Tunes by SmokeyVW


Omega


it's about time


Only The Beginning

[PLAY]

   track 1 time 1:25

It's only the beginning.

What it needs is a euphonium.


Cold Meds

[PLAY]

   track 2 time 2:18

on being thankful for cold medication


This Economy

[PLAY]

   track 3 time 3:36

verbiage


Michael's Fault

[PLAY]

   track 4 time 3:26

This is entirely Michael's fault.


Bellevue

[PLAY]

   track 5 time 10:48

falling deep into a trance

another experiment in self-hypnosis music

the notes are injected into the track echo at a slightly different rate to create arpeggiation

a 33 minute version of this song is available here.


no on

[PLAY]

   track 6 time 2:53

This was an experiment in multi-track poetry. You might want to read the poem first to get a sense of what I tried to do. See the poem here.

Here, I attempt to interleave the dual parts.


Get Data, Create

[PLAY]

   track 7 time 3:05

strange how the cold steel digital domain can enable warm intuitive creativity

The percussion here is made entirely of snippets of Vicki (the Mac voice) speaking a bit of source code. I also grabbed out a few interesting code words to sprinkle here and there.

lyrics:

Get Data / Create

create()
max_volume
44100
set channels 2
get_data()

create()
max_volume
44100
set channels 2

create!
create!
create!
. . .

(c) 2007 Bill Grundmann


Repeat Yeah Knickknack

[PLAY]

   track 8 time 4:50

no chords up my sleeve

~~~~~~~~
sound effects used in this song:

132_squirtyclickum.aif (http://freesound.iua.upf.edu/samplesViewSingle.php?id=26465)
By ontology (http://freesound.iua.upf.edu/usersViewSingle.php?id=191134)

repeat.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=42358)
By irrlicht (http://freesound.iua.upf.edu/usersViewSingle.php?id=81909)

yeah.mp3 (http://freesound.iua.upf.edu/samplesViewSingle.php?id=19446)
By totya (http://freesound.iua.upf.edu/usersViewSingle.php?id=89453)

morl.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=37437)
By funkymuskrat (http://freesound.iua.upf.edu/usersViewSingle.php?id=32926)

24550_FreqMan_car_chirp_edit.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=24585)
By ericendres (http://freesound.iua.upf.edu/usersViewSingle.php?id=39010)

Clandon Chime.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=40561)
By genghis attenborough (http://freesound.iua.upf.edu/usersViewSingle.php?id=205108)

Mobile 1.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=20197)
By stinkhorn (http://freesound.iua.upf.edu/usersViewSingle.php?id=91556)

light_crate_smash3.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=31624)
By Srehpog (http://freesound.iua.upf.edu/usersViewSingle.php?id=183263)

zombieme2.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=20343)
By corpsehere (http://freesound.iua.upf.edu/usersViewSingle.php?id=100044)

indoindo.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=632)
By memexikon (http://freesound.iua.upf.edu/usersViewSingle.php?id=551)

iowCarisbrooke020606.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=19563)
By ashley75 (http://freesound.iua.upf.edu/usersViewSingle.php?id=53692)

#3.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=22401)
By colinbf423 (http://freesound.iua.upf.edu/usersViewSingle.php?id=102067)

Basic saw wave 3 G#4.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=8204)
By Jovica (http://freesound.iua.upf.edu/usersViewSingle.php?id=2518)

tibeten bell1.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=37676)
By ivanbailey (http://freesound.iua.upf.edu/usersViewSingle.php?id=381728)


OOBE

[PLAY]

   track 9 time 1:51

http://en.wikipedia.org/wiki/Out-of-body_experience

~~~~~~~~

sound effects used in this song:
Keys_Jangle_01.wav by Koops (http://freesound.iua.upf.edu/usersViewSingle.php?id=29508)
car door slam 35 A.wav by patchen (http://freesound.iua.upf.edu/usersViewSingle.php?id=6997)
car-start.mp3 by Erdie (http://freesound.iua.upf.edu/usersViewSingle.php?id=118241)


loosed

[PLAY]

   track 10 time 4:32

Originally posted here as a poem, I've transformed it into an experimental piece.

