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NEWS
Mayor
Signs Budget, Spares Most of Arts & Culture
Prescription:
Fringe & Live Arts Festival
ART
Creating
Healing: Artists for Recovery
Philadelphia
Glass Works
Textile
Designer Christina Roberts
Black
Women's Arts Festival
Jewelry
Designer Nicole Eichman
MUSIC
It Goes To Your Feet: Alô Brasil
Meg
Clifton: New Voice in Philadelphia Jazz
Spotlight
on Amos Lee
Workaholics
Anonymous Profile: Cassendre Xavier
LITERATURE
American
Poetry Review: Right Here in Philly!
Author
Spotlight: Aimee Bender
Philly
Zine Fest
Lawrence
Richette's The Fault Line
CREATIVE NON-FICTION
Padded
Leprechaun: A Bloomsday Tale
A
Remembrance of Things Writing Camp
Theoretical
Cinematic De-elevations
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Prescription: Fringe & Live Arts
Festival
Opening September 3
by Jess Shaefer
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The Leah
Stein Dance Company will perform Cornerstone at the Christ Church
Burial Ground. photo, L. Stein |
Do you sometimes feel like you are lost in the muck of mainstream art
forms, floundering to satisfy your hunger for experimentation? Are you
an artist in desperate need for the affirmation of the disposition that
taking chances can actually pay off? Well, lucky you. The Philadelphia
Live Arts Festival and Philly Fringe Festival are on their way. The two
festivals, originally founded as the Philadelphia Fringe Festival, have
taken place annually since 1997. This year, the festivals will be
presented September 3 to September 18. "[It's] one fun and
outrageous time of year," said the festival's co-founder and
Producing Director Nick Stuccio. "Philadelphia, for more than two
weeks," continued Stuccio, "becomes a mecca for the performing
arts."
The festivals aim to bring together the widely dispersed and commonly
disaffected members of the local art scene. "Our audiences are
people who are looking for new ways to do things, new things to try.
They are adventurous and committed to Philadelphia's performing arts
Renaissance," continued Stuccio. The box office opened on August 23
and is located at 620 Chestnut Street.
Stuccio added, "By virtue of its unique format, [each] festival
also provides a high concentration of people normally dispersed in
smaller venues at various times of the year." So go find your
people. You might finally see them in the daylight, away from the dark,
smoky corners of the dingy bars you've patronized together, suddenly
watching the Leah Stein Dance Company performing Cornerstone at
the Christ Church Burial Ground on Arch Street on September 4 at 6pm. Or
they might have departed the basement galleries on First Friday in order
to catch Ed Schmidt's play The Last Supper in the black box on
the 3rd floor of 723 Sansom Street at 7pm. Perhaps you will see them
becoming enraptured and stimulated by an international act, such as
Akira Kasai, who will perform Japanese butoh on September 9 at the
Painted Bride Art Center at 230 Vine Street at 8pm. This year, 150 shows
will occupy performance spaces all over Philadelphia. Each show is
self-produced.
The Live Arts Festival features cutting-edge performing arts events,
mostly comprised of dance groups and bands, while the Philly Fringe is
an all-inclusive event that enables various kinds of visual artists and
filmmakers to self-produce their work. Sixty-eight artists will be
featured in the Live Arts Festival, and 149 artists will exhibit as part
of Philly Fringe. Because the Fringe Festival does not subject
participants to a selection process, the artists involved truly
represent the marginalized populations of both regional and
international artists (in other words those at "the fringe").
The venues range from theaters, nightclubs, and galleries to alleyways,
abandoned buildings, and hotel rooms. The Headlong Dance Theatre, a
local group, will perform their piece Hotel Pool in the pool at
the Society Hill Sheraton Hotel. Richard Maxwell and the New York City
Players will present the play Showcase in a room at the Holiday
Inn.
Because the festivals are open to new and developing talent, Stuccio
said, "[Artists] feel comfortable and inspired to push boundaries
and experiment." The Fringe Festival in particular, he continues,
represents a "strong, effective platform for [the] emergence"
of artists and organizations locally, nationally, and internationally.
Program Director Deborah Block called the Fringe
"unfiltered" and "all-inclusive." "[The shows]
represent every voice in the world of performance you could possibly
imagine," added Stuccio, who explained that the Live Arts Festival
is geared toward conventional expectations. "It is challenging to
place contemporary performance art in the typical categories of dance,
music and theater," Stuccio continued. "The boundaries in the
work are wonderfully impossible to find." The Live Arts Festival
coordinators have avoided using traditional modes of classification by
grouping the shows into four loosely defined "sets of
experiences" based on the artists' intentions or feelings. Other
Places includes works inspired by a place. On Stages groups
theater pieces that contain a central text or narrative. Bodies in
Motion consists of pieces that focus on the physicality of the body.
Performance Installations includes work based in visual or
conceptual art practices. The Live Arts Festival also offers live
discussions and workshops that allow audience members to interact with
the artists. This is called Festival Plus. Kasai, after his
September 10 performance, for instance, will host a talk.
Audiences will be the first to see developing works at Live Arts. Mum
Puppet Theatre will present Foocy Djanni by Ugly Stepsister on
September 6, a play written by and featuring Philadelphia-based actor
Tony Lawton. This new work is part of Live Art's "In Progress"
agenda. "In Rehearsal" is a bill with the same theme,
characterized by PhilaDanceTokyo.Net, a workshop piece by the
Group Motion Dance Company with Leni-Basso, which will be presented at
Painted Bride, September 13. Stuccio said, "'Live' is that moment
during a performance when you experience something new, fresh,
different, and exciting. It is the moment when we recognize that we are
in a new territory."
Last year, the festivals drew tens of thousands of audience members.
This year, organizers hope for even more involvement from Philadelphians
and out-of-towners alike. So next month, get out there and support all
those starving artists who, in many cities, don't stand a chance of
exhibiting their work. Show some Philly pride, because here, we're
willing to take risks. For more information, call (215) 413-1318 or
visit the festivals' website at www.livearts-fringe.org.
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FILM
Jersey,
a Quarter-Life Crisis, and Sundance
High
School Revisited in Strangers With Candy
PIGLFF
Celebrates Ten Years of Queer Cinema in Philadelphia
Lost
Film Festival
Cinema
India! Brings Bollywood to Philly
THEATRE
A Potable Joyce:
A Watered-Down Version of Ulysses
The
Brick Playhouse Gives Voice to Local Playwrights
SOCIETY
Garden
Varieties: Big Tea Party
Love
for Sale: Profile of David Henry Sterry
Sex
Cop: Josh McIlvain is on Patrol
Exploring
Body Work at Hot Import Nights
COLUMNS
The
Masked Perfesser in Dublin
Ghost
of Fuddruckers
Distributing PAW Print
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