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THEATER
Heidi Stillman & Looking Glass at Arden
Born
Yesterday Reborn in Philly
Azuka’s
“An Artist’s Workshop”
Terror at the White
House
ART
Components
of The Big Nothing
The
City of Murals
Moore
College Senior Show
NY
Times Art Critic William Zimmer at NAP
Fleisher
Challenge - Interdisciplinary Outlet
Highwire
Gallery - The Shovel Show
Photographer
Mike Mergen
Secret
Hangerbenderman: Abraham Rothblatt
MUSIC
The Decemberists at
TLA
Staying Up Late with
Stargazer Lily
Schacter and
Johnson: Jazz Improv
The Blue Journey of Monica
McIntyre
Mickey Roker at
Ortlieb's Jazzhaus
Eric Alexander at Chris'
Jazz Cafe
POETRY & PROSE
Open Hand
by
Frank Walsh Taxidermy
Becomes You by Maria DelVecchia
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Ties That Bind: The Photographic Art
of David Lawrence
by
B.J. Cavnor
The current work of photographer David Lawrence features an
exhibition of Shibari, the erotic rope bondage of Japan. The show, at
the Aphrodite Gallery contains more than thirty photographs of four
different female models.
Like most modern fetishes, Shibari evolved from a more mundane
application; in this case, rope bondage was a form of punishment in
feudal Japan. In the 16th century Edo period, a specialized form of rope
bondage was used to restrain prisoners. In some cases, prisoners were
displayed in public as part of the punishment. According to legend, the
knots and rope work used were able to identify the crime, social class
and even the occupation of the criminal.
The photographs of Lawrence reflect this tradition with the eye of a
seasoned professional. Shibari uses an elaborate system of knots and
ties, which accentuate as well as immobilize the subject.
Lawrence shows his models, all women in this exhibit, in various
stages of bondage, capturing the perfect moment of transcendence, the
bound subject immortalized for eternity on film.
The images are crisp, black and white photographs, well lit and well
posed. Lawrence's attention to detail stems not just from his background
as a photographer but also from his participation in the Shibari scene.
At the opening reception he greeted guests with his slave/partner and
model Judy at his side.
When asked how she felt seeing the images of herself on display, Judy
responded that the experience had been a positive one.
"It has changed my life dramatically," Judy replied
explaining the amount of trust involved in their relationship.
Lawrence, a photographer by profession and Judy, began their
exploration into erotic rope bondage last year after seeing a
demonstration at the Libertarian Ball, a local fetish extravaganza.
"We used rope from the Home Depot," explained Lawrence who
added, "We started with nylon and moved on to hemp." Lawrence
also noted that he liked the qualities which hemp provided over nylon,
including the texture on film.
These textures are one of the greatest features of the work. Lawrence
skillfully depicts the absence of bondage in his photographs of the
indentations left by the rope on the models. The juxtaposition of the
taught, firm fiber of rope against the supple skin of the subject is
what makes these images so captivating.
The idea of bondage in art is not new. However, the cultivated
application of the rope against the sensual female form, the lighting
and composition of Lawrence's erotically charged imagery, retain for
Lawrence's work, the standing of Fine Art.
One viewer at the opening remarked that he was so intrigued by the
finished photograph that he would like to have been able to follow the
photography session in its entirety, including the process of applying
the bondage.
Lawrence's next project is the production of a book of Shibari to be
published late this year by German publisher, Bruno Gmunder.
The exhibit ran through May 31 at the Aphrodite gallery, upstairs at
Passional, 704 South 5th Street. The gallery is open on Sundays from 2-6
PM. For more information and to see other images of Lawrence's work,
visit his website at www.ShibariArtPhotography.com,
or email davidlawrence@shibariartphotography.com.
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NEWS
Arts
and Culture Face the Mayor’s Veto
The
Barnes Finds Its Place
SPOKEN WORD
InterAct's
Writing Aloud
Art
Sanctuary Resident Artist Trapeta Mayson
Daughters
of the Diaspora
Alicia
McCarthy & Ben Smith: Artist Comedians
LITERATURE
James
Alan McPherson at Kelly Writer's House
Author
Lawrence Richette's Novel, The Secret Family
Notes
on Author Faith Adiele
CULTURE
Philly
Reuses It!
Shoba Sharma's
Naatya Dance Ensemble
Passional:
Deliciously Illicit
The
Photographic Art of David Lawrence
Art
Sanctuary Opened Center & New Play
Jay
Schwartz's Secret Cinema
COLUMNS
A Modern Girl's Guide
to Philadelphia
Fabric Sculptor J. Lauren
McCall
[UNDERGROUND SWELL]
It is Peace of Mind: Ananda
Ashram
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