The primary catalyst for this "Feature" designation is the insulator we use and its expanded function in our cabling. In our Midnight Silver Edition Gen.II and Poiema!!! series cable products, this designation also has to do with the redistributed surface area of our solid core conductors. We view the insulator in an audio cable as more than just a dielectric to isolate conductors from each other and we view the choice of conductor gauge and it's form as more than a means to minimize DC and AC resistance. Insulator and conductor choice can mean the difference between a good sounding audio cable and world class high performance cable.
Virtually all commonly used insulators for audio purposes impose a discernable editorial to the music signal. These distortions include time smear, electrostatic noise and mechanical resonance feedback. Some designers, rather than deal with these issues, actually use these aural artifacts as means to tune or create a signature in their cabling! Our insulator is a sealed air/organic type whose properties virtually eliminate these distortions leaving the conductor and insulator interface to impart no discernable editorial on the music signal. We could divulge more about our insulators but then we would have to kill you. Suffice this to say and live: The sonic impact of our insulator is no small issue.
At some frequency all conductors, regardless of material, suffer a phase shift and begin to attenuate the signal at a given frequency dependant on the size of the conductor. This is a pretty simplified definition of "Skin Effect". Small conductors avoid high frequency roll off and may allow bats to enjoy our music but the lower midrange on down will suffer, sounding attenuated and lacking bloom. Stranding many smaller wires
together to achieve a larger gauge wire is one approach to solve this problem but this approach introduces at least as many problems as it solves and is especially noticeable as a type of noise when installed in high performance music systems. On the other
hand, a cable could be constructed from a pair of large gauge solid conductors but then you lose the bats and the sparkle in the music that gives it it's vivaciousness.
What to do? Our solution is to redistribute the surface area of a solid core conductor so that we're able to use large gauge equivalent conductors and avoid the high frequency roll off endemic with large gauge conductors. Foils and ribbons were originally tried but we found them to be too delicate for manufacture into an audio cable. As foil and ribbon type conductors are defined as being anywhere from 0.002 to .005 thick, they are prone to too much stress that will fracture the conductor's grain not only in manufacture but
also in simple dressing during installation in an entertainment system.
Finally, the redistributed surface area of our conductors play an important role in how we accomplish our different cable's impedance characteristic and it's associated electrical Q. This is critical to how well an audio cable carries out it's transmission function in a given application. As forming an optimized LCR circuit, we depend to a
good degree on our conductors being responsible for very high quality L, C, and R properties rather than only LCR values producing a target impedance product.
All in all, our CordLESS Cable Technology is a significant factor to the holographic presentation our cabling is able to provide.