ABSTRACT DESIGNS
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Following the art world in its journey into cubism and abstraction, the Torquay Potteries produced a number of abstract designs. In addition, they produced variations on the luster ware that was being concurrently produced by many English Potteries including Ruskin, Cowen and Moorcroft. Among the abstract designs included several different geometric
variations. Three of the most common are as follows: |
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| (click on the thumbnails for a larger image) The first was the "Jazz" pattern on a blue ground introduced by Watcombe.
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| Variations of the jazz pattern were produced by Lemon & Crute and Hele Cross. | ||
| The second, sometimes called the "mosaic" or "cubist" pattern, was produced by Royal Torquay. | ||
| The third geometric designs introduced Egyptian themes
and resulted in several geometric designs which were based on Egyptian patterns (see Egyptian Land/Seascapes mentioned previously).
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| In addition to the true "geometric" designs there were a number of abstract designs that were clearly Art Deco. Barton and Daison both produced a similar "deco" design. | ||
| Royal Torquay and Watcombe also made pieces of an abstract design that look as
though they are totally covered with splashed paint.
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For other examples not discussed here, refer to the TPCS Magazine January, 1990, page 13, where there is an excellent color illustration showing some more examples of these abstract styles |
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In addition to abstract designs, Watcombe produced plain colored pottery. With good examples you can see an iridescence or luster to the glazes. These sometimes have mottos and are found in three colors, green, blue and amber and referred to as Art "Green Ware", "Blue Ware" and "Amber Ware" respectively. |
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