The Pennsylvania Railroad
Northern Division

Miscellaneous Modeling Tricks and Tips


      Over the years, every modeler stumbles onto some neat tricks and tips of his or her own. Some are unique, while others may be common. As people visit my layout, many comment on various things that I have done and asked how I did them. I created this page so that I may share some of these 'tricks' with you.


You can either scan down this page or click on the topic you are interested in.

Track Cleaning

Working Cabin Marker Lights

Sound and Momentum

Paint it Black?
Modeling Track Joints

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Track Cleaning

      There seems to have been as many discussions on different methods of track cleaning as there are politcal points of view! The bottom line is that there is not any right way, but rather the best way, and that is the way that works best for you. I certainly do not profess to knowing the 'right' answers, but rather would like to share with you my experiences. You can take it from there.

      I've used the common abrasive type track cleaners. Sometimes called 'Bright Boys' or 'track erasers', these small abrasive blocks literally scrape dirt and residue off the rail. These will clean the rail and are excellent for heavy built up dirt. For example, I've used these after painting track. However, I have found that after continued use, these may do more harm than good. These abrasive cleaners tend to scratch the rail head, leaving small areas where dirt can and will accumulate. This accumulating dirt causes the wheels of locos to spark, causing pitting of both the rail head and loco wheels. They also tend to damage the points on finer turnouts. So while these abrasive track cleaners work, I would only recommend them for limited use.

      I have also used several different types of liquid cleaners such as Rail-Zip. These appear to be some type of petrolium based liquid and will loosen dirt, allowing the locos to make better contact with the railhead. These liquids don't actually 'clean' the rail as much as they loosen the dirt and move it out of the way. I noticed a build-up of a tar type of dirt on the outside of the railhead on curves after using Rail-Zip for about a year or two. This became difficult to remove, requiring me to get the 'Bright Boys' out for a heavier cleaning, which I don't like to do (see above).

      Then I broke down and purchased a Centerline Track Cleaning car, and as per their instructions, used Goo-Gone as the cleaner. This is some type of citrus house hold cleaner that is applied to the pad on the car, and then the car is pulled or pushed around the layout. The car is designed so that as the car rolls, the cleaning wheel, which is a heavy brass roller, rolls with a limited amount of friction. A Handy Wipe type of towelette which is soaked with the Goo-Gone is wrapped around the roller. The result is that the Goo-Gone is wiped, not applied, over the railhead. The weight of the roller, combined with the limited amount of friction, creates this 'wiping' affect.' While I really like the Centerline track cleaning cars, I do not recommend the Goo-Gone product for continued track cleaning. Like the other liquid track cleaning products, this product also seems to leave some sort of residue on the rail that in time dries up and interferes with the conductivity properties of the railhead.

      Finally, a friend recommended using plain alcohol, like rubbing alcohol. I must confess that at the time I was still using Goo-Gone, thinking that my rail was clean, but I was also experiencing problems with certain locomotives, particularly sound equipped engines which I usually have set with momentum effect. One night, while at a friends house, I ran one of my sound equipped engines on his layout and it ran more smoothly than I ever remember! It turns out he cleans his layout with alcohol. I came home that night, switched out the cleaning pads on my Centerline car, applied alcohol to the car and ran it around the layout. I then ran the same locomotive and it ran better than ever before! I was born again!

      My current track cleaning train, which I fondly refer to as 'MLCMX' (or Mean Lean Cleaning Machine Extra), is comprised of two Centerline track cleaning cars and a third home made car which drags a bright boy type abrasive cleaner. The first car is a Centerline car, which is run wet with the alcohol. The second car is the bright boy car. The third car is the second Centerline car, but the pad is left dry. When run, the first car applies the alcohol for the initial cleaning. The bright boy car drags the bright boy underneath it which 'scrapes' stubborn dirt from the rail head. The third car then wipes the rail head clean. I run this train only occasionally for routine maintenance.

