17 July 2009

Issue Number:  2009-27

Our 12th Year

 

 

 

~ AROUND THE TABLE ~

 

MEMBERS’ TOPICS IN THIS ISSUE:

 

1.  New Photos of Yorktown Sinking

2.  Color Photos of Kido Butai and Other Ships

 

 

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1.  NEW PHOTOS OF YORKTOWN SINKING   ( see issue #22 )

 

Ed. note:  the following is excerpted from a letter by Bill Roy to the Naval History and Heritage Command concerning the recently identified photos of USS Yorktown sinking on 7 June 1942.  Bill, as one of the ship’s photographer’s mates, had taken the pictures from a nearby destroyer.  You can find them on our Links page.  This letter repeats some of Bill’s BOM story that we’ve seen on the Roundtable before, but it will be new to many members who have recently joined.

 

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10 June 2009

From:  LCDR William G. Roy, USNR-Ret

Florida

BOM vet, photographer’s mate, USS Yorktown (CV-5)

 

I was very pleased to see that, finally, all of the photos that I made of Yorktown sinking, June 7, 1942, have been found and now published, with descriptions.

 

The only reason that these photographs were made is that I was out of film with my 4x5 Speed Graphic still camera.  The Yorktown photo lab had been gutted with the bomb that went down the stack and burned the photo lab on the hangar deck.  I went back to the lab [on June 6th, during the salvage attempt] to look for any film, perhaps in a file drawer.  I then saw the K-20 Fairchild aerial camera that I kept loaded with a roll of film to give to a dive bomber gunner.  That is the camera that I had along with my Speed Graphic.

 

I hurt all over from the explosion of destroyer Hammann being torpedoed and blown up in my face as I ran across the hangar deck to get a photo of the bos’n with a fire axe trying to cut the lines holding Hammann to Yorktown.  I ended up thrown back into a bulkhead but hanging on to my camera.  The next two torpedoes struck Yorktown to starboard, rolling her hard from stem to stern, throwing sailors overboard.  I got up and made three photos of Hammann’s stern drifting back by Yorktown, with sailors clinging on for their lives.  Hammann’s stern was sinking and went out of sight.  Sailors were everywhere in the water.  When Hammann’s stern reached its set depth [for its armed and ready depth charges], the 18 depth charges exploded with a mighty eruption of water, higher than Yorktown.  I was knocked over.  When I got up and made the last photo, there was no one to be seen in the water.  They were all gone.  The Pacific Ocean was smooth, like an eraser had wiped it clean.

 

Captain Buckmaster asked me to come with him on the USS Balch (DD-363).  The aerial camera had a telephoto lens.  It was a perfect camera for the job because we were not too close.  A Speed Graphic would not get the close-up photos or details.  Also, why so many photos?  The K-20 had a long roll of film, so I just shot away as the Balch circled the sinking Yorktown.  I could clearly hear the compartments rupturing as Yorktown was sinking, and water boiling up with debris: boxes, crates, garbage, metal, cloth, oil.

 

When Yorktown finally disappeared, everyone was crying; not a dry eye.

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Ed. note:  two of Bill’s photos of Hammann are found on the NHHC web site, and those two plus a third can be seen on page 160 of A Glorious Page In Our History.  They’re also in That Gallant Ship, pages 172 & 174.

 

 

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2.  COLOR PHOTOS OF KIDO BUTAI AND OTHER SHIPS   ( see issue #26 )

 

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9 July 2009

From:  Don Boyer

Hawaii

 

The Japanese website of "digitally colored" photographs is a fun site to look through.  Some of those "photos," though, have to be complete digital creations, because they don't fit the existing collection of photos...after 45 years of researching the Japanese navy, I think that about all the photos have emerged by now, and if they hadn't, their publication now would have created a stir among historians on both sides of the ocean.  I haven't noticed any stirs over "new" IJN ship  photos.

 

I may well be wrong, but, for example, that photo of Akagi taken from an airplane taking off the flight deck is just wrong in several respects, including wide focus and proportionally.  Also, it duplicates in construct the famous Enterprise photograph taken from an SBD just a bit too closely for my taste.  I haven't gone through all 238 pages, but I am up to about 50, and I've seen several photos that just don't jive, although they are gorgeous re-creations themselves.  Would that the old history books were as well illustrated in some respects.

 

Also, the captions require additional grains of salt.  Example:  "Hornet arriving at Pearl Harbor, 30 April 1942."  It might be 30 April, but I live in Hawaii and for the mountains in the background to show, Hornet has to be LEAVING Pearl Harbor.  Truly a wonderful site to visit, but keep your salt shaker at hand.

