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Carnegie Mellon University Press
Robert
Thomas knows what a frenulum is, and the skills a
shoemaker needed in 1623. His range of reference and imagery
is wide, including music (classical and popular), history,
and the hard sciences, and from these he makes poems unlike
anyone else’s. He can be lyrically contemporary, or
speak in extended narratives through the personae of Leoš
Janácek, Jakob Boehme, and Jacqueline du Pré.
Dragging the Lake is richly textured, various, deeply
satisfying, and snazzy. |