      Since using alcohol, I have experienced absolutely NO problems with dirty track. If I run my finger over the rail head, I notice very little dirt coming off the rail onto my finger, and locos run smoother now than ever.

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Working Cabin Car Marker Lights

      One of the things I really enjoy on a layout is a little bit of realistic animation. Working lights on motive power, cars and cabooses adds a lot to a layout. In addition, I've always considered the locomotives AND cabooses to be the 'stars' of a train, and therefore should get a little more attention with regard to detailing. With this in mind, I went back to all my cabin cars (PRR terminology for cabooses) and detailed and weathered them. I also decided to add working marker lights to all these cars as well.

      In the mid to late sixties, most of the PRR cabins were outfitted with blinking marker light fixtures, similar in appearance to what we know as the highway construction flashers. These flashers have a red lens on the top and a yellow battery box attached to it on the bottom. The entire unit measures approximately 10" tall. The ones used by the PRR hung on the rear of the cabin on the outside of the crash bar.

      I have both brass and the Bowser plastic N-5's, N-5c's and N-8's on my layout. The plastic cars were a rather straight forward installation, but the brass cars required a little more effort. The most difficult part of the project was installing some form of electrical pickup for the circuit. For all the cars, I used Jay Bee #103 Athearn Caboose Wheel sets for lighting an Athearn caboose. This kit comes with insulated wheel sets, brass wipers, and a long threaded bolster pin which easily extends through the floor into the cabin for connection to the circuit. While the installation of the wheel sets was rather easy on the Bowser cabins, the brass cabins required that I remove the brass bolster and replace it with a plastic one in order to completely insulate the circuit. I also replaced the brass side frames on the brass models with the Bowser side frames.

      For the flasher circuit, I used the 'two light alternating strobe flasher' circuit by Miniatronics. This kit includes the assembled circuit board along with two red bulbs. The wires for the bulbs were run through the rear wall and under the roof of the cabin near where the roof curls down along the sides. This sufficiently hides the wires from view. The bulb is then placed in such a fashion so as the end of the bulb is sticking out alongside the crash bar of the cabin. I painted the sides of the bulb black so that it blended in with the roof edge. I also placed a wash of flat black paint carefully over the end of the bulb so as to dull down the 'flash' of the bulb. I then cemented a small square piece of plastic, approximately 3" square to the underside of the bulb and painted it yellow. This piece of plastic represents the battery box of the flasher.

      The end result is a very convincing set of flashers on the rear of the cabin. Since I use DCC, there is always current on the rails and hence, the flashers are always flashing. This small addition to the cabin cars makes for an interesting amount of animation and interest to the end of the train.

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Sound and Momentum

      I have always been intrigued with the use of sound to add to the operating realism on a model railroad. We have been very fortunate over the past few years to see more and more available sound units, and the quality of those units continues to improve. But there was always one thing about these units that bothered me; the sound didn't seem to in sync with the motion of the locomotive. With steam, this is easily resolved using a 'cam' to sync the exhaust sounds with the motion of the locomotive, but diesel sounds are a different story.

      I finally broke down one day and bought a sound system for one of my Life-Like GP-9's. It was surprisingly easy to install, and I was even able to manage to squeeze a 3/4" speaker into the cab! Finally, it was time for the test run. I put the engine on the track and throttled it up and away she went. It sounded great, except for one little thing that really bugged me. Then engine was halfway down the track by the time the engine revved up. It wasn't right! We all know that, especially under load, we hear the diesel throttle up and then it moves a minute later.

      I than began to tinker with the momentum. I've never been big on momentum before, but figured I would see if it made a difference. Much to my surprise, it worked. I set the starting and stopping momentum (CV3 & CV4) to a value of 20, just enough to get the effect. Now, when you throttle up the engine, the sound responds immediately, revving the engine up, then it slowly starts to move. Likewise, when you go to stop, it slowly comes to a stop, as if you were applying the air brakes on the prototype.

