dadaist meat grinder fed with extremities of pop culture, PSY-OPS churns out rock that claws the walls of classification. They simply don't sound like anything else, and that's how Adamz likes it.

"So many bands you can say that about… that they sound like this or that other band. PSY-OPS is a pile of everything," he says.

Leaping from controlled, almost sleepy, guitar-strumming into waves of power chords in the tense, heavy "Mannequine," Adamz explores identification with the artificial, culminating a top-of-the-lungs repetition of "she got no bones, bones…" The vocals of the lively "Static," give us a little taste of David Byrne.

"…I was thinking about my laundry, I was thinking about that television show…"

Inattention and apathetic angst resonate in the dancy, restless, "Broken Crown."

"…blessed with forgetfulness, I forget your name - but while you were gone, I died everyday…"

Even when PSY-OPS is at its most playful, the listener can still feel the breathless, creased-brow intensity at its core.

"We don't fuck around." Adamz tells me, and I agree.

With a wide spectrum of influences, PSY-OPS paints with broad strokes and is not afraid to push itself ever farther.

"I listen to all sorts of things… King Crimson, Brian Eno's solo work, the Soft Boys, the Pixies, Lords of the New Church, the Kinks, David Byrne, and I really love Robin Hitchcock… it's unavoidable to end up discussing what we listen to. As musicians, we create from what we've heard…" Adamz explains.

As for other local acts, Adamz lists Need New Body, 1929, Golden Ball ("You've got to check out Golden Ball," he insists), and some of my own personal favorites such as S PRCSS, and Kurt Heasley's Lilys, whose remarkable drummer, Daneil Mazone, Adamz mentioned he met while living in Rhode Island.

"Kurt's a great guy and (our sets together) have a more relaxed, on-the-couch, jamming sort of feeling," said Adamz, who mentions he plays an occasional acoustic set with Heasley.

With the encouragement of Gavalis, PSY-OPS completed recording their second album, "Robots Don't Feel," in winter of 2003.

"He (Gavalis) has been so important to us…" said Adamz. "He told us, 'I want to hear one or two songs that can really go'."

The new album's post-production has been held up slightly, due to an accident that broke one of Gavalis' arms three months ago.

Meanwhile, PSY-OPS continues to gain momentum. By staging fewer, more comprehensive shows, the band deepens its impact on the local scene.

"We're trying to refine this thing," says Adamz. "We're inviting other bands that we want to play with us…we used to play sometimes three, four times a week, (but now) we have more focus."

Adamz also is currently filling in as the drummer for the local, (otherwise) all-girl act Black Strip Withdrawal.

With the live filming of their recent show at The Fire and a new album in the wings, PSY-OPS keeps reaching out to audiences - in Philly and beyond. They will play next on Sunday, March 7 at Arlene's Grocery in New York City.

PSY-OPS is at work on their next album, "Robots Don't Feel" due out later this year.

 

Editor's Note: The title, "Can I get a Molotov Cocktail?" was suggested by the band Psy-Ops, as a title for the above article.  It is a variation of the original lyrics of the song, "Big Machine," from the album, "Don't Fall Asleep with the Television On."  The actual lyrics are, "Can I get a Mazeltov Cocktail? Can I get one please? Set myself right on fire, in my big machine."

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