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THEATER
Heidi Stillman & Looking Glass at Arden
Born
Yesterday Reborn in Philly
Azuka’s
“An Artist’s Workshop”
Terror at the White
House
ART
Components
of The Big Nothing
The
City of Murals
Moore
College Senior Show
NY
Times Art Critic William Zimmer at NAP
Fleisher
Challenge - Interdisciplinary Outlet
Highwire
Gallery - The Shovel Show
Photographer
Mike Mergen
Secret
Hangerbenderman: Abraham Rothblatt
MUSIC
The Decemberists at
TLA
Staying Up Late with
Stargazer Lily
Schacter and
Johnson: Jazz Improv
The Blue Journey of Monica
McIntyre
Mickey Roker at
Ortlieb's Jazzhaus
Eric Alexander at Chris'
Jazz Cafe
POETRY & PROSE
Open Hand
by
Frank Walsh Taxidermy
Becomes You by Maria DelVecchia
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Alicia McCarthy and Ben Smith: Artist
Comedians Expose Their Brains
by Jody Hamilton
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Alicia McCarthy |
When artist Alicia McCarthy debuted her comedic persona ATMJ (Alicia
T. McCarthy, Jr.), the packed room gave her its unwavering attention as
she explained her relationship to canine sexuality with the help of a
series of charts and graphs. This was the February opening for Emily
Vernon’s “HA!” group show at the Project Room, in which the ATMJ,
lacking specific punchlines, spoke candidly from a stream of
consciousness, finding humor in every direction. After shamelessly
dancing an inimitable series of gyrations and leaving the crowd to laugh
its way out of its spell, fellow west Philly artist Ben Smith told her,
"That was great-- I'm going to steal that idea."
Since then, McCarthy and Smith have been moving in the same circles,
appearing as comedians at art openings and other events that never
required comedians, and wiping away the stain of seriousness. They
performed back to back at a Padlock Gallery opening on April 30, a show
curated by Smith and including drawings by both comedians. Both were
also at the mic for Simulcast on May 14, an impressive multimedia show
at McCarthy’s house, curated by roommate Paul Lawlor. Over the top
dancing is key to the ATMJ experience, and one can expect true stories
which often come from her past jobs such as expressing the anal glands
of dogs at a kennel or dressing up as a pizza slice for Papa John's.
McCarthy’s act grew organically, beginning as casual storytelling
to friends. She finds it challenging to extend that communication to
audience members who know nothing of her philosophy. "I start
things in the middle a lot, and some people miss the point. They need to
know that everything should be out on the table." In other words,
when the stunning red-head goes to the bathroom, she may tell you
exactly what she is going to do there. McCarthy relates to comedy by
being completely open. If a heckler shouted out, asking her to talk
about the death of a family member, she probably could do so both
compassionately and hysterically.
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Ben Smith |
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"I feel I have been given a lot of joy in my being and I want to
help people feel the way I do, to know it's okay to be a clown, to laugh
at yourself." W. Benjamin Smith III comes off as a caricature of a
comedian after three degrees of irony. It becomes funny that he's
telling jokes and playing the part of the normal human comedian. The
audience, consisting mainly of peer artists, feels like outsiders,
sophisticated aliens enacting a human rite of audience/performer, and
now they see that their performer is one of them, cutting open the
absurdity of pop culture, replacing their frustration with laughter.
A mainstay of Smith’s act is the recitation of West Coast raps
which he enunciates clearly as if at a poetry reading. The phrases are
left to stand on their own and reveal their inherent silliness.
Smith also gets carried away on flights of fancy developed with
disturbing levels of detail, such as his musings on the Hamburgler and
other food mascots. He tells me that "contrary to the predominant
belief that he is an amoral criminal, Hamburgler is actually a gentle
and sadly misunderstood young man." Liberating imagination from the
commercial world requires a bold creative mind. While focusing on
delivering Hamburgler from slavery, Smith’s instinctive purpose goes
beyond silliness.
Also a visual artist, Smith finds an audience to be a unique medium,
having a mind of its own.
"Nine times out of nine," he announces, "jokes about
puke and any other form of human by-product are funnier than the most
carefully crafted joke on the topic of existential anxiety provoked by
the modern post-religious predicament. When I told a crowd once that
self-identity is subjective, they yawned and booed before I even reached
the punchline."
"So I showed them how my vomit expands to encompass all of their
head and neck regions to display how my interior material could well
suit their exteriors." Look for McCarthy and Smith on flyers for
obscure basement shows as their wit would be out of place at traditional
comedy venues. Alicia McCarthy can be found as anaxeisanax@yahoo.com and
Ben Smith is wben@mad.scientist.com.
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NEWS
Arts
and Culture Face the Mayor’s Veto
The
Barnes Finds Its Place
SPOKEN WORD
InterAct's
Writing Aloud
Art
Sanctuary Resident Artist Trapeta Mayson
Daughters
of the Diaspora
Alicia
McCarthy & Ben Smith: Artist Comedians
LITERATURE
James
Alan McPherson at Kelly Writer's House
Author
Lawrence Richette's Novel, The Secret Family
Notes
on Author Faith Adiele
CULTURE
Philly
Reuses It!
Shoba Sharma's
Naatya Dance Ensemble
Passional:
Deliciously Illicit
The
Photographic Art of David Lawrence
Art
Sanctuary Opened Center & New Play
Jay
Schwartz's Secret Cinema
COLUMNS
A Modern Girl's Guide
to Philadelphia
Fabric Sculptor J. Lauren
McCall
[UNDERGROUND SWELL]
It is Peace of Mind: Ananda
Ashram
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