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THEATER
Heidi Stillman & Looking Glass at Arden
Born
Yesterday Reborn in Philly
Azuka’s
“An Artist’s Workshop”
Terror at the White
House
ART
Components
of The Big Nothing
The
City of Murals
Moore
College Senior Show
NY
Times Art Critic William Zimmer at NAP
Fleisher
Challenge - Interdisciplinary Outlet
Highwire
Gallery - The Shovel Show
Photographer
Mike Mergen
Secret
Hangerbenderman: Abraham Rothblatt
MUSIC
The Decemberists at
TLA
Staying Up Late with
Stargazer Lily
Schacter and
Johnson: Jazz Improv
The Blue Journey of Monica
McIntyre
Mickey Roker at
Ortlieb's Jazzhaus
Eric Alexander at Chris'
Jazz Cafe
POETRY & PROSE
Open Hand
by
Frank Walsh Taxidermy
Becomes You by Maria DelVecchia
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A Busy Spring: Art Sanctuary Opened
Center & New Play
by Monica Pace
Jeffrey Hart, program coordinator of Art Sanctuary at Church of the
Advocate, remembers Father Paul Washington as "A giant. He
understood civil rights, he understood the oppressed." He also
valued the arts as a way to lift the oppressed: "Father Paul
understood the black arts movement of the 50's and 60's and he embraced
it". Art Sanctuary, founded and directed by Lorene Cary, sustains
the arts tradition begun by Washington. On April 24th, it honored the
beloved rector's memory with the opening of the Paul and Christine
Washington Family and Community Center. On April 29th -May 1st it
presented a theatrical production, Reflections in Brown:
Separate/Unequal/Still? by local high school students.
Art Sanctuary is situated in the Church of the Advocate in North
Philadelphia, a national historical landmark. Stepping inside its gothic
walls one follows the same footsteps as the Black Panthers, Martin
Luther King, Jr., and Cecil B. Moore. Father Washington, as Hart
explains, was himself a civil rights visionary. From ordaining 11 female
Episcopal priests before the high bishop did officially to serving on
the MOVE investigative commission in the 80's, Washington was
"always there. Everyone knew Father Paul." The new center
built in his, and his wife Christine's honor, hosted a celebration of
music, dance, and spoken word for the grand opening event. Included were
special appearances by Bishop Charles Bennison of the Diocese of
Pennsylvania, The Dzifa Mask Ensemble, African drummers and stilt
walkers, and muralists Richard Watson and Walter Edmonds, whose 14
paintings in the church depict the struggle of the African people in
America from slavery through civil rights to today.
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| Poster for Reflections
in Brown: Separate/Unequal/Still |
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Reflections in Brown: Separate/Unequal/Still? marked the 50th
anniversary of Brown v. Board of Education, and examined the
inequalities that persist in public education in the city of
Philadelphia. Jeffrey Hart cites the following statistic: "We know
that only $750 per child is received from the state in the city of
Philadelphia. Whereas it's about $2,000 per child in the suburbs."
With this in mind, Hart recruits students from North Philadelphia high
schools for the Sanctuary's after school program. They run the gamut
from honor-roll to at-risk but they share a common goal: to learn of the
triumphs and struggles of African-Americans through the arts. It is a
cultural as well as personal education that they might not otherwise
learn. This year, under the tutelage of poet and PEW fellowship
recipient Trapeta Mayson and the direction of Temple University's Billy
Yalowitz, the students wrote the production themselves. Hart stresses
the importance of this: "We want the students to be at the
forefront. We want to guide, but we want them to be the lead."
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Consider the implications: by taking charge of the production the
children take charge of their own education. On a recent trip to a
suburban high school, the students were able to see for themselves the
disparity between suburban schools and city schools, mainly in the arts
programs. Reflections in Brown showcased their reactions, their hurt,
anger, and determination for change in the form of dance, spoken word,
and music. Featured in this multi-media experience were the musical
compositions of Monnette Sudler, the spoken word talents of Def Poetry
Jam's Twin Poets, the choreography of LaTonya Grant, and the masquerade
arts of Ira Bond. The results prove nothing less than astonishing. You
can hear the awe in Hart's voice. "I'm proud of the students. And
the arts instructors are unbelievable".
Now in its fifth year, Art Sanctuary continues to strengthen,
enlighten and empower the human spirit through the arts. History has
proven that once the arts are allowed to flourish, people regain a sense
of self-worth. As Jeffrey Hart muses, "The community has a new
face, new life, new hope."
For further information on events please contact Art Sanctuary at
Church of the Advocate, 18th and Diamond Streets, (215) 232-4485, info@artsanctuary.org,
www.artsanctuary.org.
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NEWS
Arts
and Culture Face the Mayor’s Veto
The
Barnes Finds Its Place
SPOKEN WORD
InterAct's
Writing Aloud
Art
Sanctuary Resident Artist Trapeta Mayson
Daughters
of the Diaspora
Alicia
McCarthy & Ben Smith: Artist Comedians
LITERATURE
James
Alan McPherson at Kelly Writer's House
Author
Lawrence Richette's Novel, The Secret Family
Notes
on Author Faith Adiele
CULTURE
Philly
Reuses It!
Shoba Sharma's
Naatya Dance Ensemble
Passional:
Deliciously Illicit
The
Photographic Art of David Lawrence
Art
Sanctuary Opened Center & New Play
Jay
Schwartz's Secret Cinema
COLUMNS
A Modern Girl's Guide
to Philadelphia
Fabric Sculptor J. Lauren
McCall
[UNDERGROUND SWELL]
It is Peace of Mind: Ananda
Ashram
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