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| 1) Specially formulated glass is cut and assembed in layers. |
1B) Powdered glass, glass wafers and stringers assembled and just about ready for firing | 1C) Chucks of green Moretti on top of blue iridescent glass before firing. |
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| 2) Glass pieces stacked in the kiln prior to heating to approx. 1480 degrees F, with controlled cooling. | 3A) After firing the pieces are fused together and edges are rounded |
3B) This piece was fired a bit hotter, so it's completely flat |
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4A) After firiing, some pieces are painted |
5A) Back into the kiln for controlled heating to |
6A) Gold luster paint after firing. |
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4B) Other pieces are placed in a mold to shape the object into a bowl or other 3D shape. |
5B) Back into the kiln, to be heated just enough for the glass to slump into the desired shape. |
6B) "Joy," iridescent cranberry glass bowl was painted with gold luster, and then fired in the bisque mold to the left. |
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| 6C) Traditional glass painting techniques require separate firings for each paint color. |
6D) "Toucan's Dance" was built in layers with powdered glass (frit) glass wafers, glass string (stringers) and paint (for the dancing figures) |
Miscellaneous shapes and colors of |
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© Copyright 2008 Stacey & Leland Dennick |
To learn more about fusing and slumping see www.warmglass.com |
![]() "Shark dish" Fused iridescent and dichroic glass slumped into a dish shape. |
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