direct references
"The Second Coming" William Butler Yeats
Job 38:31
John 8:32
"No One At The Bridge" Rush
"Lucid Dreaming FAQ"
"Ergotism: The Satan Loosed in Salem?"

indirect references
Matthew 16:19
"What are you doing, VGER?"
"Anarchy Is Loosed Upon The World"
"An Exposition of the Seven Church Ages"
"A Mind Loosed From Its Tether"
"Who The Four Angels Loosed"
"Morte D'Arthur"
"Does The NSA Possess Divine Power?"
"Soul Travel"

~~~~~~~~

sound effects used in this song:
59 the magics gone my special talent disappeared.mp3 (http://freesound.iua.upf.edu/samplesViewSingle.php?id=35846) By anysounds (http://freesound.iua.upf.edu/usersViewSingle.php?id=317782)

lyrics:


the darkness drops again but now you know

if you are fairly certain you're awake
ensnare sweet influence of pleiades
or loose the bands orion if you dare

things fall apart the center cannot hold
recall and fear the salem witchcraft trials
remembering when first you held the wheel

a witch cake was prepared to find the truth
you held the wheel and sailed for distant lands
asleep were we and no one at the bridge

you ask why must your crew desert you now
when you've become aware you're in a dream
you do believe the truth shall make you free

as anarchy is loosed upon the world

(c) 2004 by Bill Grundmann


dog

[PLAY]

   track 11 time 2:03

dog

The longest night of the year.

~~~~~~~~
sound effects used in this song: DogYelping-LokiEdit.wav (http://freesound.iua.upf.edu/samplesViewSingle.php?id=41918) By duckboy80 (http://freesound.iua.upf.edu/usersViewSingle.php?id=346812)


Mind The Monks

[PLAY]

   track 12 time 5:52

After years of careful research and tireless investigation, uncovering and decoding, Rejewski knew it was there. It had to be: it simply made sense. It could be no other way.

The thought increasingly haunted his dreams. The enciphered scripts unrolled before him. The maps and their Gnostic symbols were clear to him now. He knew their secrets.

In his reveries he plotted how to gain access undetected to the undercroft. Although he had yet to set his eyes upon it, he knew exactly how the niche appeared. He could visualize the Coptic inscription just below the opening.

This night was the time for action. He had rehearsed this in his mind dozens of times: each precise step to attain his goal. Soon, the artefact would be in his deserving hands.


Tomographic Notions

[PLAY]

   track 13 time 4:34

Tomography is imaging by sections or sectioning.

In this song, the piano is split into 3 tracks for the right hand, and 2 tracks for the left hand. The tracks are panned to spread them apart. Each track is faded in and out separately to combine them in different ways. The intent is to let the listener examine each piece by hearing what happens when a track is NOT there.

The French horns are similarly split into 2 tracks. Nothing very fancy is done with these tracks, just some simple fading at the start and end.

The drums are split into 3 tracks, but only the high hat is actually separated. The rest of the drums gradually fade in. Here I experimented a bit with sample delay, rather than panning, to avoid masking the other stuff that was going on.

Finally at the end all the pieces are brought together to form the whole object.


Omega

[PLAY]

   track 14 time 4:38

this is based on the original sound bed by davisamerica called "rabitt hole" http://www.macjams.com/song/38162

http://www.youtube.com/watch?v=PXiOQCRiSp0

lyrics:

Omega

blue sparks
fifty foot long blue sparks
jumping like lightning
from the high tension wires to the ground

jumping between the wires
slowly from one tower to the next
the blue sparks multiply

sailing to the North
and to the South
spreading through the grid
dancing across the wires

from the East
to the West


she looks at me with her steel blue eyes
a hint of a smile
but mostly
concern
in those eyes

the lights have been out for days
no word
on when they might return...

the world has stopped
there's nowhere to go
and no way to get there

chat with the neighbors
and check what's left in our fridge

and when it gets dark...
it gets dark.
darker than i've ever seen before

and the night sky is ablaze
with planets, stars and galaxies

it's all we have left

(c)2008 Bill Grundmann


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©2010 by Bill Grundmann