July 2000: Arpeggi vs. Rolled Chords - Unit 1

 

 

 

The term "arpeggio" (Ital.) is applied to a sequence of notes that make up a chord. Let's start with a simple C major chord. The members of the chord are:

  • C - the root
  • E - the 3rd
  • G - the 5th
  • Chord tones are identified by their relationship to the root or name note of the chord. Hence E is the 3rd because it is a 3rd above C, and G is the 5th because it is a 5th above C.

    - To arpeggiate a C major chord, we might play C then E then G etc. but it is not necessary that C be on the bottom. Any one of the chord tones can be on the bottom and it would still be considered a C major arpeggio.

    - An arpeggio may contain as many multiplications of chord tones as desired. For example:

  • C E G C E G C E G C etc.
  • - It may contain other notes which serve as passing tones between chord tones which would still be considered a C major arpeggio. For example:

  • C (D) E G C -- in which D passes between C and E.
  • - It may contain added notes which embellish the chord. For example:

  • C E G A C-in which A makes it a C6 chord (A is a 6th above C)
  • C E G Bb C-in which Bb makes it a C7 chord (Bb is a 7th above C)
  • - Sometimes an arpeggio may have a base note that differs from the chord that is built above it. For example:

    - Arpeggi may be played upward, downward, or some combination thereof.

    - The single most important thing to remember about arpeggi is that they are timed! The notes of an arpeggio move from beat to beat in a timed rhythmic sequence just as they do in a melody or accompaniment.

     

    See you next month.

    Stephanie

     

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