Miscellaneous Modeling Tricks and Tips
Over the years, every modeler stumbles onto some neat tricks and tips of his or her own. Some are unique, while others may be common. As people visit my layout, many comment on various things that I have done and asked how I did them. I created this page so that I may share some of these 'tricks' with you.
You can either scan down this page or click on the topic you are interested in.
| Paint it Black? |
| Modeling Track Joints |
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One
of the things I really enjoy on a layout is a little bit of realistic
animation. Working lights on motive power, cars and cabooses adds a lot
to a layout. In addition, I've always considered the locomotives AND
cabooses to be the 'stars' of a train, and therefore should get a
little more attention with regard to detailing. With this in mind, I
went back to all my cabin cars (PRR terminology for cabooses) and
detailed and weathered them. I also decided to add working marker
lights to all these cars as well.
In
the mid to late sixties, most of the PRR cabins were outfitted with
blinking marker light fixtures, similar in appearance to what we know
as the highway construction flashers. These flashers have a red lens on
the top and a yellow battery box attached to it on the bottom. The
entire unit measures approximately 10" tall. The ones used by the PRR
hung on the rear of the cabin on the outside of the crash bar.
I
have both brass and the Bowser plastic N-5's, N-5c's and N-8's on my
layout. The plastic cars were a rather straight forward installation,
but the brass cars required a little more effort. The most difficult
part of the project was installing some form of electrical pickup for
the circuit. For all the cars, I used Jay Bee #103 Athearn Caboose
Wheel sets for lighting an Athearn caboose. This kit comes with
insulated wheel sets, brass wipers, and a long threaded bolster pin
which easily extends through the floor into the cabin for connection to
the circuit. While the installation of the wheel sets was rather easy
on the Bowser cabins, the brass cabins required that I remove the brass
bolster and replace it with a plastic one in order to completely
insulate the circuit. I also replaced the brass side frames on the
brass models with the Bowser side frames.
For
the flasher circuit, I used the 'two light alternating strobe flasher'
circuit by Miniatronics. This kit includes the assembled circuit board
along with two red bulbs. The wires for the bulbs were run through the
rear wall and under the roof of the cabin near where the roof curls
down along the sides. This sufficiently hides the wires from view. The
bulb is then placed in such a fashion so as the end of the bulb is
sticking out alongside the crash bar of the cabin. I painted the sides
of the bulb black so that it blended in with the roof edge. I also
placed a wash of flat black paint carefully over the end of the bulb so
as to dull down the 'flash' of the bulb. I then cemented a small square
piece of plastic, approximately 3" square to the underside of the bulb
and painted it yellow. This piece of plastic represents the battery box
of the flasher.
The
end result is a very convincing set of flashers on the rear of the
cabin. Since I use DCC, there is always current on the rails and hence,
the flashers are always flashing. This small addition to the cabin cars
makes for an interesting amount of animation and interest to the end of
the train.

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Early on when I began construction on the layout, I followed the long standing tradition of painting the scenery base an earth tone color. When I began to apply textures, I kept finding these light colored spots where the textures didn't cover well. I would go back time after time, adding more texture until the light spots disappeared. Then I visited a friends layout and I noticed he was painting all of his scenery hardshell black. I asked him why and he explained to me how it hides those annoying 'light spots'. He went on to explain that there is actually a very logical reason for this.
Black is not a color. It is actually the absence of all color. It is also the least noticed 'color' to the human eye. Logically, if there is something you don't want people to see, you would paint it black. For example, in the theater world, when building sets or props, black is used as a base color. Items that are supposed to 'pop out' or seem larger are usually painted a brighter color so they stand out against objects around them. Bringing this philosophy to the model railroading world, we highlight rock outcroppings with lighter colors to make them standout, so wouldn't it stand to logic that we paint things black that we do not want noticed?
So I returned to my layout and experimented by painting my hardshell black and then applying the textures as normal. I was extremely surprised at how well the textures seem to cover the hardshell. If I were to examine the scenery closely, I could see the 'bare spots', but they were not nearly as noticable as the areas painted with earth tones. Then I stood back and compared the original area I had started by painting the earth tone color to the area right next to it continued by painting the hardshell black. On the first section, even from a distance, I could clearly see the spots where the texture left bare spots, whereas in the second area, no spots could be seen. In addition, I noticed that those areas painted black seem to have more 'depth' to them. The scenic colors seemed to be more brilliant. I was sold!
Now I paint everthing on the layout black before I do anything else. Everything from roadbed to scenery hardshell.
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At a recent open house, I was surprised at how many people noticed my track joints! Many people asked how I modeled these 'prototype track joints' and they were surprised how easy it was, but more importantly, how it improved the appearance of the track.
I've always felt that the trackwork is as much as part of the scenery as trees, bushes, etc. After all, when people visit your layout, they will focus on the track and areas surrounding your trackwork, so doesn't it make sense that give as much attention to the trackwork detail as anything else?
On the mainline portion of my layout between Northumberland and Sunbury, I modeled the track by representing 39' rail sections with fish plates. To do this, I measured out 39' scale feet with a scale ruler, offsetting the 'joints' as I went along. Every 39', I made a very small notch in the railhead to represent a joint.
For the fishplates, I used Grandt Line Code 70 fish plates. These are labled as 'Code 70 Dummy Fish Plates', part number 9003. They are listed as an O Scale (1/4") part, but are specifically for use with Code 70 rail. You could probably use these on any size rail and they would look fine.
I glued them to the rail side using ACC Glue. Make sure that the glue is applied to the full length of the fish plate so that they lay flat against the side of the rail. I only glued these to the side of the rail that would be visable. You could apply them to both sides of the rail, but my philosophy is why apply details to where no one would see them! While this is a tedious process, it goes fairly quickly.
Turnouts require a little more attention, as there are fish plates of various sizes, depending on the turnout size. These are located on the point rails, as well as on either side of the frog.
Once weathered, the fish plates become a very subtle detail, but surprisingly show up nicely under the scrutiny of a photograph and will add a lot of detail to your track.
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