Bass Pickup System
The Rice Audio® Bass Pickup System (BP2) is a balanced differential
system using two silver metalized piezo-film transducers, a phantom powered
variable gain pre-amplifier and a 15' removable cable. The sensors mount near
the base of the bridge using removable double sided adhesive tape (3M WallSaver
works well for this). The pre-amplifier features a mute switch, a thumb wheel
gain adjust and a green power LED. It has a clip for attaching to the strings
just above the tailpiece. The removable cable is Mogami and has SwitchCraft
TA3F and A3M (XLR) connectors.
The thin plastic transducers have far better sensitivity and acoustic properties
than ceramic crystals or magnetic transducers. Unlike ceramic crystals, the
film material has no distortions within the entire audio frequency range.
They produce an accurate signal even when mounted on thicker pieces of wood
where there would not be enough mechanical force for a ceramic transducer
to operate. Keeping the pre-amplifier close to the sensors produces a very
high signal-to-noise ratio while eliminating the possibility of electromagnetic
interference. The balanced design has a very high resistance to acoustic
feedback. Most customers are so delighted with the sound of this pick-up
that they do not use an equalizer or other signal processor with it.
Because the BP2 pre-amp requires phantom power, many Bass players will
need to use an adapter with phantom power supply on stage in order to have
a direct output for an on-stage amplifier. Almost any small mixer can
provide phantom power. Rice Audio® manufacturers both the
ADB2
and the BDB1
single channel adapters that can provide phantom power and have both an
XLR and a 1/4" output. For musicians who prefer the soft compression
available from a tube pre-amp, the ART Tube MP will work well with this
pick-up.
Feature List:
- Very accurate frequency response from under 10 Hertz to 33 Kilohertz,
- High signal to noise ratio,
- Small size and weight, Easy installation,
- Balanced design provides a high immunity to acoustic feedback,
- Two low mass, high compliance silver metallized piezo-film sensors,
- Small phantom powered pre-amplifier clips to strings just above tailpiece,
- Removable fifteen foot Mogami ultra-flexible low noise microphone
cable,
- Pre-amp features a power LED, a mute switch and a thumb wheel gain
adjustment,
- All Switchcraft connectors.
Endorsements:
Ralph Gordon is a professional bass player who has been using the Rice
Audio® Bass Pickup System exclusively for over three years without a problem.
Ralph uses the Art Tube MP preamplifier with the BP2 to provide phantom power
and to provide a soft compression. The combination provides a sound very
similar to that of an expensive studio bass microphone but with the convenience
of small size and light weight and with the advantage of a higher resistance
to acoustic feedback. Ralph has tried many different Bass pickups over the
years but he refers to the BP2 as "The next level in pickup technology. Clearly
superior to piezo-ceramic pickups".
Kathy Reitz is a local bass player using the BP2 for nearly two years.
When she first tried the pickup she set up an experiment in her home with
the bass in one room and her amplifier/speaker in another. She asked he son
to figure out which room had the instrument and which had the speaker without
opening the door. He guessed wrong!
Joe Gretz is a local bass player who recently purchased the BP2. He set
up quietly to see if the band would notice the difference with a new pickup.
When the band commented that his bass sounded really good that evening,
he tried switching back to his other pickup but the band wouldn't let him.
Installation Instructions:
The piezo-film sensors are somewhat fragile until mounted to the bridge.
Please read these instructions fully before proceeding. Warranty on
the sensors may be voided if these procedures are not followed. If
the sensors must be removed temporarily to be repositioned, then please also
read the removal instructions before proceeding further.
The sensors are mounted so as to sense side-to-side strains within the
bridge. They are interchangable and can be attached to either the top
or bottom face of the bridge. Most musicians will choose the top face
for convenience. The sensors mount symmetrically opposite each other
with the length of the sensors in line with the arch of the bridge.
The preferred location is close to the body of the instrument near the
feet of the bridge. The sound is more natural picking up some resonance
from the instrument body rather than directly from the strings. However,
if your bridge has adjusting thumb wheels, you will need to mount the sensors
higher on the arch of the bridge.
Only the phase of the signal will change if they are interchanged.
- Clean rosin dust from the areas of the bridge to where the sensors
are to be applied. One way to do this is to apply and remove a piece of
adhesive tape several times.
- Attach the pre-amp mounting clip to two strings just above the tailpiece
with the pre-amp between the strings and the instrument body so that it won't
interfere with your instrument cover. The connector can face toward
either side as convenient.
- Find a convenient routing for the sensor wires. Some bridges
have a center hole that the wires can pass through.
- Remove the adhesive strip backing from one sensor and mount the sensor
to the bridge on one side. The sensor can be oriented in either direction
but most installations point the cable toward the strings. It is easier
to avoid trapping a pocket of air by applying pressure working from the
film end of the sensor working toward the cable end of the sensor.
The adhesive tape must support the entire film area and the plastic housing.
Excessive noise will be generated if the small plastic housing is free to
move.
- Mount the remaining sensor symmetrically opposite the first using
the same procedure as in step 4.
- Use an adhesive tape or other method to take up slack sensor cable
which might pull on the sensors to generate undesirable noise. This
will also help to prevent a sensor from being accidentally pulled lose from
its adhesive mounting by the cable possibly damaging the sensor.
- You can now test the system. Connect the cable to the pre-amp
and to a phantom power mixer or adapter input. The green power LED
should come on. Check that the mute switch is off - slide toward the
sensor cables and gently run each sensor with your finger to check that both
are working.
Removal Instructions:
The sensors have a silver metalization that will separate from the film
with excessive force. Also excessive force will create tiny stress fractures
in the outer protective plastic layer of the sensor. However, the sensors
can be removed and reapplied repeatedly without accumulating damage if done
carefully. To avoid unnecessary stress on the film when removing a
sensor please following these steps carefully:
- The removable adhesive tape has a crepe paper liner to give it strength.
Using a sharp edge, carefully lift a corner of the adhesive tape from the
bridge.
- Working slowly to give the adhesive time to release, grasp the adhesive
tape rather than the sensor and continue to lift the tape with the sensor
remaining attached to the tape. Try to avoid bending the piezo-film
more that about 45 degrees.
- If the adhesive tape does not want to release easily due to aging,
then try soaking the the adhesive with isopropyl alcohol. The alcohol
should soften the adhesive. Anhydrous (not diluted with water) isopropyl
alcohol is available at many electronic and printing supply stores.
Replacing the adhesive tape:
After removing a sensor you should replace the adhesive tape before reinstalling
the sensor. 3M WallSaver Removable Poster Tape is ideal for this application
and is available at most hardware stores.
- Slowly peal the used tape free of the sensor while using the side
of your finger to hold the film straight. This will cause the adhesive tape
to bend rather than the piezo-film. If the tape does not want to release
easily, then you can soak the adhesive with isopropyl alcohol. The
alcohol will not harm the sensor.
- Tear off a length of removable adhesive a little longer than the
sensor. The tape has to mount the plastic housing of the sensor as
well as the film area.
- Press the sensor onto the adhesive strip working from the film end
of the sensor to avoid wrinkling or trapping any pockets of air.
- Use a fingernail or other sharp edge to separate a corner of the
adhesive tape from its stiff backing by pushing the tape toward the sensor.
Acrylic adhesives have a tendency to harden and become more permanent
with age. It is a good idea to replace the adhesive tape about once
a year to insure that the sensors can be easily removed.