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Kandinsky, Wassily
Kandinsky, working in the 1920's, was also not a synesthete, despite his fame for his synesthetic artwork. Many of his paintings and stage pieces were based upon a set and established system of correspondences between colors and the timbres of specific musical
instruments. Kandinsky himself, however, stated that his correspondences between colors and musical timbres has no "scientific" basis, but was founded upon a combination of his own personal feelings, current prevailing cultural biases, and mysticism (see Kandinsky 1994; see also Dann 1998; Riccò 1999: 138-142).
Schematization of the correspondences between colors and musical timbres according to Kandinsky:
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