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| Drive-ins Get the Wide-Screen Mama Blues Column for July 15, 2004 |
Fifty years ago, the motion picture industry was in transition. Television
was eating into the movie theater business. Flint got its first good TV signal
in 1950 when WJIM-TV (now WLNS) channel 6 in Lansing went on the air. Not
all TV was successful. In 1953, Flints first TV station, WTAC-TV on
UHF channel 16, went on the air. But it went off the air permanently less
than a year later because too few TV sets were equipped to receive UHF channels
at that time. (The former WTAC-TV studios would become the WJRT channel 12
studios in 1958.) Fifty years ago this year in 1954, WNEM-TV channel 5 went
on the air and originally had studios located in Flint at Bishop Airport.
The
motion picture industry tried different ways to get people back to the theaters,
some of which had already started closing as they couldnt compete with
TV. 3-D movies (requiring the use of 3-D glasses) were short-lived. Making
the screen size larger and wider was tried first with Cinerama which used
a very wide screen and three projectors running simultaneously. A couple
of Detroit theaters, the Music Hall and the Summit were equipped for Cinerama.
A more practical method of showing wide screen movies was CinemaScope which
used special lenses which squeezed the filmed image onto regular 35mm film,
then unsqueezed it at the projector for showing on a wide curved screen.
All the theaters needed to show CinemaScope films were a new screen and the
CinemaScope lenses for the projectors. So CinemaScope became the most widely
used of the early wide-screen film formats. To find out more about the technical
aspects of wide-screen movies, check out
http://www.widescreenmuseum.com/widescreen/lobby.htm
The first CinemaScope film was "The Robe" starring Richard Burton and Jean
Simmons, released in 1953. That film got its Flint premiere on Thanksgiving
Day, November 26, 1953 at the Capitol Theatre. Regular flat-projected 35mm
movies were and are still being made, but now they were being photographed
with the action and screen credits in the middle of the screen so the top
and bottom could be masked off on the wide screen. If you look at the well-used
intermission film on this page, you can see the top and bottom of the image
is fine, but the middle part had become scorched and faded from too many
screenings with the hot projector light.
Modification of indoor theaters for wide-screen movies was a simple process.
Drive-in theaters were another matter as they needed an architect and a
contractor to make the huge drive-in theater screen tower wider. Some drive-in
theater owners constructed wings which were built the same way
as the original screen tower. The original Dort DI in Flint was a good example
as was the US-23. Others chose to add simpler extensions to the screen tower
which were much thinner than the original tower. The worst example was with
the Starlite DI in Bay City. Some drive-ins, including the Ypsi-Ann DI which
was located between Ann Arbor and Ypsilanti, chose to build a new screen
tower in front of the old one. The winter of 1954/55 was a busy time for
Flint area drive-in theater owners as all four drive-in theaters in business
at that time were building wings on their screen towers to show wide screen
movies. The Dort DI closed for the season and to allow for remodeling on
November 21, 1954. It reopened on March 18, 1955 with "Flints largest
motion picture screen" with the CinemaScope film "Broken Lance" starring
Spencer Tracy. The co-owned West Side DI opened with its "giant wide screen"
on April 7, 1955 and also introduced a new larger refreshment building featuring
heated rest rooms and "Flints only indoor seat drive in
theater." The North Flint and US-23 Drive-Ins both opened on April 1, 1955.
The North Flint DI opened with its wings built creating a 100' wide screen.
The US-23 opened boasting a 5,520 sq. ft. screen which was the largest in
the Flint area and got its first CinemaScope film two days later with "Knights
of The Round Table" starring Robert Taylor, Ava Gardner and Mel Ferrer.
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