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THEATER
Heidi Stillman & Looking Glass at Arden
Born
Yesterday Reborn in Philly
Azuka’s
“An Artist’s Workshop”
Terror at the White
House
ART
Components
of The Big Nothing
The
City of Murals
Moore
College Senior Show
NY
Times Art Critic William Zimmer at NAP
Fleisher
Challenge - Interdisciplinary Outlet
Highwire
Gallery - The Shovel Show
Photographer
Mike Mergen
Secret
Hangerbenderman: Abraham Rothblatt
MUSIC
The Decemberists at
TLA
Staying Up Late with
Stargazer Lily
Schacter and
Johnson: Jazz Improv
The Blue Journey of Monica
McIntyre
Mickey Roker at
Ortlieb's Jazzhaus
Eric Alexander at Chris'
Jazz Cafe
POETRY & PROSE
Open Hand
by
Frank Walsh Taxidermy
Becomes You by Maria DelVecchia
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Azuka’s Spotlight Series Opens with
“An Artist’s Workshop”
by Christine Emmert
The Azuka Theatre Collective opened its Spotlight Series with the
world premiere of An Artist's Workshop, on May 20. Written and directed
by Raelle Myrick-Hodges, the play is the conceptual oeuvre of movement
artist Alden Moore.
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Sara
Valentine as Friedl Dicker-Brandeis and Miriam Hymen as Fran Seede |
Concerning the tale of Friedl Dicker-Brandeis, a real life Holocaust
victim who taught art classes at Terezin (a concentration camp developed
by the Nazis for propaganda purposes), Hodges’ script is partly
flashback. In the present, Fran Seede, a fictional African-American film
maker, who is practicing her art in the present day, is likewise
positioned within a world where conditions are hostile. Creating
co-existing narratives, Myrick-Hodges said, "was a difficult
task.”
“But [it was] worth the opportunity of create something new,” she
added. Myrick-Hodges’ contribution to the Spotlight Series is part of
Azuka’s ongoing cultivation of new plays, through the staging of free
public readings of works considered for full production by the theatre.
The splitting of protagonist identity was developed during this reading
process. A staged reading, produced by Azuka, occurred at Plays and
Players Theatre on Delancey Street in 2003.
“I wasn't trying to make a parallel between two female
artists…” continued Myrick-Hodges. “But I was trying to create an
environment, producing-wise, where possibilities could be
developed."
Hanging in the lobby of St. Stephen’s Theatre were samples of the
art work composed by the children of Terezin. The program contained a
history of Terezin, listing the tragic circumstances under which
Dicker-Brandeis and her students worked. On stage we see the world of
the Jewish prisoners unfold, not just in sorrow. There are moments of
lovers, the rebellion of the young boys who have a satiric radio show
mocking conditions of the camp, the bonding of the children, and
Dicker-Brandeis’ declaration that doing art "gives hope."
Likewise, in Fran's modern world, actors portray the visions the
filmmaker presented in her films. While Fran does not find great
success, she does find love in a former boyfriend, Cody, who tries to
understand her following a period of separation. It is Cody who finally
is inspired by her to make a film at the conclusion of the evening.
Sara Valentine who plays Dicker-Brandeis, has appeared in several
Philadelphia Productions, as well as performing with theatres in
Minneapolis and Milwaukee. Fran is played by Marian Hyman who has been
seen on many Philadelphia stages.
The Azuka Theatre Collective was formed out of a meeting of
like-minded artists in 1997 during a program at the Arden Theatre. Its
first production as Azuka took place in 1999.
Alden Moore, after conceiving, An Artist’s Workshop, said she set
her sights on Azuka, a group, which she explained was able to take on
the challenge of producing her drama.
"I knew I could not do this alone,” Moore said. “I needed a
theatre company that would be brave enough to risk producing an original
piece that would combine movement with text, and have a large enough
cast to perform the chorus work." In preparation for its
full-fledged production this year, there were several, evolving steps
that included a staged reading at Plays and Players by Azuka in 2003.
The changing of costumes and the moving of a few minimalist set
pieces suggested the alteration between the two worlds about which
Myrick-Hodges wrote. A scrim at rear stage and the adroit simulation of
the positioning of windows and doors by the lighting director heightened
certain moments in the piece. Masks and music were combined to punctuate
Moore’s story with a few surreal interludes.
Although Dicker-Brandeis died in Auschwitz, her fate was not revealed
in the play, which closed on June 6. However, her insistence of
following her husband "to the east," suggests her death. Her
legacy of art, letters, and the drawings by her students are what
survives of her time at Terezin.
Information and reservations regarding future productions by Azuka
and the Spotlight Series can be found by telephoning the Azuka Theatre
Collective at (215) 733-0255 or visiting its website at www.azukatheatre.org.
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NEWS
Arts
and Culture Face the Mayor’s Veto
The
Barnes Finds Its Place
SPOKEN WORD
InterAct's
Writing Aloud
Art
Sanctuary Resident Artist Trapeta Mayson
Daughters
of the Diaspora
Alicia
McCarthy & Ben Smith: Artist Comedians
LITERATURE
James
Alan McPherson at Kelly Writer's House
Author
Lawrence Richette's Novel, The Secret Family
Notes
on Author Faith Adiele
CULTURE
Philly
Reuses It!
Shoba Sharma's
Naatya Dance Ensemble
Passional:
Deliciously Illicit
The
Photographic Art of David Lawrence
Art
Sanctuary Opened Center & New Play
Jay
Schwartz's Secret Cinema
COLUMNS
A Modern Girl's Guide
to Philadelphia
Fabric Sculptor J. Lauren
McCall
[UNDERGROUND SWELL]
It is Peace of Mind: Ananda
Ashram
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