We open with the deep stage and only the center screen exposed. The two side screens are obscured from view.
"The BOWverture" is playing, almost prematurely, as the audience settles. The overture previews the progression of the whole show, so as it evolves over the course of its twelve minutes the video also reflects that progression. Initially the ambience, light, and images are ethereal. Scenes of the world's tragedies follow. Then a "ray" of hope initiating the progress toward wholeness, a healed state, and celebration.
We begin the cycle again as a convict sings a victim's song, "I Been Taken," from his cell. He sees himself as a powerless victim with no way out but perhaps suicide, as he intimates at the end of the song...
A storm comes up as a segue, introducing the next song, "This Dark Room." This character is also in a dark place, but shows some consciousness about where she is and how her situation relates to other possibilities for her...
"Padma Thunder" is the "crack" in perception and reality; a line of demarcation, where we no longer see our own suffering as the primary issue, but begin to foster consciousness of and a desire to alleviate others' suffering in the world. The curtains open to reveal the rest of the stage. The dancers begin to create and adorn an altar. The video is a vibrant color panel background to this all out African style dance.
"Awalo" is a Nigerian prayer for success on the journey. Originally, I'm told, it was sung at ceremonies when the hunters were about to leave the village on the hunt for food. "Have a safe, expedient and bountiful hunt," is its message. In our case, we're going on an inner journey, to reclaim lost parts of ourselves, and an outer journey, to serve where needed and wanted, helping other souls find their way home...
"The Distance" is about getting our bearings and looking out across the void. Even as we board the ship in our vast numbers — all of us together on a quest for wholeness — the journey is a solo one, into uncharted territory. No one has been where we are going. It is personal, and so, has an element of lonely melancholy. This is a time for introspection, plotting a course, checking supplies and personal effects. We reflect on all this as we gaze out over the distance we are about to traverse.
"The Journey to Initial Contact" — Blast off! We go soaring into the cosmos. Yet even on this great mission we have some mundane duties to perform on the ship. After some time, we make our first radio contact with the cell of the lost souls. We communicate our mission to rescue them! They want no part of it. They don't see themselves as lost or know they could be happier. They only know misery, and it's a comfortable, familiar place. Though well intentioned, we are young missionaries, a bit green, tactless and unrefined in our approach. A galactic war breaks out.
Finally, after a long and exhaustive struggle, as understanding and forgiveness are cultivated, peace is restored. Communication improves, trust and confidence develop.
"Little Man" is one of the lost souls we meet. The "inner child," a beautiful boy lost many years ago, is welcomed home. We also encounter victims of war, famine, and other disasters large and small.
"The Astro Tool Belt Stomp" is the negotiation — the hammering out of details and agreements that facilitate our rediscovered souls' journey back home to reintegration.
"Back To The Nest" is the trip home, pregnant with anticipation and excitement about the future.
"The BOW Tango" is first, the approach (as planet Earth is seen getting bigger on the center screen), then the docking of the ship, our disembarking (as the music gets more lively) and finally...
"CuddabeenaBuddha."
The cork pops and the party begins! The dancing and wildness go on for what seems an eternity. However, the celebration is interrupted temporarily with...
"The Bee Keeper." This piece is about the maintenance that's required to sustain wholeness even once you've gathered and accounted for all your lost parts.
The tempo picks up again with "Love Loves Love" and the party comes back to life.
More music is being composed to extend the party...
— rickfranz@comcast.net
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