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~ NOW HEAR THIS! ~

 

NEWS & INFO IN THIS ISSUE:

 

-  Hooked: Tales & Adventures of a Tailhook Warrior

-  Link of the Week

-  Editor’s Notes

 

 

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HOOKED: TALES & ADVENTURES OF A TAILHOOK WARRIOR

by CDR Clayton E. Fisher, USN-Ret (2009)

 

Clay Fisher has been a major contributor to the Roundtable for many years.  His wealth of experience as a Hornet VB-8 pilot at Midway has contributed greatly to our body of knowledge about the battle.  Clay flew on all five strike missions launched by TF-16 in the BOM, including as Stanhope Ring’s wingman on the infamous “flight to nowhere.“  But he had a 21-year career as a naval aviator, and as harrowing as his BOM experience was, he had several more death-defying episodes to get past before taking that final salute at his retirement ceremony.  At least one of them made Midway pale by comparison; maybe more than one.

 

Hooked is Clay’s narrative of his flying career, beginning with one day at age four when he hid in fear after seeing his first flying machine.  The fear quickly transformed into an obsession to become a pilot, a goal that was finally achieved after an assortment of challenges, detours, and disappointments.  The narrative progresses through his Navy flight training and assignment to the brand new USS Hornet (CV-8) just before Pearl Harbor.  He is given a personal introduction to the ship and squadron by Ring himself, which Clay mainly remembers for his first view of Ring’s personal aircraft—it had obviously crashed on deck!  Clay didn’t know it at the time, but that was something of an omen concerning his squadron commander.

 

As you might expect, a good deal of the book concerns Clay’s recollections of the BOM, which will be quite familiar to you if you’ve been with us for a few years.  Less familiar, though, are his subsequent combat missions, starting with the most traumatic of them all, during the Battle of the Santa Cruz Islands.  There, Clay’s life is saved by his gunner who gets in a good shot on a Zero about to administer the coup-de-grace to their battered SBD.  But the plane succumbs to a violent ditching, from which Clay is saved again by being literally dragged aboard a rescuing cruiser.  And yet, this is only one episode in which he dodged near-certain death during his career.  By my count there are nine of them documented in this book, and that doesn’t include a number of near-misses, like the time when he misjudged the cut while landing on an Essex-class carrier for the first time and wound up catching the first wire.  If you know something about carrier landings, you know that means he missed crashing into the stern of the ship by about a half second.

 

The book continues with his experiences as a flight instructor, which accounted for one SB2A dive bomber, two F6F fighters, and three of the above near-death experiences.  During training!

 

It doesn’t stop there.  Clay violated a military man’s cardinal rule (“don’t volunteer”) by volunteering for a west coast assignment in 1951.  He got VF-53, indeed on the west coast briefly while aboard USS Essex (CV-9), which promptly departed for Korea and another shooting war.  The final portion of the book details Clay’s combat missions over North Korea, including strikes against the renowned bridges at Toko-Ri.

 

I’ve probably known Clay’s personal story better than most other Roundtable members, but I still found the book intensely interesting and hard to put down.  For anyone who has enough interest to read this review and these newsletters week after week, I believe this is one you’re going to want.

 

Since I have a reputation as a detail-focused editor, I have to say that Hooked does have several errors in composition that might cause readers to stumble a little as they go through it.  However, I find it easy to let all of them pass in this case.  The story is compelling, and if a phrase is twisted here or a minor historical fact is missed there, no harm is done to the book’s core value, which is that of an aviator’s amazing personal story, the likes of which few have ever experienced and fewer still can even imagine.

 

The book is abundantly illustrated with photos, many from Clay’s personal collection.  It’s available on Amazon.com as well as other on-line vendors, and you can order it from walk-in bookstores with its ISBN number:  978-1-4327-2279-1.

 

I’ve added Hooked to the Authors page on our Roundtable web site.  Click here for Amazon’s listing.

 

 

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LINK OF THE WEEK

 

For the past couple of years we’ve been awaiting the appearance of the new Spielberg-Hanks production that is said to be the Pacific Theater version of “Saving Private Ryan.”  It now appears that the miniseries, entitled The Pacific, is complete and will air on HBO next year.  Thanks to Paul Turner in Australia for sending us this link, which is an advance trailer for the film.  On first glance, the close combat scenes are as dramatic and realistic-looking as “Ryan” but I’m not so sure about the expansive views of massed amphibious invasions and the like—the CGI struck me as not quite up to the realism that we’ve seen in other productions, like the 2001 Pearl Harbor movie.  Perhaps it will look better in the full version.

 

Click here for the link of the week

 

 

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EDITOR’S NOTES

 

~  Otis Kight reports that the annual VF-42 reunion (USS Yorktown’s fighter squadron) is set at Branson, Missouri on September 10-12.  Anyone desiring to attend needs to make hotel reservations by September 1st.  For more info, click here.

 

~  Konley Kelley, known on the Roundtable for his superb scale models and dioramas, is looking for the colors and markings on Major Floyd Parks’ F2A Brewster Buffalo at the BOM.  If you can help him, please contact him directly as shown on the e-mail announcement for this issue.

 

~  Thanks as always to everyone who submits messages or other contributions for publication in this newsletter.  While everything is always sincerely appreciated, some members may want to know that their chances of getting something published here can be improved by following the guidelines on our FAQs page.   If you sent me something and I didn’t run it, the reason why will very likely be found there.  If not, drop me an inquiry and I’ll look into it for you.

 

 


 

 

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