      The next surprise came when I took that engine out on a local switch job. What used to take me maybe 10 minutes now took me 20 minutes. This was great as it suddenly became much more realistic. Not only did the sound of the locomotive add to the enjoyment, but the momentum effect made me concentrate on my moves a lot more as well. I had to slow the engine down enough to properly couple or spot cars. This added realism added so much to my operating enjoyment.

      While I was never a big fan of momentum before, I am now a believer and strongly recommend everyone try it. Just a little momentum effect can go a long way!

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Paint it Black?

     Early on when I began construction on the layout, I followed the long standing tradition of painting the scenery base an earth tone color.  When I began to apply textures, I kept finding these light colored spots where the textures didn't cover well.  I would go back time after time, adding more texture until the light spots disappeared. Then I visited a friends layout and I noticed he was painting all of his scenery hardshell black.  I asked him why and he explained to me how it hides those annoying 'light spots'. He went on to explain that there is actually a very logical reason for this.

     Black is not a color. It is actually the absence of all color. It is also the least noticed 'color' to the human eye. Logically, if there is something you don't want people to see, you would paint it black. For example, in the theater world, when building sets or props, black is used as a base color. Items that are supposed to 'pop out' or seem larger are usually painted a brighter color so they stand out against objects around them. Bringing this philosophy to the model railroading world, we highlight rock outcroppings with lighter colors to make them standout, so wouldn't it stand to logic that we paint things black that we do not want noticed?

     So I returned to my layout and experimented by painting my hardshell black and then applying the textures as normal. I was extremely surprised at how well the textures seem to cover the hardshell. If I were to examine the scenery closely, I could see the 'bare spots', but they were not nearly as noticable as the areas painted with earth tones. Then I stood back and compared the original area I had started by painting the earth tone color to the area right next to it continued by painting the hardshell black. On the first section, even from a distance, I could clearly see the spots where the texture left bare spots, whereas in the second area, no spots could be seen. In addition, I noticed that those areas painted black seem to have more 'depth' to them. The scenic colors seemed to be more brilliant. I was sold!

      Now I paint everthing on the layout black before I do anything else. Everything from roadbed to scenery hardshell.

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Modeling Track Joints


These two photos show the fish plates. The turnout below shows how fish plates are placed on turnouts.

     At a recent open house, I was surprised at how many people noticed my track joints! Many people asked how I modeled these 'prototype track joints' and they were surprised how easy it was, but more importantly, how it improved the appearance of the track.

     I've always felt that the trackwork is as much as part of the scenery as trees, bushes, etc. After all, when people visit your layout, they will focus on the track and areas surrounding your trackwork, so doesn't it make sense that give as much attention to the trackwork detail as anything else?

     On the mainline portion of my layout between Northumberland and Sunbury, I modeled the track by representing 39' rail sections with fish plates. To do this, I measured out 39' scale feet with a scale ruler, offsetting the 'joints' as I went along. Every 39', I made a very small notch in the railhead to represent a joint.

     For the fishplates, I used Grandt Line Code 70 fish plates. These are labled as 'Code 70 Dummy Fish Plates', part number 9003. They are listed as an O Scale (1/4") part, but are specifically for use with Code 70 rail. You could probably use these on any size rail and they would look fine.

     I glued them to the rail side using ACC Glue. Make sure that the glue is applied to the full length of the fish plate so that they lay flat against the side of the rail. I only glued these to the side of the rail that would be visable. You could apply them to both sides of the rail, but my philosophy is why apply details to where no one would see them! While this is a tedious process, it goes fairly quickly.

     Turnouts require a little more attention, as there are fish plates of various sizes, depending on the turnout size. These are located on the point rails, as well as on either side of the frog.

     Once weathered, the fish plates become a very subtle detail, but surprisingly show up nicely under the scrutiny of a photograph and will add a lot of detail to your track.

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